#24.1 Dramming in Dublin

A whiskey weekend before the storm: Teeling & Roe & Co.

TL;DR: In January 2020, we visited friends in Dublin, so why not check out a couple of distilleries in the meanwhile? We chose two among the many newbies, Teeling, in the Liberties neighbourhood, and Roe & Co, a new Diageo distillery close to the iconic Guinness brewery!

In our blog, so far, we talked about our whisk(e)y adventures in Kentucky, England, Canada and, of course, Scotland. You might have noticed an important gap, which is the object of this and the next blog post: Ireland!

Gianluigi had actually visited Ireland, mostly Dublin, a few times way before his whisky journey started, while for Teresa the first time came when we went there to celebrate 2019 New Year with two friends from the US. At that point, we were already into whiskey (and whisky), but in our heads Dublin = Jameson, so that’s what we went for: the Jameson Experience in Bow Street, where the old distillery was. It was a nice experience for newbies, and it was very interesting to compare scotch (Johnnie Walker), American (Jack Daniels…) and Irish whiskey (Jameson, of course). For sure, at the time we were not aware of the troubled history of Irish whiskey: after the trade block with the Commonwealth countries as a consequence of the Irish Independence war, and prohibition in the USA, Irish whiskey saw a decline which led the biggest producers (Powers, Cork Distillers and Jameson) to join forces and form the Irish Distillers company, while moving production to the New Middleton distillery, in Cork, in 1971. For many years, only two distilleries were active in Ireland: the aforementioned Middleton and Bushmills, in Ulster.

Recent years saw a renaissance of Irish whiskey, however. First, in 1987, John Teeling acquired and converted an old potato processing plant into the third Irish working distillery: Cooley. More recently, a number of distilleries throughout the island popped up, including a handful in Dublin.

It is in this context that we started to sniff around. The occasion was a weekend at the end of January 2020, when Covid was already a thing but hopes were that, like the SARS-CoV-1 in 2003, it would have been a limited outbreak…so naïve! We went back to Dublin to visit a friend of Gianluigi who was working at the UCD, and a former Teresa’s advisor from New Zealand. When we looked at the available tours we spotted four distilleries: the Liberties, Pearse Lyons, Roe & Co. and Teeling. Being unfamiliar with all of these brands, we chose the latter two, almost randomly.

First Irish whiskey distillery visit: Teeling.

It was a sunny Saturday morning, when we arrived in the Liberties, a former industrial neighbourhood. This is home to both the Liberties (more on this next week) and Teeling distilleries. The latter was founded in 2015 by Jack and Stephen Teeling, the sons of the founder of Cooley, now owner of the Great Northern Distillery, in County Louth, the former Harp beer brewery converted into a distillery in 2015. In hindsight, visiting Teeling first made sense as it is the first new whiskey distillery in Dublin in over 100 years, and the first operating since Jameson and Powers moved to Cork.

The building is quite modern, and it’s obvious that they built the distillery with tourists in mind: everything is spacious and feels ready to accommodate big groups. They are quite a sizeable distillery too, with half-million litres of alcohol per annum. They produce many different styles of whiskey: single grain, single malt, single pot still and the typical Irish unaged spirits (Poitin), all bottled at 46%, except the latter which goes up to around 50-52%. Their main expression Is the Small Batch, made with malt and grain whisky. The tour was nice, nothing particular to note, except that the three stills (most Irish whiskeys are tripled distilled) come from an Italian firm, Frilli, and they are named after the owners’ daughters (which now we cannot recall…it was 3 years ago!). The tour ended with a visit to the on-site warehouse, where some of the first casks filled are stored.

After the tour, we got a 4-dram tasting: the Small Batch, the Single Malt, the Single Pot-still and a distillery exclusive. It was very interesting to try them all together, a comparison between very different styles of whiskey! At the bar, we also tried one of their special releases of the time, the Brabazon vol. 2, a sourced whiskey finished in ex-Port cask and bottled at 49.5% abv, very different from the others!

