Category: Tasting

#75.3 Return to Orkney

A distillery on Kirkwall waterfront: Orkney

 

TL; DR: Second distillery of the day was the Orkney Distillery, right on the Kirkwall waterfront. Production was paused for an upgrade, but the distiller Steven walked us through the entire process. Then a generous tasting with Tony, a proper industry veteran: newmake, a “solera” cask, two blended malts, and an undisclosed Orkney 14 yr. Well worth an afternoon. 

(Missed Part 2/Part 1?)

Soon after the end of the tour at Deerness, we drove back to Kirkwall. The tour at the Orkney Distillery was starting at 1pm, so we had just enough time to point Gianluigi’s parents towards St Magnus Cathedral and the town centre. We’d arranged for them to explore Kirkwall while we visited the distillery, which sits on the waterfront, not far from the pier. We’d already had a peek into the bar and shop back in 2022, but they weren’t making whisky then. The venue was as we remembered it: a large room, dark and industrial in style, with a long, well-stocked bar. The distillery is open most days, with the whisky tour at 1pm (back in April it wasn’t running at weekends) and two gin tours, at 11am and 2.30pm.

  • Ready for the second tour of the day.

The usual guide had called in sick that day, so we got the tour from Steven, the distiller, while the tasting would be with Tony, one of the directors. As Steven started to show us around, we realised production was on hold: they were installing new equipment that would allow a greater output. The old 200l spirit still, for example, was being replaced by a 2,000l one, which will let them produce 200 litres a day, i.e. the equivalent of a standard American barrel. This comes quite early in their “whisky history”, as they only started producing newmake two and a half years ago, towards the end of 2023.

Going back to where production starts: they don’t have a mill in-house, so they buy pre-milled malted barley from Crisp in 25kg bags, including the brewers’ variety Maris Otter. They produce two types of newmake spirit, which differ mostly in the mash composition. The unpeated spirit uses four bags of brewers’ malt and four of distillers’ malt per mash, while the peated one is made with two bags of heavily peated malt (80ppm), three of distillers’ and two of brewers’. They’re considering installing the machinery to do their own malting, but if so, that’s for the future.

  • That’s where they get 1,800 litres of wort.

They use Kirkwall tap water, warmed to 73°C in a 2,500l heating tank, which takes about eight hours. Mashing with the first water takes about an hour, and the temperature is raised to 77°C, which is necessary to denature certain enzymes (we couldn’t recall which ones). At the end of mashing they obtain 1,800 litres of wort, fermented for four days, then split into two lots of 900 litres, each distilled in one of the two wash stills. The low wines come off at 28-29% abv and are distilled again in the spirit still (see above). After discarding the foreshots for 20 minutes, they collect the spirit from 73.5% down to 59.4% abv, quite a wide cut!

  • A lot going on just now…
  • Quite exciting!

So far they’ve filled a lot of small casks, including 50l virgin oak from Serbia, but also 100l casks of both French and American oak, currently resting in the warehouse behind the distillery.

  • Lots going on in the warehouse.

For the tasting we went up to the tasting room above the bar, very bright (the sunny day helped!) and overlooking the waterfront, where Tony was waiting for us. After pouring us some Orkney newmake spirit (slightly diluted, at 59%), he gave a comprehensive overview of the history of whisky. This ultimately served to introduce the second dram: aged malt spirit, not yet whisky, drawn from a “solera cask” they keep in the bar and constantly top up with newmake as they draw from it. (For our friend Lenka and the other sherry people: we know it isn’t a real solera system, eheh.) The idea is to replicate the casks of spirit held in old taverns and inns, which is how whisky was drunk at the time, before industrialisation and the rules that followed. Then it was the turn of the two blended malts they produce and sell in the shop: Fara (unpeated, 47%) and Rysa (peated, 46%), with malts coming mostly from the Highlands and Speyside, both very well made and interesting. The final dram was a cask sample of a heavily peated 14yr from an “undisclosed Orkney” distillery (wink, wink): also very good!

  • The solera not solera.

Overall, it was refreshing to see such a well-crafted line-up. With a bit of effort, even distilleries that don’t have their own whisky yet can put together an interesting set of drams and tell an engaging story. This is unlike others in the industry that do the bare minimum despite having the means to offer a much better tasting experience (Rosebank, maybe?).

  • A well-crafted line-up.

While talking to Tony, we found out that he’s a veteran of the industry: he previously set up Strathearn distillery, before it was taken over by Douglas Laing. He also knows more about the Italian whisky scene than we do. And of course, when you put a fountain of knowledge like Tony together with two whisky enthusiasts like us, the chat could have gone on forever, haha. But it was time to leave and rejoin the old folks in the town centre.

Overall, another very interesting distillery to visit, easy to reach and worthwhile for non-whisky people as well. The new equipment will give them more flexibility, not just greater volume. We wonder how the spirit will change as a result, though given how young the distillery is, there’s still plenty of time for them to find their own character. Based on the newmake we tried, we’re now very curious about the whisky maturing in virgin Serbian oak, once it’s ready.

We spent the rest of the holiday doing almost exclusively non-whisky things: the Neolithic sites (Skara Brae is always great!) and villages like Stromness, very cute. We also spent time on a couple of other islands, the remote North Ronaldsay that we reached on a very tiny plane (the lighthouse is worth a visit) and the closer Hoy (fantastic landscape, and the Scapa Flow Museum was great too, albeit sad).

  • Have you ever been IN a lighthouse?

The night before leaving we had a tasting at Scapa distillery with Caterina and Fabrizio, as they prefer unpeated whisky. We couldn’t use the new tasting room (the “Noust”), which is only for people taking a tour, but the staff were lovely anyway: they served us our flights in an almost secluded space next to the shop, separated by curtains, where we could enjoy some great drams at our own pace. And yes, we can confirm that Scapa is one of the most underrated distilleries out there.

  • Teresa intimidated by the whisky display.

The tasting was followed by dinner at The Foveran, not too far from Scapa but still requiring a taxi ride: the food was fantastic, definitely the best we found on the islands. Our second time on Orkney did not disappoint. If anything, it made us want to go back again.

And that’s all for this trip: we’ll take a few weeks’ break from the blog, but we’ll be back with yet another Speyside story! Until then, slàinte!

Orkney Distillery Whisky Tour and Tasting

Price: £36.75.00 pp (April 2026)

Duration: 1hr 15mins (on the website, it was more 1hr 30min for us)

Tasting: 5 drams, Orkney newmake spirit (59%), “Solera cask” aged spirit (unknown%), Orkney single malt (undisclosed Orkney, ex-bourbon), Fara blended malt (NAS, 47%), Fara peated blended malt (NAS, 46%)

Target: everyone

Value for money: good

Highlights: interesting production process

Recommended: the tour at 1pm is a bit hard to fit in, but if you can make it, definitely

Link: https://www.orkneydistilling.com/

#75.2 Return to Orkney

Deerness: the remote peninsula of the remote island

 

TL; DR: Back on Orkney, and two new whisky distilleries have opened since our first visit in 2022. First up: Deerness, out on a windswept peninsula east of Kirkwall. Stuart, former engineer and co-founder, told us about the history of the family-run distillery and their ambitious plans for on-site malting and off-grid biogas. The tasting started with their new-make, then leaned on Orkney whisky more broadly, a very nice touch. 

(Missed Part 1?)

As you have probably gathered from the title of this series (and from our previous posts, if you’re an old reader), it’s not our first time on Orkney. The first time we went up there, the obvious choice was to visit the two historic distilleries on the island (yes, in this case it is “island”, as they’re both on Orkney Mainland): Highland Park and Scapa, which were the only ones back in 2022. Since then, two more distilleries have started producing whisky: Deerness Distillery and the Orkney Distillery, both on the Mainland. They both began with gin, like many other craft distilleries around Scotland, and that’s about the end of their similarities: the former sits in a very remote part of the island and also houses a café and restaurant, while the latter is on the Kirkwall waterfront and has a whisky and cocktail bar. We decided to visit both on the same day, so as to avoid leaving Gianluigi’s parents on their own twice. Because of tour availability, that turned out to be the Tuesday, our second day on the archipelago.

We started with Deerness Distillery, on the peninsula of the same name (from the Old Norse “dyrnes”, meaning “animal headland”), as they offer morning tours. It’s on the east side of Orkney, about a 20-minute drive from Kirkwall, attached to the rest of the island by a narrow isthmus, in places less than 150 metres wide. We left early, because before the distillery we wanted to see the Gloup, a spectacular collapsed sea cave, with a dramatic view over the North Sea. It was quite windy and soon it started raining, so we stayed just long enough for a little wander along the nearby cliff, and we didn’t make it to the Brough, half a kilometre north, where some old ruins are. Instead, we went to the Mull Head visitor centre, a small space with information about the local flora and fauna.

