#31.8 Spirit of Speyside 2023

The amber swan: Linkwood

TL;DR: Finally, the last day of the Spirit of Speyside came. After a relaxing morning, we visited another Diageo’s workhorse: Linkwood! Very beautiful distillery, tasty whisky, but the tour with the enthusiastic staff it’s what really gave value to this visit!

(missed Part 7 /Part 6/Part 5/Part 4/Part 3/Part 2/Part 1?)

The last morning of the long weekend was a slow one. We woke up in a rainy and gloomy Dufftown, waiting for one of the coffee shops in town to open. After some coffee and cake, we had some free time, so we finally managed to go to the Whisky & Heritage Centre. It is a little place managed by volunteers where whisky memorabilia are on display, plus old pictures and documents that can be checked out. We had a lovely chat with the lady taking care of it, finding out they have plans to increase the size of the centre, and we got a couple of second-hand whisky books for a small donation.

We went to the Dufftown Whisky Shop, as they had scheduled a Benriach pop-up tasting. We tried a couple of their new range (which we are not too familiar with, since we visited the distillery before the core range revamp) and had a chat about it and other Brown-Foreman products with the brand ambassador. He told us that some news was in sight about Glenglassaugh, so we hoped for a reopening of the visitor centre. A few weeks later they revamped the line-up (with a 12y bottled at 45% and two NAS at higher abv), but as we are writing their website has disappeared, so…still hoping!

Left the shop, and Dufftown, we drove to Aberlour to…another shop, this time the Speyside Whisky Shop, for another chat with Matteo and a dram (at the time some saught-after bottles were open so people could purchase by the dram). This was followed by a quick lunch at the usual Gather’n Cafè nearby (we should have taken a punch card long ago!). It was soon time to leave though, direction Elgin, for the next and last distillery visit of the holiday: Linkwood! The road wasn’t very trafficked and the drive was smooth, so we arrived there a few minutes early.

Once again, we were not ready for the picture.

There, we met our friend John from the Edinburgh Whisky Group, and we were welcomed by Paul, the distillery manager. The welcome cocktail was the usual Old-Fashioned, of course made with their own flagship whisky. Hovwere, it feels odd talking about a flagship, since Linkwood 12, part of the Flora and Fauna range, is the only bottling from this distillery (similar to many other Diageo’s distilleries).

The original Linkwood distillery was founded in 1821 by the Brown family, and started production a few years later. It was sold in the 1930s to Scottish Malt Distillers, which in turn were acquired by United Distillers (a precursor of Diageo). In 1970-71 a new distillery was built, and in spite of that, the old one continued production until the site was mothballed. The old distillery was demolished only in 2012, with all the equipment moved to the new one, which was expanded.

Our knowledge of Linkwood dates back a few years, to our first (and only) bottle of Johnnie Walker Green Label 15y, as this is one of the malts featuring in this blended malt, together with Caol Ila, Talisker and the fellow Speysider Cragganmore. Since then, we tried a few different Linkwood expressions thanks to independent bottlers, mostly the Scotch Malt Whisky Society. Recently, we had a great one, finished in Tokaj wine cask, from the new independent bottler Fragrant Drops: a sweet dram with a hint of grassiness, which is the main character the distillery aims to get.

The tour was conducted by Barry and Eilidh, both distillery operators. Near the entrance of the production building, they showed us a small cask that was used back in the day by distillery workers to get their daily dram (or drams, in the past we’ve been told by some guide that usually they were 3 a day). As many other distilleries, they have a Porteus Mill, painted in dark red, but unlike many the proportion of husk/grit/flour is 10/80/10, and they use Lauriet barley. Here the tour became very interesting: they only do two waters during mashing (they call it “continuous sparging”), and we were shown a cylinder they use to check the wort cloudiness. This is one of the nerdy things we discovered fairly recently, depending on the desired newmake character, when mashing the wort could be more or less filtered. The less filtered mashes (thus, cloudy) give a nuttier character to the newmake. On the contrary, a clearer wort results in more fruity and grassy notes, like Linkwood indeed.

The fermentation in their 5 wooden washbacks from the 70s (and also other 6 installed in 2013) lasts 75 hours. Finally, we went to the still room, where three pairs of very large stills (with straight-ish lyne arms) operate independently. The shell-and-tube condensers are equipped with “turbulators”, to slow down the water. After the still room, we had a stroll outside around the famous lake, where we saw the swans that inspired the famous label. The water is mainly there as a reserve, used in case of emergency. From there, we could check out the old malting floor (and the pagoda roof), now a warehouse. Unfortunately, no tour inside there.