The following day, much cloudier, was Roe & Co’s turn, very close to the Guinness St James Gate Brewery. The name is inspired by George Roe & Co, the owner of the old Thomas Street Distillery. This used to be a massive distillery around the late 1800s, just a stone throw away from the brewery, with over 2 million gallons of single pot still whiskey produced per year. It was closed in 1926, following the aforementioned crisis of Irish whiskey. The new Roe & Co distillery was built by Diageo in the old brewery powerhouse, and started producing in 2019. It is a very beautiful old industrial brick building, with big windows that make it possible to see the still room from outside. Next to the building, there is a tower with a green dome and a pear tree (which inspired the distillery’s logo).

Second day, second distillery: Roe & Co.

Production is characterised by a closed mash-tun with a copper lid, a few (we cannot remember how many) wooden washbacks, and three stills of different shapes. Again, this distillery too has been clearly built with visitors in mind, so the spaces are quite open, and the bar is near the still room. After visiting the production, the guide brought us to a fancy showroom with a big table, where there was a wooden box for each of us. Inside the box, a few aromas and other stuff for a sort of sensorial experience (honestly, the least favourite part of the tour).

Afterwards, we went to a blending room, where the guide gave us a brief but informative introduction to mixology before we mixed our own cocktails. While we are far from being whisk(e)y purists (once in a while we like a good whisk(e)y-based cocktail), we’re not big fans of this “whisk(e)y as a mixer” thing that has been pushed so much by big companies like Diageo. However, we have to say that this experience was really interesting, definitely a plus of this tour.

Finally, at the bar we had a sip of the Roe & Co whiskey, a blend made with malt and grain whiskeys from undisclosed Irish distilleries: a nice dram (45%, not-chill filtered, NAS). We also tried an ex-Port cask finished Roe & Co, another blend (if we recall correctly), a bit more robust, but we couldn’t get it because we had no checked luggage. Oh well.

We felt this trip to Dublin was just a first, tiny taste of the Irish whiskey wolrd, and indeed we were left more curious than when we had arrived. Since then, we have tried some very interesting expressions, and it’s nice to see the Irish whiskey scene being revamped. For more about this, stay tuned until next week, Sláinte!

Jameson Bow St. Whiskey Experience
Link: https://www.jamesonwhiskey.com/en-gb/visit-our-distilleries/jameson-bow-street-distillery-tour/

Teeling Distillery
Link: https://www.teelingwhiskey.com/

Roe & Co. Distillery
Link: https://www.roeandcowhiskey.com/

#23.2 On the run again: Dramathon 2022

Back to the Glens
(Grant and Garioch)

TL;DR: The day after the Dramathon we took advantage of being in Speyside to visit two distilleries we’d only had tastings at: Glen Grant, in Rothes, with their unique rectifiers, and Glen Garioch, in Oldmeldrum, which has been recently renovated. Both worth returning.

(missed Part 1?)

So, after a (not so) resting sleep in Dufftown (guess why), we found ourselves with a spare Sunday (the drive home is about 3 hours only): plenty of time for some whisky stuff! Deciding which distillery to visit in Speyside and its surroundings, however, is becoming more and more difficult. Despite being the biggest single malt producing area, most distilleries are closed to the public, and a bunch of them are closed on weekends. Let’s also say that we already had the opportunity to visit a few of them (ehm, ehm, ehm, ehm).

Nevertheless, because we’ve been there also around Covid times, we only saw the visitor centre or the tasting room of some distilleries, so this was a good occasion to catch up with the production tours we hadn’t done yet. First off: Glen Grant! We’d been there for the first time in July 2021: at the time we could only visit their marvelous Victorian gardens (if it’s a beautiful day, they are worth the price of the ticket alone), have a quick tasting at the shop, and an Illy espresso at the café (spoiler: this time the café was closed, so no Illy, ouch!).