  • Clouds over the Gloup.
  • Fighting the wind on the cliff.

The distillery is only about a five-minute drive from there, back on the road to Kirkwall. We checked in, dropped Caterina and Fabrizio at the café, and paid the remaining £10 per person of the reservation, on top of the £20pp we’d paid online (£20 is the price for the gin tour and tasting; the extra tenner for the whisky tour has to be paid once you’re there). Our guide was Stuart, a former engineer and, better still, one of the two founders. The other is Adelle, a pharmacist and Stuart’s wife; together they moved to Orkney and started the business in 2016. First they set up a gin, vodka and liqueur distillery, sourcing local botanicals but also building their own greenhouse to grow plants that wouldn’t normally survive up there. The business expanded quickly, and so did the staff: they’ve gone from two (the founders) to 18, which is impressive in less than ten years. Their daughter Jasmin now leads the Dashing Deer Kitchen, the café/restaurant serving hot dishes between 11am and 3pm, and with a bar with an extensive list of cocktails and mocktails. The café is a lovely space with wide windows overlooking the peninsula, a big window onto the still room, and a shop selling local products (including their spirits) in a corner next to the counter.

  • Easier to cope with wind at a distillery.

Stuart first took us to another building next door: we thought it was a small warehouse, but it turned out to be a spacious, bright tasting room, again with big windows over the landscape. There he told us the history of the business, and we had our tasting. It started with a sip of the Deerness newmake spirit (63.5% abv), a very nice touch, followed by their “house” blended Scotch, Deer Sound (NAS, 40%). The latter comes from Ian Macleod Distillers: it’s 70% grain whisky, and most of the malt share (about 85%) is matured in sherry casks. It’s an inoffensive, sweet blend, probably fit for the purpose of having a whisky to sell while waiting for their own. Then we (well, Teresa) had a couple of drams from local distilleries: first a delicious Scapa (NAS, 48%), bottled for the 2025 Island Games and a vatting of ex-bourbon casks, and then a lightly peated Highland Park 16 (44%, in the new packaging). These two drams were also an opportunity for Stuart to stress the very collaborative, friendly relationship they have with both distilleries, which was good to hear.

  • A well-curated line-up.

We then moved to production (including bottling and labelling), in the same building as the café. Stuart told us that they started whisky production in 2025. The malt is currently sourced from Crisp, grown in Aberdeenshire and bought pre-milled in 25kg bags of Laureate and Concerto varieties. They use two bags of 50ppm peated malt in every mash, with the rest fully unpeated. Their plan, however, is to acquire drum malting equipment (we picture it as a big tumble drier!) so as to malt locally grown barley on site. They use two waters for mashing, and the wort is then moved to one of the washbacks for a three- to four-day fermentation with Pinnacle dry yeast.

  • The unlucky operator on washback cleaning duty.

They have two wash stills and one spirit still, all directly fired with propane, and separate stills for gin and vodka. They can produce about a cask a day (the lower cut is 60%; we didn’t catch the upper). They have expansion plans here too: new, larger stills, with the old ones repurposed to distil spirit from ancient grains (Bere barley, possibly?). They’re also planning to go off-grid with biogas, which they would obtain (at least partially) from the draff.

  • Three directly fired stills for whisky production.
  • …And two wee ones for the other spirits.

The casks are stored in a shed attached to the distillery (concrete floor, casks stacked four high), mostly American oak ex-bourbon barrels and sherry-seasoned hogsheads, but some wine casks as well.

  • A promising stock.

After another chat with Stuart, the tour ended and we rescued Caterina and Fabrizio from the café, though not before having an Americano and a tasty cake ourselves! It was a truly lovely tour: Stuart’s contagious enthusiasm made it obvious how their vision is coming to life, with a particular eye on sustainability. The tasting was entertaining too (we loved the Scapa Distillery Exclusive!), and since they couldn’t yet offer a full line-up of their own whisky, we really appreciated that they focused more broadly on Orkney whisky instead. A touch that’s been a bit lost at many of the new distilleries we’ve visited.

Stay tuned for the second tour of the day (and the last of this trip!). Until then, slàinte!

Deerness Distillery Whisky Tour and Tasting

Price: £30.00 pp (April 2026)

Duration: 1hr 30min

Tasting: Deerness newmake spirit (63.5%), Deer Sound Blended Scotch (40%), Scapa Distillery Exclusive Orkney Island Games 2025 (NAS, 48%, 1st fill American Oak casks), Highland Park 16 “Sea of Orkney” (44.5%)

Target: everyone

Value for money: good

Highlights: great location and café

Recommended: yes, especially if you can fit in a meal

Link: https://www.deernessdistillery.com/

#75.1 Return to Orkney

Tasting tots at J. Gow

 

TL; DR: We took Gianluigi’s parents to Orkney last April, driving north from Edinburgh and ferrying across from Gills Bay. The highlight of the first day on Orkney was J. Gow, the island’s rum distillery on Lamb Holm, where Collin showed us around: molasses from the Central and South America, different fermentations (including with local orchid yeast), and a warehouse full of interesting casks. During the tasting, the 8yr Hidden Depth single cask stole the show, really delicious! 

After moving here just over eight years ago, we can finally say it out loud: Scotland is a pretty great place to live! And when family visits, it’s easy to pick somewhere spectacular to take them, and for us it’s a great chance to visit (or revisit) some lovely places. That was the case last April, when Gianluigi’s parents, Caterina and Fabrizio, came to visit us for just over a week. Except for that one time in 2020 (odd, we know), they usually come for just a long weekend, often with a Six Nations game in between, so there’s never much chance to take them around. This year, since they visited a bit later and for longer, we decided to take them to the Orkney Islands! Tucked off the north coast of Scotland, the islands have a growing spirits and beer scene, and a landscape like nowhere else. We’d gone up there with our friends Roberto, Cecilia and their daughter Flora back in 2022, we found the place pretty special, and obviously we made the most of it with a (very good) tour at Scapa and a (rather disappointing) one at Highland Park.

Anyway, we picked Caterina and Fabrizio up at Edinburgh airport on a Sunday after lunch and drove straight north. By dinner time we’d arrived at Tain, where we’d spend the night, them in a B&B, us parked in front of a nice beach. We had a lovely dinner at the Morangie Hotel (a typical pub menu, with fish and chips, curry, burgers and so on), one of those old-style cosy hotel-restaurants with carpet everywhere and fireplaces in every room. They were all unlit, though, waiting for the next cold season. The next day we woke up early, and before collecting them from the B&B we refilled the tank and got a good pie at Harry Gow (the coffee was debatable, though). We were soon on the road again, heading to John O’Groats, as our ferry was leaving from nearby Gills Bay. We briefly stopped at 8 Doors Distillery for a coffee in their visitor centre, which has a spectacular view over the Pentland Firth, and to say “hi” to Ryan, the distillery manager, whom we met last year and who was happy to show us the latest news and innovations. We had lunch on the ferry: sandwiches and bits we’d brought from home, in a typical Italian fashion.

  • Happy we had time to stop here before the ferry!

We got off the ferry at St Margaret’s Hope, a wee village tucked into a small bay, with dark grey stone houses. We explored South Ronaldsay for a bit before driving north over the Churchill Barriers to reach Orkney Mainland, passing Burray and Glimps Holm. We stopped on Lamb Holm, a tiny island with no population but two important landmarks: first, the Italian Chapel, built inside a small hangar by Italian prisoners of war during WWII. Within walking distance is the J. Gow rum distillery, and after dropping Caterina and Fabrizio at the chapel (which we had already visited in 2022), it was our turn to explore.

We only had a peek at the distillery back then, and not much time, so we managed just a small sip of the expressions available – now part of their core range: the Spiced Rum (40%, with spices from Orkney), Fading Light (3yr, chestnut-cask aged, 43%), and Revenge (3yr, ex-bourbon and virgin-oak casks, 43%). In the visitor centre and shop, alongside the rum, they sell merchandise (some very cool t-shirt designs, including one with a death-metal-band-style logo) and other local products. We hadn’t booked a tour, but we were lucky: Collin, the head distiller and director, and his wee border collie had time to show us around. In 2013 Collin started working at the family fruit-wine business, active since 2001. In 2017 he got a pot still and started distilling rum, adding Orkney to the map of the blooming Scottish rum scene, alongside other producers like Ninefold (Dumfries) and Matugga (Livingston). The name comes from John Gow, a short-lived pirate raised on Orkney, in Stromness, then captured and hanged (twice – the first time the rope snapped) in 1725.

  • The cutest tour guide.