Back to the office, Paul and Scott, another distillery operator, were ready to host the 3-dram tasting: Linkwood 12 (43%abv, one of the best drams from the Flora and Fauna range, in our opinion), Johnnie Walker Green Label 15 (43%), nice to revisit it after some time, and finally a Linkwood cask-sample (similarly to the one at Dailuaine, not on sale and only served at Cardhu distillery in one of their fancy tours). Really a great dram, for sure in our top 5 of the festival. A shame these cask sample bottles were not available for purchase, although knowing Diageo’s pricing policies they would have probably been out of reach.

On the tour there was a group not very happy about that, so they started rudely complaining with the staff about the missing opportunity to buy the cask-sample bottles, showing their cluelessness on how a big multinational company like Diageo works (not that we know much better, but enough to understand that some decisions are not down to the distillery staff). Oh well.

Happy for the great festival experience!

Anyway, one of the things we liked the most of this first time at the Spirit of Speyside was to get to know and talk to people working in distilleries, in particular the ones not usually open to public: the staff friendliness, but more importantly their eagerness to show us around and make us understand their work were amazing. Seeing how passionate they are was really refreshing, in spite of all the cynicism of their mother companies, and in the whisky world in general nowadays. Of course, we don’t want to play down any of the people we met in distilleries usually open to public, however in our many trips sometimes we experienced too edulcorated, almost scripted tours, and a couple of times we were even treated with complacency. And this is fine (well, except for the last…), it would be silly to expect that every tour is mind-blowing, and that every tour guide is a whisky nerd: at the end of the day, it’s a job as any other. But we cannot help but noticing a certain difference when the tour is done by an operator, like in many cases during this trip. And just for it, we were grateful.

Until next time, slainte!

The Linkwood Distillery Tour

Price: £80.00 pp (May 2023)

Duration: 2hr

Tasting: welcome cocktail and 3 drams – Linkwood 10 (43%), Johnnie Walker 15 Green Label (43%), Linkwood cask sample from ex-bourbon (53.4%)

Target: whisky enthusiasts

Value for money: not great

Highlights: the enthusiastic distillery staff

Recommended: not at this price

Link: https://www.spiritofspeyside.com/

#31.7 Spirit of Speyside 2023

Speyburn uncovered!

TL;DR: Another visit to a (then…) closed-to-public distillery: Speyburn. In 125 years it was open for the first time during the 2023 Spirit of Speyside. A great visit, their own old drum maltings were a highlight, a jump back in time!

(missed Part 6/Part 5/Part 4/Part 3/Part 2/Part 1?)

From Dufftown to Rothes it’s barely a 15-minute drive, so we could take it easy and stop for a coffee and a soup, to warm up in the cold and rainy day. We then soon arrived at the Speyburn parking lot: in spite of being hidden from the main road, we knew exactly where to go, as during one of the many trips to Speyside we drove on the road just in front, from where the distillery could be admired in all its beauty.

Speyburn is not among the most well-known single malts, although it can now count on the presence on some supermarket shelves (the Bradan Orach and the 10y). They are owned by Inver House (which is in turn owned by Thai Bev, guess where they’re from…) together with other four single malt distilleries, two in the Northern Highlands (Pultney and Balblair), another in Speyside (Balmenach) and Knockdhu (producing the AnCnoc whisky) in the Eastern Highlands. We previously only had one bottle of Speyburn, from the Scotch Malt Whisky Society: a 9y old from a refill bourbon. We got it by chance when buying a pack of three bottles during the pandemic, with the Speyburn being the one we were less excited about: it ended up being the best of the trio! Spicy at first, with time in an opened bottle the oxidation played its part, and the whisky mellowed down and became a fruity deliciousness. At this point, it goes without saying we were very curious to know more about Speyburn!

As we parked, we were warmly welcomed by the distillery manager Euan and the global ambassador Stuart (who we knew from some Aqvavitae’s vPubs), who walked us to the visitor centre to check in. Compared to the other “usually closed to public” distilleries, they seemed to be way more prepared: there was a proper shop (not just a pop-up like at Dailuaine and Mortlach), with bottles and merchandising displayed on the shelves, and also a brand-new bar with big tables, where the tasting would have taken place after the visit inside the production. We’ll come back on this point.