The distillery is owned by the Campari group, reason for the Italian flag in the courtyard: after Wild Turkey, this is the second distillery we visited from this owner. Glen Grant is in Rothes, almost in front of the famous copper still-producer Forsyth (also, where Caperdonich, nicknamed Glen Grant 2, was located). Founded in 1839, except for the modern and polished shop/visitor centre, it has maintained a classic distillery feel. A notable fact is that their master distiller, Dennis Malcom, is one of the longest serving workers in the whisky industry, with over 60 years of experience under his belt: impressive!

The guide of the day was Kirstie, very knowledgeable and professional. Since it wasn’t raining, her explanation of the history started in the courtyard. We swiftly (or schwifty) moved to production, where we went through the usual path: milling, mashing (closed stainless still mashtun), and (wooden) washbacks.

Mashing in progress (looks like the first water).

Here came the interesting part: the still room. Like Glenfarclas and others, the room is separated from the rest of the production. As we walked in, we noted the curious shape of the wash stills, with a copper cylinder-ish bulge at the bottom of the neck, rather than the usual round one. The spirit stills have a classic round bulge, but the most fascinating characteristic, however, is the rectifier installed at the end of the lyne arms, looking like another small still. This was an intuition by John “the Major” Grant, who took on the business in 1972, and their purpose is to allow only the lightest vapor to be condensed. To produce a light spirit, they also set quite a short and high cut for the spirit heart: from 73% down to 68%.

Have you seen a rectifier like this before?

We then visited the warehouse before the self-guided tasting at the visitor centre. At the time of booking, we asked if we could pay more to upgrade our drams: not because they are bad (because they are not, in our opinion), but just because we had had the very same drams during our 2021 visit (Arboralis and 10y). Unfortunately, it wasn’t possible, which was a pity because it would have been a simple but relevant improvement to the experience, in particular for more experienced drammers (other distilleries do it), but oh well.

Bottles on display (we tasted the middle ones).

After sipping (Teresa) and nosing (Gianluigi) the two drams, we went back to the car and drove towards the Aberdeenshire for the second distillery of the day. While driving we did some distillery spotting, first Glentauchers and then Strathmill, in Keith, reached after a nice short walk along the river Isla (the day was truly gorgeous!).

Glen Garioch is in a very different setting: even older than Glen Grant (it was founded 1797), it is almost stuck in the village of Oldmeldrum (near Inverurie): it looks like the village grew around the distillery. Funnily, it was the distillery we visited after our 2021 Dramathon as well, but at the time it wasn’t possible to visit the production due to a combination of Covid safety rules and ongoing renovations, so we were quite excited about the tour!

Our guide Iona started the tour from the new malting floor, one of the parts under renovation the previous year. There was one originally, but it was dismissed back in the day when industrial maltings became too convenient to be ignored. This happened across the entire industry, so that now only a handful of distilleries malt their own barley in a malting floor (Benriach, Balvenie, Kilchoman, Laphroaig, Bowmore), and to our knowledge, only Springbank/Kilkerran do it for the 100% of their production (waiting for Dunphail), so bravo Glen Garioch! They also re-introduced the use of peat in their kiln, to get peated malt from time to time.

We moved on to follow the phases of whisky production: milling (classic red-painted Porteus), mashing (again, closed stainless steel mashtun), and fermenting (stainless steel washbacks). In the still room, we saw the other result of the renovations: they removed one of their three stills, and the spirit still is now directly fired (a flame is burning below, heating the still, instead of the usual steam coil inside it). Again, this modification is a step back into the past of whisky production, as direct-fire stills aren’t usually as efficient as steam coils. Their cut is wide, 73% to 63%, which contributes to giving body to the spirit.

This is reflected in the malts that we sipped in the tasting room, back at the visitor centre (after a wee tour in one of the warehouses). The 12y is a solid whisky, but the Founders’ Reserve (NAS) is good too. Similar to last year, the visitor centre offers a choice from their core range, the Renaissance range (a series of four expressions, the youngest 15y and the oldest 18y), the American cask trilogy (single casks sourced in Missouri, Minnesota and Kentucky), the virgin oak finish (a vatting of multiple casks), and a couple of distillery exclusives (see below).