The distillery and all the production sit inside a warehouse just behind the shop, not even a minute’s walk. As with many rums, production starts with molasses, a syrup from cane-sugar refining. Because sugar cane doesn’t grow in Scotland (yet), he sources it mainly from Central and South America, but sometimes elsewhere, like Indonesia.

  • Molasses, a sticky business.

Fermentation is one of the key steps for adding flavour: at J. Gow it usually lasts 7 to 10 days, but for some expressions it can last up to a month, especially when yeast from local orchid flowers is used. They use a 2,000-litre iStill with a tall thin column, first without the copper rolls (for the stripping run) and then with them, to obtain about 300 litres of spirit. The residue from the stripping run is added to the next fermentation, while the pot ale goes to farmers.

  • A distillery not like others…
  • …and look at this iStill!

Casks are filled at distilling strength, except for some second fills, which are filled at 65% abv. The warehouse takes up one side of the main production building, and there they store a variety of woods and cask types, including many ex-bourbon and ex-wine casks, but also chestnut casks from Italy. Interesting!

  • Many different casks – an experimentation heaven.

Back in the shop, we had three tots of rum. We skipped the ones we’d had last time and tried the Culverin (unaged white rum); Pieces of Eight, the new one aged in Madeira casks (very sweet and dangerously drinkable); and the third and final release in the Hidden Depth series, an 8yr single cask (truly stunning!). We also had a sip of their previous Wild Yeast Series release, using a yeast sourced from local marsh orchids growing behind the distillery: the funkiest of the bunch! They currently have a new release in this series, the Wild Yeast Series Orchweizen 2023, with different specs (different casks, abv and fermentation times).

  • Tots for nerds.
  • A very unique tot.

After the distillery tour, we rejoined Caterina and Fabrizio, reached the flat we’d rented in Kirkwall, and went for dinner at The Neuk restaurant: a simple menu but very tasty dishes, and a selection of local beers (both bottled and on tap), perfect to end our long day.

We really enjoyed J. Gow: we’d already visited distilleries that make rum as one of several spirits (Blackness Bay and North Point, for example), but this was our first time at one making rum exclusively. We love what Collin is doing in terms of experimentation, making a unique product whose character is embedded in the distillery’s surroundings. The Hidden Depth series is our favourite, both vol. 2 (which we had in the past, long gone now) and vol. 3, delicious stuff. We aren’t rum experts by any means, but J. Gow is one we’re keeping in the house.

Stay tuned next week for another Orkney adventure, back to whisky this time! Until then, slàinte!

J. Gow Distillery Tour

Price: £15.00 pp (April 2026)

Duration: 45min-1hr

Tasting: 4 tots of J. Gow rum, the Culverin (white rum, 50%), Pieces of Eight (8yr, ex-madeira and ex-bourbon casks, 43%), Hidden Depth Vol. 3 (8yr, single ex-bere whisky/port style cask, 50.1%) and (now released) Wild Yeast Series NMO 2021 (3yr, 2nd fill Moscatel octave, 58.8%, small batch 460 casks)

Target: everyone

Value for money: great!

Highlights: the location is pretty special

Recommended: if you like rum, it’s a must-do!

Link: https://jgowrum.com/

#74.6 The Springbank Whisky School

Everything comes to an end
(day 5, Friday, and epilogue)

 

TL; DR: The final day at the whisky school was Teresa’s birthday and exam day: an open-book test marked by Findlay Ross himself, followed by awards from the distillery manager Gavin and a celebratory lunch in the Washback Bar. The post wraps up with our reflections on the experience: a unique, hands-on look at an old-school distillery, with great people. 

(missed Part 5/Part 4/Part 3/Part 2/Part 1?)

The very last day, Friday, was Teresa’s birthday! (And yes, there was a cake involved thanks to Marie) Different to the previous days, we had a late (full Scottish) breakfast (8am instead of 7am), then cleared our room by 10am and showed up at the distillery for the exam at 10.30. It was an open book exam, so not too difficult, and Findlay Ross himself came to mark our tests. Obviously, we took the chance to ask him some nerdy questions. On reflection, it’s a shame that a Q&A with him was not included in the overall experience, that would have been uber-nerdy! But we can also see the challenges in doing it given how busy he must be.

Anyway, everyone scored more or less close to the maximum (including those who didn’t read some questions in full, lol) so after that, we headed to the Washback Bar and got our awards from the distillery manager Gavin (wonder if we can write that on our Linkedin profile…), together with the self-blended bottles. Teresa got an extra 20cl bottle of her choice for winning the Scholar of the Week award, “for her determination in rolling the casks”. She also got a dram from our good pal Aly, who was there waiting for the next tour. Not a bad birthday!

  • No pictures of the exam, so you get pictures of us learning…

We had lunch all together with Gavin, a cold platter with three types of salmon, cheese, oatcakes and other bites (thanks again Donald for the tasty haggis mini-rolls!). Another nice touch, they gave us the list of available cage bottles, and if we could buy up to two per person, avoiding the usual scrum in the morning before the shop opened. We weren’t greedy, so we just picked up one each: a Longrow and a Springbank. Actually, we got a third one for Gianluigi’s brother, who always appreciates some cage juice! After a wonder in the bottling hall (where the equipment was getting moved to the new building) and a couple of extra drams kindly poured by Chris, we got a goodbye pint with the others at Feathers before leaving the Wee Toon, feeling grateful but also a bit sad.

  • …and working “hard”?

What. A. Week. That. Was. We are wrapping the write-up of the whisky school a couple of months after the fact, after some other trips to London, Orkney and Speyside. Importantly, we had time to reflect on what we did and how this experience fits in the context of our whisky experience and knowledge (avoiding hard to use the word “journey” here, eww!) and of whisky hospitality more generally. Based on our experience up to now, it is going to be hard to match the Springbank Whisky School.

The malting floor was a highlight…
  • …for all of us.

First, it is a unique learning experience. We could see first hand how the distillery day-to-day operation looks like, with its challenges and peculiarities, the fast-paced moments and the slower ones. Many distilleries are fully or partially automated, where operators can stop everything from a computer keyboard. Definitely not the case for Springbank’s (or Glengyle), where we felt that the almost 200-year history still contributes to what is produced now, and to what will be made by future generations. Also, one week of intensive learning and “living” a distillery is not the same as visiting a place more than once – we got a lot of knowledge from our many distillery tours and tastings, but it’s only during this week that we understood and appreciated certain nuances of whisky making (please don’t take it as we now feel we know everything, quite the opposite if anything).

  • Find Wal..Stephen.

Second, we think that there is no other place like Springbank. We don’t want to sound too cheesy, but in a world where the most important thing seems to be shareholders’ returns, they decided to keep their own pace, and not to overstretch or up their prices by taking advantage of the pandemic frenzy that hit the world of whisky. Instead, contrary to many, they’re playing the long game. Yes, they almost doubled production around 2018 (before that, they were alternating malting and production), but they didn’t go crazy like other companies trying to add X million-litre-per-annum capacity, only to mothball other distilleries sometime later, with the consequent loss of jobs in often rural areas. Providing over 100 jobs in a remote place like Campbeltown is one of their prides, and it should be. So, for us, touching that reality for a week was really special and difficult to replicate, let alone that not all companies would allow a half-dozen geeks to roam around production for 20 weeks a year (for a price, more on that later).

  • A happy student/distiller.

Third, but not less important, the people we met, both the other “students” and the staff. It’s easy to bond with people sharing the same enthusiasm for whisky as you, so somehow we expected (and hoped) to get along with the other students, but we also couldn’t exclude the possibility of meeting absolute jerks or simply someone we wouldn’t connect with. We were lucky to spend the week with very nice and fun guys like Graham, Robert and Stephen, and hopefully we’ll reunite as a group at some point (at a future Campbeltown malt festival maybe?). As for the staff, their patience dealing with us and their efforts to make sure we got the most out of the time with them were genuinely impressive. We were most likely an impediment to their work more than anything else but still, everybody made us feel welcome, and it was great to hear people’s stories (for example, in shocking news to us, it turns out that many of the staff don’t like whisky). 

  • Before rolling casks…
  • …and after (sort of).

So now, the elephant in the room: it is a very expensive experience, or at least, that was how we felt at over two grands per person. Something we really appreciated, though, was Springbank management not trying to sell it as an “ultimate luxury”, “premium” or whatever crap other companies are coming up with to try justifying their greediness, so to actively exclude whisky fans and tourists alike from visiting some distilleries (more rants coming on the blog soon probably). On the face of it, it did feel a bit overpriced, but at the same time we think it must be complicated (aka costly) to comply with all the legal requirements (including insurance) that can make the school happen…And let alone the time the staff take to show us around, explain processes and answer questions, plus the tastings and the tours, and the whole full-pension for a week. Also, as we said, we are not sure how much we really helped, except Teresa with her cask rolling determination, of course! Obviously, it is not like a tour you would do every year, and probably not even every other or so. For us, it was more of a lifetime experience, a gift to ourselves, and it really was a great one!