The tour started with some history in the courtyard: the distillery was founded in 1897, and the architect was the famous Charles Doig, who brought the pagoda roofs into the game. This became one of the iconic features of Scotch whisky distilleries, to the extent that distillers in other countries started copying it. It is also on the road signs in Speyside and elsewhere: if you see a white pagoda on a brown background, there must be a distillery close by! The original function was the kiln’s ventilator, as at the time most distilleries were malting their own barley, Speyburn included. A crucial difference, however, early on they installed one of the few on-site drum maltings. They haven’t been used in almost 60 years (after a sudden stop in 1967 following the stop of the near railway the year before), but they are still preserved for nerdy visitors to admire. And in fact, the first part of the tour was dedicated to this unique feature of the distillery.

Time travelling part 1: the malting floor.

Time travelling part 2: the steeping tanks.

Time travelling part 3: the drum maltings.

Euan and Stuart explained us that the place has been made accessible only recently, as testified by the new woodwork to allow people inside: it was like taking a walk in the past. The malting was working on different floors, the top one was where the barley was laid out, steeping tanks at the middle one, while the drums (think of huge tumble driers…kind of) on the ground floor. One thing we found interesting was the completely different story compared to the usual one: smaller on-site drum maltings, and similarly Saladin boxes, were intermediate stages between the two extremes that are usually talked about during distillery visits (and on blogs, etc.), the (highly romanticised) labour intensive and not so efficient malting floor, and the modern highly efficient industrial-scale maltings. So fascinating to see what was in between!

We jumped back to the present, moving to the mill room, and from there through the usual layout of the modern plant: the closed stainless-steel mashtun, and the wooden washbacks, where we could sip a bit of their semi-cloudy 72hr-fermented wash (always an experience). One interesting feature is the combination of both shell-and-tube, of which one is horizontal, and two wormtubs condensers (132m in total). The former condenses liquid from the wash still, while the latter two from the spirit-stills, from which they take a cut between 72 and 64% abv. With only 3 stills they manage to produce about four millions of litres of alcohol per year: they get this incredible volume by working 24/7. There is a catwalk on the wormtubs, which are located outside, where we spent a couple of minutes….we wonder if in Speyside the weather gets warm enough to tempt some people to jump in them.

We soon checked out the warehouse, where a surprise was waiting for us: nope, unfortunately we didn’t sample some casks (we were hopeful, considering the hefty 80 quid tickets), but it was almost as good: we had a sample of their 125^th Anniversary release, a single cask bottling from a 2^nd fill ex-bourbon barrel vintage 2007, similar in style to the one we had but much more balanced, tropical and creamy. A truly delicious dram, probably the best one we tried during the festival.

The last part of the experience was the tasting of their core range, back at the bar. We had four generous drams of their non-age statement (NAS, but they told us it should be about 7-8y) expression Bradan Orach (40%abv, refill ex-bourbon), the 10y (again kind of introductory, 40%, 90% ex-bourbon and 10% ex-sherry casks, mostly second fill), but finally the two gems: the 15y (ex-bourbon before a 2-3y finish in ex-sherry Miguel Martinez casks) and the 18y (14y in ex-bourbon casks, then 4y in second fill oloroso casks), both 46%, natural colour and not chill-filtered. They were both super tasty: Gianluigi preferred the former, Teresa (as most people on the tour) the latter.

You can’t really tell from this picture how nice the bar is…

At this point you’ll be wondering: wait a minute, if they are only open occasionally, how come they have a bar for tastings and a nice shop? Well, as a matter of fact, before the festival we’ve been told by a birdie that Speyburn might have been preparing to open to visitors permanently. At the Spirit of Speyside 2023 they won the award as “best new experience” and this might have given the company the nudge to open permanently (although, more realistically it was already planned and not depending on the award…). Bottom line is that, good news: starting August 2023 (coincidentally the time of writing), you can visit them and go check their very fascinating old drum maltings for the very reasonable price of £20 (see the link below).

So, overall, it was a great visit (one we’d do again), and as we said earlier, a true deep-dive into the history of whisky production in Speyside. A bit pricey maybe, but at least the tasting was generous (5 healthy drams and a taste of the newmake), unlike some other we visited for the same price.