Again, another very interesting visit, to a distillery that made efforts to bring back some features of the original production. We know that, with the re-discovery of flavours in single malts, there’s a question about the effects of each part of production. While most of the flavour has been attributed to casks, now people started exploring the effect of other factors, such as malting and distilling, and doubts about more recent modernisations have arisen. For us nerds and geeks (and generally consumers), this exploration is quite exciting as it brings us a lot of new (or old?) flavours!

Until next time, sláinte!

Glen Grant Tour

Price: £7.50 pp (October 2022), including the Victorian gardens

Duration: 1hr 10min

Tasting: 2 drams, Glen Grant Arboralis (NAS, 40%) and 10y (40%)

Target: Anyone, but geared towards tourists and novices

Value for money: Very good

Highlights: The still room and the rectifiers

Things we did not like: The very limited tasting options…or “option”

Distillery Exclusive: Glen Grant 13y (2008-2021), 56.5%, single cask (NCF, NC) 50cl for £120

Recommended: For the price, definitely yes

Link: https://www.glengrant.com/

Glen Garioch Founder’s Tour

Price: £15.00 pp (October 2022)

Duration: 1hr

Tasting: 2 drams, Founders’ Reserve (NAS, 48%, NC, NCF) and Glen Garioch 12y (48%, NC, NCF)

Target: Anyone, but whisky geeks might appreciate it more

Value for money: Good

Highlights: The new malting floor and the direct-fire stills

Distillery Exclusives: Glen Garioch 1991 (single ex-bourbon cask, 46.4%, NC, NCF, £325) and Sherry Cask 2009 (1^st fill ex-sherry butt, 58.3%, NC, NCF, £130)

Recommended: Yes

Link: https://www.glengarioch.com/

#23.1 On the run again: Dramathon 2022

Visiting Glenfarclas before a run-y day

TL;DR: Oops we did it again…the Dramathon! After all the fun we had in 2021, back in October 2022 we participated for the second time. This year we both ran the half-marathon, always quite a challenge, but we rewarded ourselves with 3 distillery visits: first off, Glenfarclas!

First of all, Happy New Year! We hope you had a great start of 2023 and that your year will be as good as you wish, full of joy and (possibly) great drams! We just started a 4-week dry January-ish which, after a couple of weeks back in Italy and the New Year celebrations, we both felt was much needed.

Last year was full of drams and great whisky experiences, so for the first post of 2023 we are going back a few months, in mid-October. Following the great experience we had in 2021, last year we decided to run the Dramathon again. However, this time we both decided to run the half-marathon: Gianluigi with the objective of improving his 2021 timing, Teresa with the objective of completing her first long race.

Similarly to the previous year, we left on the Friday morning to sneak in a distillery visit in the afternoon. You know, while in Speyside…Because of our multiple trips, there are no many distilleries left to visit in the area, but we were still missing a very special one: Glenfarclas!

This distillery is famous for a few things: still family owned, it was the one that converted Pip Hills, the Scotch Malt Whisky Society founder, to whisky appreciation, which in turn led to the Society foundation. They mature almost all their stock in ex-sherry casks (a few exceptions in ex-bourbon are mostly for independent bottlers), and all their doors are painted in red (and no, we didn’t want to paint them black).

The drive there was mostly uneventful. We only realised too late that on the road from the A9 exit to the distillery, the main Speyside road, there are very few places where you can get a warm meal. Fortunately, another distillery came to our help: the Lagmore Cafè at Ballindalloch was open, and it was a very nice one too: lovely staff, good food and reasonable prices (we’ll be back!).

Unfortunately, the distillery is open to visitors only during weekdays, so it’ll have to wait (and tours are a bit pricey too). After lunch, we arrived at the distillery and checked in. We were a bit early, so we had time to scout the shop: we were glad to see that they are maintaining reasonable prices (in spite of the increase of their 25y from £125 to £220) and that they are quite competitive compared to the speciality shops prices.

First distillery visit of the weekend, yay! (Yes, one of us needs a haircut.)