  • Thank you for a really great week!

So, here the important questions: in hindsight, would we still do it? Absolutely! Would we recommend it? If you’re a whisky enthusiast, and can spare enough time and money, definitely! Would we repeat it? Probably not, but maybe in a couple of decades (when enough changes might accumulate). Something we would do at some point, maybe for a special occasion, is the Barley to Bottle tour, which includes some of the fun activities of the school (an in-depth tour, the warehouse tasting and the blending session) and lasts five hours “only”. One of the many things we like about Springbank is that they offer a wide range of experiences, with tour prices starting from as little as £12 up to a lot: there really is something for everyone, from the casual tourist to the experienced whisky geek. And by attending any of these experiences, you will only increase the appreciation for their work!

That was a long one, we hope you enjoyed it! Next time something lighter, or maybe a rant, stay tuned to know! Until then, slàinte!

Springbank Whisky School

Link: https://www.springbank.scot/whisky-school/

#74.5 The Springbank Whisky School

From production to
the blending lab
(day 4, Thursday)

 

TL; DR: Day four at whisky school was a busy one. We spent the morning in production – mashing, fermenting and distilling Longrow, plus chatting with the operators. The afternoon brought cask regauging in the warehouse, a tour of Glengyle distillery (where we had a stunning 20y triple-distilled dram), and finally a blend-your-own Springbank session. 

(missed Part 4/Part 3/Part 2/Part 1?)

We won’t lie, after the many drams we had on Wednesday, on Thursday morning we didn’t wake up fresh as summer flowers. But we’d seen worse, and it wasn’t something that a good shower and a tasty breakfast couldn’t fix: that morning we had pancakes with crispy bacon, another favourite of ours. It was the last “working” day of the whisky school, and we were eager as ever to learn as much as possible.

Our group (us and Graham) spent the morning in production – mashing, fermenting and distilling. The operators on shift are always two, and they run all three processes. Daniel showed us around and, to start with, he introduced us to the paraflow, an “ancient” heat exchanger that had been there for decades, but still going strong (to a maintenance guy surprise, we heard).

  • The paraflow, an impressively old heat exchanger.

We also assisted the filling of a washback with wort, and we could throw in the yeast, which comes in 25kg bags (they use three per mash). Then, they steamed clean another washback, and after that the room was very foggy, like a steam room in a spa.

They rely on a combination of shorter (not really short, 72 hours) and longer fermentation (110 hours), depending on whether it goes through the weekend or not. The result is a wash about 6%abv strength, which is lower compared to most distilleries we visited: usually we are told between 8% and 10%. Probably this is due to the really manual, old-fashion production, which might carry some inefficiencies as Robert pointed out (he has a degree in brewing and distilling). However, it is most likely part of what gives Springbank its unique character, and to us it makes a lot of sense that management think it twice before deciding to change anything.

  • Before…
  • …And after.

The operators also showed us how they take the alcohol strength reading during distillation, using the hydrometer and the thermometer – after years of experience, they know exactly when to start taking these readings. At that point, the wash still was running (the first distillation), so they told us to go back in the afternoon to possibly have a sip of the newmake spirit coming off the second distillation. That day they were producing Longrow newmake spirit, so a traditional Scottish double distillation. Longrow’s second distillation usually happens in the last of the three stills, the one with the worm tub condenser, while the middle one has a shell-and-tube one and is used less often for Longrow. When they produce Hazelburn, the spirit is distilled three times and each still is used once, while when they distil Springbank, they go for 2.5 distillations, where part of the second distillation is redistilled in the third still (but it’s a bit more complicated than that).

  • Longrow in the making.

You can tell the morning was more about watching than working, so there was plenty of time for a chat with the staff. We talked about how some people come from abroad to apply for a job there, and how the distillery offers great job opportunities, especially in a rural area like Kintyre. The operators also shared some of the anecdotes from past terms of the whisky school, including some nasty but clumsy attempts to steal newmake from the safe and others that we won’t share to avoid spoilers (and possibly disappointment).

At noon we were back at the guesthouse for lunch, where Donald had prepared chicken pasta with garlic bread. As Italians, we are always wary when we get pasta, but we have to say that it was delicious.

Back at the distillery, the afternoon was busy. First, the courtyard team showed us how to regauge a cask: this is the process of checking the volume of the spirit left in the cask and its strength, and it usually happens once in a while or when the cask is about to be used for a release. In our case, they used a “sacrificial” cask in Warehouse 3, that undergoes regauging every time there is a school term: a 14/15y (vintage 2011) 1st fill American oak sherry hogshead. They showed us how to meansure the volume with a stick, and how to take the strength with beker, hydrometer and thermometer. The scientific effort was rewarded with a sip of the malt: dense and delicious stuff, typical sherried Springbank!

  • Learning how to regauge a cask.

Fun fact, we were in the warehouse with wee Andrew and John, respectively the youngest and oldest of the distillery staff. With Robert there too, we basically had three generations working together, with knowledge passed down!

  • Three generations of Springbank staff.

After the regauging, Ben picked us up and took us to Glengyle for a tour. Active three months a year, Glengyle produces Kilkerran malt (the name Glengyle is owned by another company) and is a modern distillery. It was re-built in 2004 by J&A Mitchell to raise the number of Campbeltown from two to three, so that the Scotch Whisky Association wouldn’t take away the regional status to the town. That was because, at that time, the Lowlands had only three distilleries: Glenkinchie, Auchentoshan and Bladnoch. Now Fife alone (within the Lowlands) has 7 (!), and the whole region almost 30 plus a few grain distilleries: how things change!

  • Glengyle, a more modern distillery.

Back to Glengyle, the original distillery was built in 1872 by another branch of the Mitchell family, but like many others closed around the mid-1920s. The current one is similar to many others we visited throughout the years, but with a few interesting facts: a Bobby mill donated by Craigellachie when they replaced theirs, a 4.5ton mashtun, four wooden washbacks (filled from the top, as opposed to Springbank’s ones that are filled from the bottom), stills from the silent Ben Wyvis distillery (not to be mistaken with the recent Glen Wyvis). Except for the mill, every piece of equipment is in the same big space. Most of the production is double distilled and lightly peated as per their signature style, but they also produce unpeated and heavily peated expressions, again double distilled. Moreover, they get to fill a few dozens of casks with triple distilled unpeated newmake spirit. Near the stills, Ben made us try the newmake spirit and a dram of an almost 20y old triple distilled (from an ex-bourbon cask), which was a tropical fruit-bomb (and our favourite every time we did the Kilkerran Warehouse tasting…A pity they recently increased the price of for the 35cl bottle from £60 to £80). That was unexpected, such a nice surprise!

  • Thanks Ben for taking the perfect group picture!

We were already quite happy with the activities of the day, but we still had one to go before dinner: a blend-your-own Springbank experience with Donald, where each of us had to make a 70cl blend from 6 different expressions: a 10y 1st fill ex-bourbon cask, a 10y refill ex-rum cask, a 13y refill ex-Sherry cask, an 11y 1st fill Sherry cask, a 8y 1st fill Madeira cask and finally a 7y 1st fill Sauternes cask. The rules were at least two expressions and no more than 50cl from one (it was how much we had available of each component).

  • A challenging job.

Long time ago (in 2019) we had done a similar experience at Strathisla distillery – blending together five whiskies from the Chivas Brothers/Pernod Ricard range. The results were dire: we opened both 20cl bottles in 2020 during the pandemic, we hated them and so we ended up using them for either cooking or for highballs. So, while excited we were also worried about the result…This time, however, we were “less clueless” than last time. We started by looking for a suitable base for the blend. The ex-bourbon (the obvious candidate) was very maritime, the rum was the smokiest one, the refill sherry was very dry, while the 1st fill sherry was (again) a classic sherried Springbank, akin to the 15y from the core range. The Madeira was the sweetest one, and finally the Sauternes was (as expected) weird. Teresa used four expressions, while Gianluigi ended up using them all for a challenge (which took substantially more trials and time than for the others, to everyone’s amusement), with the Sauternes used like you’d use the fish sauce in a curry, just a dash to enhance the flavour. We won’t give away our recipes (muahahaha!), but we are hoping to use both bottles in a tasting with the Edinburgh Whisky Group at some point (keep an eye on our social media, Instagram and Substack).

  • Let’s hope for the best!

It was a great day of “work”, which ended with another tasty meal (chili con carne and cheese board) and a couple of half pints at one of our favourite pubs in town, the Fiddlers’ Inn.