For the evening we drove first to Aberlour for a chit-chat with Matteo at the Speyside Whisky Shop (from which he just moved on as we are writing), and then to Dufftown where we spent the night. We parked near the Mortlach Hall, which was super quiet. We had dinner at the Commercial Hotel, which has moved the restaurant to the former function hall, together with some tasty Three Ships South-African malts (produced at the James Sedgwick Distillery), very rare to find in Scotland. Not that we were bored of Speyside malts, but it was good to try something different! Slainte!

The Speybirn Distillery Tour (Spirit of Speyside)

Price: £80.00 pp (April 2023, but now – August 2023 – they’re open to the public and it’s £20.00)

Duration: 2hr

Tasting: 5 drams, Speyburn 125^th Anniversary (vintage 2007, 15y, refill ex-bourbon barrel, 62.6%, NC, NCF), Bradan Orach (40%), 10y (40%), 15y (46%, NC, NCF) and 18y (46%, NC, NCF)

Target: whisky enthusiasts

Value for money: not great

Highlights: the old drum malting equipment

Recommended: better than others, but still hard to justify at this price

Links: https://www.speyburn.com/, https://www.spiritofspeyside.com/

#31.6 Spirit of Speyside 2023

The beast of Dufftown: Mortlach

TL;DR: our fourth day at the festival started with a classic, a distillery particularly known for their complex distillation process: Mortlach. The visit was very interesting indeed, and the distillery manager Kirstie didn’t shy away from nerdy details.

(missed Part 5/Part 4/Part 3/Part 2/Part 1?)

On Sunday morning the sky was still overcast, it would start raining later in the day eventually. Oh well. After breakfast we wrapped up all our stuff: it was the last night in the camping, the following and last night of the holiday we would wild camp again, although we hadn’t figured out where yet. We left the camping driving towards Dufftown, in a backroad that goes past the back of the Speyside Cooperage, from which you can admire their casks pyramids. Being Sunday morning, Dufftown was very quiet, and not all cafes were open yet. We managed to park on the main road, in front of the local CoOp, and tried hunting for a coffee. After finding one, we walked our way towards our first appointment of the day: Mortlach distillery, the so-called beast of Dufftown.

It is a very old one, founded in 1823 after the Excise Act, and it was the only one in town until their manager at the time, William Grant, left to found Glenfiddich. In 1897 the distillery was expanded, and thanks to the work of the famous architect Charles Doig, the pagoda roofs were added. It was acquired by John Walker & Sons in 1923, but the company soon merged with Distillers Company Limited in 1925 (then United Distillers in 1987, Diageo from 1997). Before 2014, the only official bottling of Mortlach was the 16y “Flora and Fauna”, now discontinued and dearly celebrated (like most things of the past, the abuse of “’member-berries” is widespread in whisky-land…if you don’t know the reference, check South Park season 20).

The beast of Dufftown under a gloomy sky.

A core range was introduced in 2014 (with some controversial 50cl bottles) and revamped in 2018, while the current age-stated range includes a 12y (Wee Witchie), a 16y (Distiller’s Dram), a 20y (Cowie’s Blue Seal) and a 14y travel retail (Alexander’s Way), plus the occasional Special Releases. The newmake spirit is mainly filled in ex-sherry casks, although you can find some independently bottled ex-bourbon matured expressions (we have an 11y from Signatory Vintage, a marriage of 2 ex-bourbon hogsheads, which is quite tasty). Mortlach whisky is quite famous to be meaty, and thus considered a malt for seasoned drinkers. Fun fact, the 16y (very decent in our opinion) worked quite well every time we’ve given it to friends (both beginners and casual whisky drinkers).

At the distillery we were given a welcome cocktail, a Mortlach-based Old Fashioned (this time with regular angostura, not the orange one like at Dailuaine), and the distillery manager, Kirstie, introduced herself. She’s a graduate form the Brewing and Distilling Master at Herriot-Watt University, and of course extremely knowledgeable: her explanations definitely gave value to quite a pricey experience. We also bumped into a couple of barflies at the tour, Angus and Graham, met back in November at the Aqvavitae’s Blind Challenge in Glasgow.