The guide of the day, Rosie, started the tour in the milling room, where barley is grinded into grist (with a usual component of 10% of flour and 20% of husk), in this case by Milly the mill, a more modern looking machine than the usual Porteus ones.

We proceeded to the closed mash tun and the 12 wooden washbacks. The temperature rose substantially as we walked into the huge still room, where some of the 6 bulged directly fired stills were working. Rosie explained that their cut for the distillation “heart” (i.e. the middle part of the run that will be effectively casked) is 74% to 54%, quite large compared to other distilleries we visited.

We then moved towards the warehouses, with the signature red doors. At the visitor centre, our tasting was ready with two very well-known drams: their 10y, still today one of the few whiskies bottled at 40% that, in our opinion, still hold, and the 15y, probably the yummiest of their core range, together with the 105…which of course is not 105 years old, the number refers to the imperial proof (corresponding to 60%abv). Because of the race the next day, we didn’t drink them right away, we put them in our sample bottles brought from home (always with us!) and we went to the shop. There were many of their celebrated “family cask” expressions on display, with vintages of every year and bottled at cask strength. Even for recent vintages the prices are a bit steep, but the selection is very big…A pity we couldn’t try any!

After the visit, we drove to Dufftown, to register for the run and check in at our accommodation, the Commercial Hotel. We decided to have dinner at the hotel (not before a short warm-up run for Gianluigi). In spite of us booking about 9 months in advance (and paying 90 quid per night!!!), we were given the ‘cursed room’, room number 5. No, it’s not the plot of a horror B-movie, and no ancient burial ground was involved: it’s just the room directly above the pub, including their juke-box machine with questionable music selection and no soundproofing whatsoever. That meant that until the bar closed (11pm), we couldn’t sleep. The music wasn’t that loud in the corridor, and in fact in one of the bartenders accused us to be the first complaining…well, not according to other reviews on Booking.com, but we appreciated that the issue might be for this room only.

Finally, race day! As we reached the buses that would have brought us to the starting point (the Tamdhu station), it started pouring rain, so we mentally prepared for a wet run.

However, as soon as we got there, the rain stopped, and the run was quite pleasant. We both reached our goals, Teresa finishing her first (hopefully not last) half-marathon, and Gianluigi shaving a couple of minutes from his 2021 timing (not getting below 1h and 20m though, one of his goals).

After the run we had a well-deserved early dinner at the local French restaurant, the Seven Stills: it was truly great, yummy food and delicious wine. As a dessert, Gianluigi had a crème brulée, with the French chef coming to the table to light it on: bravo!

We went back to the Commercial hotel for some drams…Teresa was falling asleep in the pub, so we went to bed. The issue of the night before was still there, but Gianluigi decided to go put a few bucks in the juke-box: “if I have to stay awake listening to some sh*t, I want to listen to my sh*t!”. Probably some people felt puzzled when Slipknot, Nirvana and Tool started to play, so whoever walloper was in charge decided to skip the rest of the selection (Soundgarden, Alice in Chains, Pearl Jam) only saving No One Knows by the QOTSA. Not cool at all. In the morning we complained with the manager about the noise (not about the skipped songs), who agreed to discounting 15 quid per night. It was nice but still not ideal, so we won’t be back unless we really have to, in which case we will ask not to be put in room 5.

Anyway, going back to the tour at Glenfarclas, we had selected the basic one because we knew in advance we wouldn’t drink. It was excellent, but we are both very keen to go back and do an experience with a more comprehensive tasting. Slainte!

Glenfarclas Tour

Price: £7.50 pp (October 2022)

Duration: 1hr 15m

Tasting: 2 drams, Glenfarclas 10y (40%) and 15y (46%)

Target: Anyone

Value for money: Very good

Highlights: One of the prettiest we’ve seen

Distillery Exclusive: Several bottlings of the family cask range, depending on which is available

Recommended: Definitely!

Link: https://glenfarclas.com/our-home/

A whiskey weekend before the storm: Teeling & Roe & Co.

Back to the Glens (Grant and Garioch)

Visiting Glenfarclas before a run-y day

Back to the Glens
(Grant and Garioch)