Stay tuned for (finally) the last post of this long series! Until then, slàinte!

Springbank Whisky School

Link: https://www.springbank.scot/whisky-school/

#74.4 The Springbank Whisky School

Back to shovelling!
(day 3, Wednesday)

 

TL; DR: Day three at whisky school started with shovelling barley destined for Springbank production into the kiln, followed by helping out packing Kilkerran Heavily Peated on the soon-to-be-moved bottling line. The reward was an incredible Springbank warehouse tasting with David, featuring a 1990 Springbank and gorgeous old Hazelburn and Longrow. Dinner at the guesthouse ended with an unforgettable cheesecake, then a fun Watt Whisky tasting capped off the evening. 

(missed Part 3/Part 2/Part 1?)

On Wednesday morning (day 3 of the school) the weather looked “meh” with an overcast sky. Thankfully it improved during the day. Breakfast was again the full Scottish, and again Gianluigi “had” to help Teresa finish it (she’d then ask for a reduced portion for the Friday, Gianluigi didn’t). While preparing for the day, we realised how little it took to get into a new routine. We also realised that our grand plans to go for a run before the school had already gone right “oot the windae”, so our running shoes had come just for a trip.

  • Morning clouds.

At 8.00am, we went straight to the malting floor, as there was more shovelling for us! First, we shovelled the barley from the floor into wheelbarrows, to then put it down a hatch where, thanks to a conveyor belt, it was moved into the kiln. When we were finished with that, the team took us inside the kiln, where we spread the barley evenly with our shovels, and turned it slightly to make sure air and smoke could pass through. That barley, in fact, was going to be used to produce Springbank – in this case, the kilning starts with 6 hours of peat smoke, followed by 48 hours of hot air (powered with a gas burner). The way the barley is dried up indicates what it’s going to be used for: for example, 30 hours of hot air for Hazelburn, and instead 48 hours of peat smoke for Longrow. Kilkerran is the same as Springbank (so, lightly peated). However, the malt for the unpeated Kilkerran, the base of their blended malt Campbeltown Loch, and the heavily peated Kilkerran are sourced elsewhere.

  • Climbing the barley mountain in the kiln.
  • Only the conveyor belt was ready for this picture.

Throughout the year, they start with Hazelburn, followed by Longrow and then Springbank, until they close the distillery to switch to producing Kilkerran at Glengyle for the last 3 months. When we were there, they were malting barley for Springbank, filling Hazelburn newmake spirit into casks, distilling Longrow, and bottling Kilkerran, so in a sense (a veeeeeeery loose sense), we contributed to the production of all four main malts!

After the break, the group divided again. Graham and the two of us went to the bottling hall (next to the parking lot) to assist the team with boxing. At first, Graham was putting protective cardboard squares around the neck of bottles, Gianluigi was putting the bottles inside the box, and Teresa was helping piling the boxes into pallets. They were bottling the next batch of Kilkerran Heavily peated, which is a batch of a few thousand bottles. One cool thing they do with batches (so, excluding single casks) is to marry them in a large vat first, to then re-rack the married whisky into well used casks for 6 months to allow the liquid to settle. These casks are quite recognisable as their end is black, with only a few numbers on them. After the 6 months, these casks are emptied into another vatting tank, which is connected with the bottling line. They have two bottling lines, one automatic (for all the bottles with the classic Springbank/Kilkerran/Campbeltown Loch shape) and the other one semi-automatic, for all the bottles with alternative shapes (Cadenhead’s dumpy square, tall square “olive oil” style, and a couple of different tall round, at least). To make things easier, they told us that they will move soon to another shape of bottle for all Cadenhead’s and Springbank Society bottlings.

  • The automatic bottling line.

Work on the bottling line was briefly interrupted at 10.50am, when we went back to the maltings to see the kiln being lit: almost like the crossing of the wildebeests in the Serengeti!

  • And the peat is on.

At noon we walked back to the Still Guesthouse, where Donald had prepared us a chicken burger with potato wedges and salad, again very much appreciated (how many favourites can we have??). Back to the bottling line, we assisted the staff on the line for a wee while, until Chris showed us around the bottling hall. We were the last school term to “work” in the old bottling line, as the works for the new one were almost complete, and the lines were going to be moved to the new building at the end of the week. The old building is going back to be a maturation warehouse. We could sense the bottling team felt both emotional and excited about the move.

Chris also showed us where they store labels, boxes and bottles, and how the whisky is filtered three times before going into the bottles. Once the pallets are done and full with boxes, they are transported with a forklift to the dispatch point, which is also going to be moved to the new bottling hall. Like the old bottling hall, this building (between Springbank and Glengyle distilleries) is also going to become a warehouse – you can tell they are in need of warehousing space.

At some point, Chris very kindly allowed us to grab some drams, leftovers from previous bottlings. We were also given the chance to disgorge a vatting cask of the Kilkerran Heavily Peated into the larger vat and, while we were at it, try a sip of the whisky. So nice of them!

  • Where casks are disgorged.

The last activity of the day was a great reward for the shovelling (we guess), a Springbank warehouse tasting, reserved for attendees of either the Whisky School or the Barley to Bottle long-day premium tour (£250.00). We walked into Warehouse #3 together with David, the sales director, who hosted the tasting. The first three drams were quite spectacular, first a 2001 Hazelburn, matured in a refill cask (natural abv ~48-49%), followed by a 1990 (!!!) Springbank from a refill ex-bourbon hogshead (41.6%), and finally a 2001 Longrow from a 3rd fill ex-bourbon hogshead (we missed the abv). Finally, a younger Longrow, only 4-year-old, from a Virgin oak octave cask: definitely punchier compared to the three balanced and soft tropical drams we had before. During the tasting, David talked about the challenges of selling Springbank in an ever-hungry market, so to maintain it available for fans while also trying to slowly expand. All this while making sure that supplies are used as intended (for drinking) and not hoarded by collectors, as much as possible at least. In the current market this is probably a good problem to have, but we can definitely see how it must require a lot of effort, and we cheer them for doing so!

  • A superb dram.

After the tasting we had some spare time before dinner, so we went to the Cadenhead’s Tasting Room to use the extra dram voucher we’d gotten the day before at the warehouse tasting. Dinner was salmon fillet, followed by another incredible dessert: one of the best cheesecakes we ever had! So, good that Gianluigi had two (!!), which Sandra took as a compliment (and indeed it was, still dreaming about that cake!). (Side note, Teresa is no longer amazed at how much Gianluigi can eat, but it was funny to see the others genuinely impressed by the performance.)

  • The unforgettable.

After dinner, we joined Graham, Andrew and his wife, and other visitors for a Watt Whisky tasting with Mark, at their shop near the Feathers Inn. It was a 6-dram tasting, very much Mark’s style, with a lot of delicious ex-bourbon cask Speysiders, but also a great “tea-spooned” Campbeltown blended malt (i.e. Glen Scotia), and a final peaty-sherry bomb, a 6y Staoisha (from Bunnahabhain distillery).

  • Great end to a great day.

After the tasting (and an extra dram or two), we briefly stopped at the Feathers Inn and soon went to sleep, amazed again by the quality of whisky you can find in the Wee Toon!

Coming next week, another post about the Springbank Whisky School! Until then, slàinte!

Springbank Whisky School

Link: https://www.springbank.scot/whisky-school/

#74.3 The Springbank Whisky School

Keep rollin’ rollin’ rollin’ rollin’
(day 2, Tuesday)

 

TL; DR: Day two of the whisky school, filling and rolling casks all morning, watching the mashtun being filled, then more cask-rolling into the dunnage and racked warehouses after lunch. Reward came with a Cadenhead’s Warehouse Tasting of eight drams, standouts being a Palo Cortado Benrinnes 11y and old Laphroaig and Bowmore. 

(missed Part 2/Part 1?)

The second day of the school started like the first one: alarm at 6am, breakfast at 7am. That morning we got scrambled eggs and smoked salmon, a favourite of ours! Well fed, we walked to the distillery for the 8am start. It had rained during the night, so everything was wet, however the sun was shining when we arrived. That was pretty much the weather during the whole week, showers here and there, but generally sunny and not too cold…“breezy”, if you want.

Anyway, the first activity of the day was not a heavy one, just watching the steep tank being filled with water while chatting to the staff in the malting floor.

  • We don’t think this counts as quality control.

After that, it was time to get serious: our next job was rolling casks! (To note, when the Whisky School is on, the filling day is Tuesday instead of the usual Friday.) A number of casks were already aligned in the courtyard, just outside the filling room: our job was to roll them in, pass them on to “wee Andrew” (“wee” because he’s in his 20s, he’s taller than most of us) who would fill them, and once filled, closing them with a bung. Meanwhile, Gavin was keeping the records on the weight and volume of newmake spirit that went in.