After the introduction, we started the proper tour: we moved outside in the courtyard, and then near the milling room, which hosts an old red Porteus mill. A notable difference was that they take a smaller cut of flour in their grist (8%) compared to other distilleries (usually 10%). In our understanding, one of the reasons is that their water to grist ratio is higher, 3.8 instead of 3.6. The mashtun looks very new, made of stainless steel and closed, with the usual window to check its inside. They only have two water runs instead of three, with the second being warmed up to get the sugars that are usually obtained in the third run (lasting 6.57 hours in total).

The walls of the fermentation room, where six Douglas Fir washbacks are located (wooden because of a combination of aesthetics and convenience, since they can be disassembled unlike stainless-steel ones, all replaced in 2016), are decorated with some nerdy facts about whisky making, like the formula to calculate the % abv of the wash using the gravity readings, and the graph showing the trends of different types of sugars digestion during fermentation. Their fermentation time is usually between 55 and 59 hours, never less than 50, and they work with yeast that can survive higher temperatures, around 35C.

We then moved to the still room with its 6 stills (3 wash- and 3 spirit-), very unusually of different shape and size. The distillation is very complex: wash-still #3 and spirit-still #3 are paired, and they work like in a regular distillery. The other wash-stills (#1 and #2) work together, but their distillation is (unusually) divided into two cuts, the first goes into spirit-still #2, while the second (heavier) gets re-distilled three times (with the other distillations feints) in the other spirit still, the Wee Witchie, and the cut is only taken every third distillation. If you are confused, no worries, we are too, but the idea is to provide different characters to the newmake spirit. Someone in the past made the calculation, and it turned out the spirit is distilled 2.81 times – it would be nice to see those equations (nerd alert! Nerd alert!).

…and practice! (The Wee Witchie is the closest to us.)

As we moved outside, we could admire one of the other characteristics that made Mortlach popular: the 6 worm tub condensers, one for each still. It is believed this is what provides meatiness to the spirit. They are made of wood, except one which is made of metal because the wooden one started leaking – they told us it might be replaced at some point with a new wooden one. They take the cooling water for the wormtubs from the river Dullan, one of their 6 sources of water for all the process: remember that they produce between 3.5 and 4 million litres of alcohol per year! Finally, we ventured in the warehouse, where casks from many distilleries were resting, including many non-Diageo ones, surprisingly. Kirstie explained us the processes happening in maturation: additive (compounds from the wood affect the liquid), subtractive (compounds from the liquid are removed by the wood contact) and oxidative (the contact with air changes the liquid, as you will know if you ever had a bottle open for more than 4-6 months).

Back outside, Kirstie showed us where some buildings used to be, as well as their still existing but currently unused malting floor, on the other side of the road (at the moment part of it is used as deposit for the Dufftown Whisky & Heritage Centre). We went back to the meeting room to enjoy the (stingy, considering 80 quid) 3-dram tasting. These were the flagship Mortlach 16y (43.4%), Mortlach 15y Game of Thrones Six Kingdoms (finished in ex-bourbon casks and bottled at 46%) and a non-age statement (NAS) from the 2022 Special Release. We’re quite familiar with the 16y (we used to have it, and gifted some), and we had tried the 15y GoT once (nice to revisit), so we were very curious about the third, mostly because the RRP was insane for a NAS, well above £200. This expression was finished in Tawny Port, Red Muscato wine, Virgin Oak casks and bottled at cask strength (57.8%). Turned out, it was nice but not mind-blowing by any means, as you’d expect considering the fanfare.

Overall, this was a great visit, and Kirstie contributed to make it as nerdy as expected, for such a peculiar distillery like Mortlach. The price is a bit steep, £80 for a tour and 3 drams (+ cocktail), so it’s hard to recommend it. However, if you’re at the right moment of your whisky journey, it is definitely one to visit, despite the price. For us, it was worth it, and we look forward to more deep dives like this.

The Mortlach Distillery Tour (Spirit of Speyside)

Price: £80.00 pp (April 2023)

Duration: 2hr

Tasting: 3 drams and a welcome cocktail, Mortlach 16 (43.4%), Mortlach 15 the Six Kingdoms (46%), Mortlach Special Release 2022 (NAS, 57.8%)

Target: a bit more seasoned whisky geeks and nerds

Value for money: not great

Highlights: the detailed tour and explanation of such a complicated distillation process

Recommended: only if you’re quite ahead in your whisky journey (see last paragraph above)

Link: https://www.malts.com/en-gb/brands/mortlach, https://www.spiritofspeyside.com/