  • The wait before rolling.

Once closed, we rolled the casks back to the courtyard and wrote down the cask number on the cask end with stencil and white paint. That day the casks were filled with Hazelburn, mostly ex-bourbon barrels, but also some sherry hogsheads.

  • Stencilling away.

It was a hard job, especially to get the casks positioned in the right way (with the writings up), but it took us occupied and time went quickly while rotating tasks between the five of us. We took a break for coffee at 10am, and at 11am we went to production to watch the mashtun getting filled. There, Daniel showed us how they regulate the flow of grist and hot water going into the mashtun, in order to maintain the temperature as close as possible to 63.5°C. The stream is regulated with a mechanism manoeuvred by a chain, and a slight movement can make the balance change quite quickly – not an easy job. At noon we went back to the guesthouse for lunch, this time through a shortcut in the backyard, through a scrapyard: almost romantic. A hearty soup (delicious) and sandwiches were waiting for us.

  • The mashing-in magic.

After lunch and a much needed coffee, it was time to roll casks again: this time from the courtyard to the warehouse where the Kilkerran Warehouse tasting is held nowadays (and where the Cadenhead’s Warehouse tasting used to be held). The staff showed us how to put the casks in the right way, so when you roll them on the staves they end up with the stencils facing up. The warehouse was a two-floor dunnage, and the casks we rolled in were destined to the upper floor, so a winch was needed. Upstairs, we helped put the casks on the manual lift used to position the casks on one of the three levels. We’ll spare you the intricacies of getting the right orientation of the bung depending on the spot assigned to the cask – that was tough!

Then, we moved to the racked warehouse next door, where we rolled casks on to a forklift, which the staff used to put the casks at rest in the free spots, sometimes quite high up. 

Rolling casks is a tough job…
  • …but someone has to do it.

Again, manoeuvring full casks is no easy task, and it was a good workout, but in this case being short people helped: Robert and Graham, much taller than us, had definitely a harder time!

Fortunately, this effort was well rewarded with the first tasting of the week: the Cadenhead’s Warehouse Tasting. The brand ambassador Andrew (Graham’s brother-in-law but also well known to us from festivals and tastings) took us to the new warehouse space where the tasting is held, near the Cadenhead’s tasting room.

  • Thankfully these casks don’t need to be moved…

The lineup was similar to the one we had in December, but with a few key differences. We started off with two known drams, an English single malt – the Spirit of Yorkshire/Filey Bay, fully matured in Madeira, at a low abv of 47% (the cask was almost empty at that point), and a 14y Glen Garioch finished in a rum cask (55%), tropical juiciness. The third dram was a Glenfarclas 15y (56%), that started maturing in a refill ex-bourbon barrel but was then re-racked into a Ruby Port hogshead in 2019 – more a double maturation rather than a finish. This was the first time we tried a Glenfarclas that was not in a sherry or bourbon cask, and it didn’t disappoint. Then, one of the best drams of the lineup for us, a Benrinnes 11y, first matured in refill bourbon and then in a Palo Cortado sherry hogshead for 3 years (54%). We bought a bottle, and strangely the last time we were in Campbeltown we also got a bottle of Benrinnes (but from Watt Whisky). Two is a coincidence, three is a trend…Let’s see next time. The fifth dram was a Tullibardine 11y, re-racked for the last 4 years in a fresh (aka 1st fill) oloroso hogshead (52.1%). The sixth dram was, as per custom, a peated one, a delicious 11y Caol Ila (58.2%) from a bourbon barrel – the same we’d tried in December, but we’re very happy to go over it again, as it was delicious. We also had two extra drams, a 23y old Laphroaig from a bourbon hogshead – a stunner, one of Gianluigi’s favourite drams of the whole week – and a 28y Bowmore also from a bourbon cask, again a stunner, delicate and tropical. What a tasting!

  • A much easier job.

After that Graham left, and the four of us went back to the guesthouse for dinner. That night the menu was a tasty steak pie, followed by a delicious Eton mess: Sandra really knocked it out of the park! Tired from all the rolling and dramming, we soon went to bed for a well-deserved rest.

Coming next week, more shovelling! Until then, slàinte!

Springbank Whisky School

Link: https://www.springbank.scot/whisky-school/

#73 Bimber Distillery

London drams are going down!

 

TL; DR: After years of postponed trips and near misses, we were both in London, which meant we finally visited Bimber distillery! The distillery is in an industrial estate, not far off from the tube: the tour was good, and the tasting great! Definitely, a must do for whisky enthusiasts visiting London. 

In recent years, the wave of new craft whisky distilleries didn’t hit Scotland only, but it’s been (or was?) a worldwide phenomenon. During our travels we could get a taste of that in many places: Australia, Wales, Ireland and…England! While there is a cool English whisky map, it is hard to get a precise, fully up to date figure of the actual number of whisky distilleries for two reasons: the first is that new distilleries are still coming up; the second that some of the producers on the map mostly do gin and it is not clear if whisky making is planned or already happening, as we realised during our trip to England and Wales in 2023. Nonetheless, the figure is definitely in the “many tenths”, and it includes some top-notch whiskies, like Spirit of Yorkshire and White Peaks. One the first English whiskies we tried was Bimber, but being in London, it was a bit hard for us to visit (in particular for Gianluigi, who hadn’t been there for almost 8 years).

  • Not the easiest to find…

This changed last month (March 2026): Gianluigi had to go down south for a conference, so Teresa joined for the weekend. As soon as the trip was confirmed, we booked the tour at Bimber distillery, at noon on the Saturday morning (the only available on the day). We were staying near Shoreditch, so it took a bit to get there – we jumped on the Elizabeth Line and got off at Acton Main Line. We walked about 15-20 minutes to arrive at the distillery, including a short detour to get a delicious coffee and an empanada at Coffeeology, in the same industrial estate. The distillery is in a small warehouse tucked inside a small lane, and it is much smaller than we imagined!

  • …but here we are!

We were welcomed by Lukasz, former bartender, and member of the Bimber and Dunphail (that we visited in November 2023) sales team. He’s a great entertainer, which made our tour very engaging. We waited a few minutes for the other attendees to show up: a group of three people but very importantly our pal Stephen, friend of the Edinburgh Whisky Group and companion of many whisky adventures! He had already visited the distillery, which he considers his “local”, but not for some time, so he joined us when he knew we were going! As we were all seated, Lukasz started with the history: the distillery was founded in 2015 by Dariusz, a polish guy who moved to the UK initially to work in construction. Indeed, “bimber” means “moonshine” in polish. The aim was to maintain production as traditional as possible, obviously inspired by their peers north of the border. Being in London, obviously it wasn’t possible to have a “farm distillery”, but still, all their malt comes from a farm south-west from the city. Currently the strain they use is Laureate, and in our understanding, it is all floor malted and milled by a local maltster (we couldn’t quite catch the name). They use about 4 tons a week, which translates into a total annual production of about 50,000 litres of alcohol.

  • Wee display.

The milled malt is added to the mashtun together with water at 65°C, for about two hours. A second water is added at 80°C, but unlike many others distillery they don’t do a third water: while Lukasz said it was for taste, we suspect it has to do with efficiency, energy and water consumption. The wort from mashing is moved to one of the open-top 3,000-litre washbacks. Made of white oak, they were coopered by their in-house cooper and replaced the previous stainless-steel ones. Despite a larger washback capacity, they only fill it with about 2,000 litres, adding a secret recipe yeast (apparently about half baker’s and half brewer’s). Fermentation lasts 160 hours, so about a week, to try to impart fruity and ester-y notes.

  • Mashtun, where it all starts.

Similar to Scottish distilleries, distillation usually runs in a pair of copper pot stills. Not at the moment though, as the original Portuguese Hoga wash still is being replaced by a Chinese-made 2,000-litre still. This one is already there and plugged, but they are waiting for HMRC to come and make sure everything is alright, so at the moment both distillations happen in the same Hoga still. The wash distillation lasts 6 hours, and with two runs they obtain about 400 litres of low wines. The second distillation lasts about 12 hours: they completely discard the foreshots before the first cut point of 72%. This is unusual, as most producers add them to the low wines and feints for the next distillation. Lucasz told us it’s for taste, but again we suspect it might also be for some practical, efficiency reasons (the foreshots would be re-distilled, after all). They obtain about 240-250 litres of spirit, enough for approximately one cask. They cut the spirit at 65% and, contrary to the foreshots, the tails are added to the low wines for the following batch.

  • One still does it all, the other one is almost ready to go.

Something we didn’t mention earlier on, is that the distillery focuses on ex-bourbon casks, which represent around 80% of their casks. These mostly come from Woodford Reserve, and are shipped whole, so without breaking them down into staves to fit more of them in the same container. Alternatively, they use virgin American oak casks, but also some sherry, port and madeira. The filling strength is the usual 63.5%, and while they can keep about 100 casks on site, most of them are shipped to warehouses in northern England, with some sent to Scotland at the sister distillery Dunphail – this is mostly done to avoid the unforgiving London’s angel share, 8-9% per year!! Most of their whisky is sold as single cask, or in small batches of, at most, a few thousand bottles. Before bottling (all on site), they let the spirit rest for a couple of weeks. They bottle many market-exclusive whiskies, like the Christmas series for Poland, and some other series: notably, the London’s tube series has been quite popular, with releases usually selling out very quickly.

Such a tiny space, but still room for cask maturation.

It was finally time for the tasting: six drams, starting with the newmake spirit at 63.5%. This first dram is the only constant of the lineup, while the other five are subject to availability and tour guide inspiration. For us, the second dram was the 2023 Chinese Exclusive edition (1,300 bottles), a vatting of ex-bourbon, oloroso and PX sherry casks bottled at 63.3%! It was followed by two 2025 Taiwan exclusive bottlings, a full-bourbon maturation (58.2%) and an oloroso finished expression (57.2%, 292 bottles). The last two drams were the 2025 Christmas Edition, finished in Moscatel casks (58.3%, 318 bottles), and another 2025 Taiwan Exclusive fully matured in PX sherry cask (58.4%). It was a very good tasting, although on the sherry side. Lukasz asked us if we wanted some refill, but we asked for a wee taste of the Apogee 12y instead, a blended whisky they produce with malts and grains coming from Scotland, and finished in ex-bourbon casks that previously held Bimber: a very good dram indeed.

  • Los tres amigos.
  • One of six tasty drams.

After a while we left the distillery, and together with Stephen we went for the first time to the Melody whisky bar. Not too far off from the distillery (well, we got an Uber), it is in a lovely building resembling a medieval inn, and is also a hotel and a restaurant. We shared a couple of flights, which were very well priced. Measures were 10ml only, which is really good if you want to try different things without getting hammered. After the drams and some food, our evening continued with some friends (and friends of friends) and a few pints, just to take the edge down a notch.

What a day, and we’re so happy we finally visited Bimber distillery! The tour didn’t disappoint, and while we keep distance from the frenzy of series and limited releases, we can see how this started: the whisky is truly tasty, especially the bourbon cask matured ones. We might go back for another tour, next time we’ll be in London…hopefully, it won’t take another 8 years.

That is all, stay tuned for our next adventure in a couple of weeks time, it’s going to be a big one! Until then, slàinte!

Bimber Distillery Tour

Price: £40.00 pp (March 2026)

Duration: 2hr

Tasting: 6 drams, newmake spirit (63.5%), Chinese Exclusive 2023 (63.3%), Taiwan Exclusive 2025 (ex-bourbon, 58.2%), Taiwan Exclusive 2025 (oloroso finish, 57.2%), 2025 Christmas Edition (58.3%), 2025 Taiwan Exclusive (full maturation PX casks, 58.4%)

Target: whisky enthusiasts and curious

Value for money: good

Highlights: some unique production features

Recommended: yes

Link: https://www.bimberdistillery.co.uk/home

#71.4 The North-eastern Highlands

One last stop on the Deveron: Macduff

 

TL; DR: The final stop of this story takes place along a small river called Deveron: at the Macduff distillery! Tucked into a small glen, this “modern” Bacardi/Dewar’s workhorse was open to the public over a weekend for charity. Another great tour, definitely worth the trip there! 

(missed Part 3/Part 2/Part 1?)

In the morning, we woke up rested. We could hear the sound of the sea in the distance: waves and seagulls, although it was sometimes hidden by the cars and trucks driving on the A90. It wasn’t too cold, so after dressing up and putting away the rock-and-roll bed, we made coffee and had breakfast in the van. Then, we quickly left the parking spot. Because we had some time (our tour wasn’t until noon), instead of heading straight towards our destination, we drove to Newburgh, just up north. We parked and after a short walk we arrived at the Seal Beach: opposite a small river, there was a colony of grey seals laying on the beach. A couple of researchers from the Aberdeen University told us they were counting them, using a drone to fly over and taking pictures.

  • Man and seals.

A very enjoyable stroll, but it was soon time to go back to Mr Vantastic and get to our destination, the Macduff distillery. We had enough time to stop for a (very early) lunch in the village called Macduff itself, which is on the coast, divided from Banff by the river Deveron. The village looks a bit run down (maybe the overcast weather didn’t help), but we found a very nice diner, the Seafront Cafè, where we had a warm and hearty soup. 

From there to the distillery it was only a few-minute drive: instead of turning right on the Banff bridge, we kept on the main road for a bit, and then turned right into a small road that led us straight to the distillery, at the end of a downhill. While production is in a (almost square) building on the left, a big warehouse is on the right. This is owned and used by Brown Forman, as we were told when at Glenglassaugh. We checked in and found the same team we’d met at Royal Brackla, nice! This time we went on tour with Luke and David, the distillery supervisor, while the others took their lunch break. The crowd was mostly local people, which was actually great to see!

  • Possibly not the most charming site…
  • …but still, very excited to be here!

Compared the other distilleries we visited in this area, Macduff is almost the new kid in town: construction works started in 1958, and production started in 1960. Founded by a consortium of four businessmen from Glasgow, it was sold for the first time in 1964 and changed hands a few times, until landing in the Martini group, and then with Bacardi. At the time the distillery was state of the art. They never had a malting floor, but they used to have a cooperage on site. The spot was chosen because of its water source, the Gelley burn flowing into the Deveron just up the road. This water is used for cooling, while the water for the mash comes from a spring (we think) a few miles afield.

The malted barley, fully unpeated, comes from Baird and Simpsons, 28 ton per delivery (with 5-6 deliveries per week). At the moment they use Laureate, which allows them to produce 416 litres of spirit per ton of malt. In the past they used some peated malt as well, and last year they also tested chocolate and crystal malt for very limited batches. The malt is milled with a Buhler mill installed in 2007, a brand we saw several times around, especially in new distilleries. The grist has the usual husk/grit/flour ratio of 20/70/10, and is stored in a new grist bin, installed as part of a recent £3m renovation. For each of the 17 mashes they do weekly in the full leuter mashtun, they use 9 tonnes of malt, to which they add water at 63°C. The second and third waters, the latter used for the following mash, are added at 75°C and 85°C, respectively. The full mash is then transferred to one of the nine steel washbacks, where liquid distiller’s yeast is added after 7,000 litres are filled in. Fermentation lasts between 56 and 120 hours, depending on the day of the week it starts.

  • New milling equipment.
  • Checking fermentation.

When we arrived in the still room, we couldn’t help but notice the peculiar shape of the stills, and the horizontal condensers: everything was set up this way to save space. The wash still charge is 28,000 litres, while the spirit still one is 16,200, with a third coming from the foreshots and feints from the previous distillation. In the second distillation they discard about 300-litre of foreshots, and collect the spirit between 74% and 65%; in total the distillation lasts 10-12 hours. This year they produced about 2.8 million litres of pure alcohol, slightly less than previous years. A third of the produced spirit, which is shipped to Glasgow in tankers, is destined to the blended scotch whisky William Lawson (we never saw it here in Scotland, but it can easily be found in Italian supermarkets), a third to Dewar’s, and a third is sold to other companies. Only a minimal part (0.5%) is bottled under either of their two current brands: Deveron or Glen Deveron. They took the name from the nearby river because they couldn’t use “Macduff”, too similar to a brand belonging to W. Grants. While the Deveron is for the UK market (you might see around a 10y and a 12y version), the “Glen” is used for the travel retail, although in our understanding this might change. 

  • A beautiful still room…
  • …with the unexpected detail, look at that horizontal condenser!

It finally came the time for the tasting! The 10y was skipped so the lineup started with the Deveron 12y: an inoffensive dram, bottled at 40%, from both ex-bourbon and sherry casks. It was followed by three Glen Deveron: 16y, 20y and 25y, again all bottled at 40%, and again from both ex-bourbon and sherry casks, except for the 25y which was exclusively from 1st fill and refill oloroso casks. They all went down very smoothly, probably because of the abv, but we struggled to grasp the character of the distillery. We know how good Macduff can be – one the best sherried whiskies we had (from the Electric Coo range) was a 12y Macduff from an Oloroso butt, truly great stuff! To their credit all the expressions were greatly priced for the day, in particular the 16y (£65) and the 20y (£90).

  • The tasting lineup.

That was all, for the trip (we slowly drove back to Edinburgh) and for our series of distillery visits in the eastern Highlands. It was a nice wee string of tours in the space of a few weeks: it was great to see the new visitor centre at Glencadam, but the team at Bacardi/Dewar’s really knocked it out of the park! Both visits at Royal Brackla and Macduff were excellent, interesting and nerdy (as we like it), but accessible for casual drinkers as well, and a great value. It’s crazy to think that we paid less for the last three distillery tours (Brackla, Glencadam, and Macduff) than for Glenglassaugh alone. Someone at Brown Forman might want to rethink their strategy.

Stay tuned for our next story in a couple of weeks! Until then, slàinte!

Macduff Distillery Tour

Price: £20.00 pp (December 2025)

Duration: 1hr 30min

Tasting: The Deveron 12y (40%), Glen Deveron 16y (40%), Glen Deveron 20y (40%), Glen Deveron 25y (40%)

Target: everyone

Value for money: great!

Highlights: the workhorse production plant

Recommended: absolutely, keep an eye on their socials

Link: https://www.thedeveron.com/

#71.3 The North-eastern Highlands

Lost in Brechin: Glencadam distillery

 

TL; DR: Another weekend, another trip to the northeast, destination: Brechin, home to Glencadam distillery! They just opened a new visitor centre after a substantial upgrade, and it is very cozy and charming: well done! We enjoyed the basic but informative tour, and a warm and hearty soup afterwards. 

(missed Part 2/Part 1?)

The weekend after our trip to Royal Brackla it was time again to hit the road with Mr Vantastic. And again, our destination was the northeast of Scotland. This time we had two distilleries to visit, so we stayed away for the night, hoping not to freeze. We left Leith mid-morning, the weather was not as good as during our trip to Royal Brackla, but not as wet as the one to Glenglassaugh: overcast and some rain here and there. We didn’t stop for lunch, as we’d prepared two sandwiches with the delicious rock salt and rosemary focaccia from Lidl: when it’s fresh, truly good stuff! Our first stop was Glencadam distillery, in Brechin. We arrived in town at around 1.30pm, but we parked away from the distillery, in what was marked as a potential stopover for the night. It is near the river South Esk but it didn’t look that great, so we postponed the decision to after the tour. It took us about 20 minutes to cross the town, walk alongside a football ground and a cemetery, to then arrive at the distillery.

Glencadam has been on our radar for a while, as their single malts became very popular among whisky enthusiasts: other than delicious, many of their expressions (except for a couple available in supermarkets) are naturally presented (non-chill filtered and natural colour), and mostly well priced: if you haven’t tried it yet, get a bottle of the 10-year-old, great stuff! After the pandemic the distillery has been mostly closed to public, with tours only available on Tuesdays and Thursdays, previous direct contact, but for a short period of time. When they closed again (to visitors, the distillery was still in production), it was for an important reason: works started to build a visitor centre, including a cafe and a dram bar. It was also to celebrate their 200th anniversary, so an opening was expected in 2025. Almost at the end, but they finally opened in November! As we arrived, we noticed the all new and tidy exterior, with an old still used as decoration and, given the period, a couple of cask-stave made Christmas trees.

  • Reward after a wee walk in the cold, Glencadam distillery.

In the visitor centre we were welcomed by Michael, the manager, an old acquaintance as he used to work at Kingsbarn distillery, and we met him many times at the Fife Whisky Festival. While waiting for the tour to start, we browsed the shop: other than the known expressions, everything was set up for a couple of bottle-your-own bottlings, but they were not available yet.

Our guide was Brian Townsend, local from Brechin, the whisky historian who wrote Scotch Missed, a book about lost distilleries (here a review by Kate Watt, of Watt Whisky independent bottler). It was us and another two couples on the tour, which started in a room with panels about the history of the distillery and a big map of Brechin on the floor. The distillery was founded in 1825 by George Cooper, who sold it only two years later. Between the mid-1800s and the early 1900s it changed hands a few times, until it was purchased by Hiram Walker in 1954, which in turn was acquired by Allied Domecq in 1987. The distillery was mothballed in 2000, but finally bought by Angus Dundee, the current owner, in 2003. The history and a high-level explanation of how whisky is made was covered (possibly too extensively) in an exhibition with a series of videos that preceded the actual tour of production.

  • We didn’t take pictures in the exhibition area, so you get us instead.

Going into the nerdy production details, they get 30 tons of fully unpeated barley three times a week mainly from Bairds, sometimes from Crisp: in both cases, they aim for Scottish barley. The mill, built in the 1920s, was acquired in 1965 and produces grist with the usual components split (husk/grit/flour 20/70/10). Five tons of grist are added to each mash, first with 20,000 litres of water at 65°C, then another 8,500 litre for the second water, and finally the third water (another 20,000 litres) captures the remaining sugars and is used as first water in the next mash. The draff is collected by local farmers once or twice a day, to feed cattle. Of the six washbacks, only two are made of stainless steel, but they will be replaced next year by Oregon pine ones, like the other four.

  • Oregon pine and stainless steel washbacks.

Another improvement was to get the water wheel to generate some of the electricity, replacing the original one dating back to 1824-25 that worked for over a century. The new one can be observed behind glass. Instead, a feature that is gone forever, is the original Doig ventilator, aka the pagoda, which was destroyed in a fire.

  • Can’t see much of the whater wheel behind the glass.

Back to production, we learned that fermentation lasts 48 hours, a short one, and is triggered by 13kg of distillers’ yeast. They only have one pair of stills, and in the second distillation, they start collecting the spirit after 10 minutes of foreshots (we didn’t get the cut points though). Coming out of the still room, we were in a small yard where the draff truck comes in, and from there we reached one of the six warehouses on site, to the right of the visitor centre. Two of these are dunnage style and date back to the 1800s, while three are from the 1950s and one is a modern racked warehouse.

  • A glimpse of the still room from the outside (no pitcures allowed inside).
  • Charming dunnage warehouse.

It was then time to go back to the visitor centre for the tasting: we had three drams in front of us, the Glencadam 10y (46%, fully ex-bourbon casks), its bigger brother 13y (46%, same casks), and the Reserva Andalucia, a non-age statement expression finished for a year in ex-sherry casks (46%). Recently, this became part of a series of many cask finishes expressions (white Port, tawny Port, Amarone, PX sherry, etc). It was a basic tasting, but enjoyable nonetheless…When we were about to finish, Micheal brought us another dram: a 17y “triple Port” cask, a nice and delicious touch!

  • A solid, wee lineup.

After the tasting, we went upstairs to the cafe for a warm soup, but Gianluigi got tempted by the dram bar (they have most Glencadam and Tomintoul expressions available) and got another dram (a delicious 15y finished in Madeira wine cask, 46%). It was a very pleasant moment, the cafe is a very cozy space to relax with bites and drams. Because in the meanwhile we’d decided to leave Brechin, we didn’t indulged in more drams at the bar (hopefully next time), and we left the premise, not before getting a signed copy of Brian’s book.

  • Christmasy atmosphere at the distillery.

We walked a bit around Brechin, but it was dark already and the visit to the cathedral was not that satisfying. We visited the site where the North Port (or Brechin) distillery used to be, now a CoOp (*sad trumpet*). We left town and arrived at the Cock and Bull pub, north of Aberdeen, a pub that lets campervans stay if a meal is consumed there. Despite arriving early (not even 6pm) they sent us away asking to come back at 8pm. We did, but we had to wait almost another hour to order as they admitted that they thought we wouldn’t come back (in spite of us leaving our names for a table). What a shite way to treat customers, probably we won’t be back.

  • What used to be North Port distillery.

Overall, our visit at Glencadam distillery was very good, we had a nice time. The new visitor centre looks great, and while the experience we chose was very basic, especially the tasting, it was interesting nonetheless (to note, they offer a pricier experience, maybe next time). We’d definitely suggest visiting the distillery to friends, in particular for those early into their whisky journey. The only thing we didn’t like was the pricing of the bottles in the shop: above retail, including some shops on the Royal Mile (obviously we’re not considering the big online retailers), but in general everything beyond the core range was slightly pricy, with no discounts available to those taking the tour. It always puzzles us how some producers seem to punish instead of rewarding the enthusiasts making the effort to travel to the distillery.

Stay tuned for the last tour around the northeast of Scotland, coming next week! Until then, slàinte!

The GlenCadam Distillery Tour

Price: £23.58 pp (£22.50 + fee, December 2025)

Duration: 1hr 30min

Tasting: 3 drams, Glencadam 10y (46%), Glencadam 13y (46%), Reserva Andalucia (NAS, 46%)

Target: everyone

Value for money: very good

Highlights: the cafe above the visitor centre

Recommended: yes

Link: https://www.glencadamwhisky.com/