#63.3 As north as you can get (on the mainland)

The Wolf(burn) is loose*

TL; DR: After escaping the haar in Jonh O’Groats, we arrived in Thurso for another long-due visit: Wolfburn distillery. Charlie was a very competent and knowledgeable tour guide, and we really liked the tour. The distillery is lovely, and the malts we tried were delicious: definitely one we’d happily go back to.

(missed Part 2/Part 1?)

We woke up surrounded by the haar. A thick and pervasive fog, obviously coming from the sea. From where Mr. Vantastic was parked, we couldn’t even see the shore, a mere 100-120 meters away. We couldn’t help but think what could have meant for people a few hundred years ago, not knowing what was hiding behind a wall of fog like that: nothing maybe, or merchants, or unfortunately raiders sometimes. Nevertheless, thick fog can also provide a sense of calm and peace, like if everything is slowing down.

Where’s the sea?

That morning we couldn’t slow down really, as we had to shower, fix and eat breakfast, and wrap up the van by 9.15 maximum. Our first destination was about 40 minutes away, and we had to be there at 10am. Somehow we managed to do everything on time, and soon we were on the road, leaving the haar behind as we drove. During the drive we spotted a distillery to-be in the former Castletown Mill, between John O’Groats and Thurso, set up by the company behind the very popular Rock Rose gin. The single malt will be called Stannergill. The site looked under construction (we’re in July ’25), but we could see the still already positioned, so they must be not too far from completion. Another visit for another time.

The first distillery we visited that day was one of the first coming online in the new wave of the 2010s: Wolfburn distillery. They have been around for a while, and in fact their first 12y single malt was released earlier this year. The name comes from a burn that flows near the distillery, which is also their water source. There used to be an older distillery called Wolfburn located roughly in the same area, in the outskirt of Thurso, in what now is a small industrial estate. The old distillery was founded in 1821, licensed in 1823, but closed down in 1858, with all the equipment sold at auction. This was decades before Alfred Barnard visited the area, so no record of it in his book. The new distillery was founded in 2011, and was up and running in 2013. The distillery manager and master blender, Shane Fraser, had previous experience at Glenfarclas, while the two owners were new to the spirits industry. While Wolfburn single malt has been around for a while, it doesn’t seem to be too common: we’d only tried a few expressions in the 2020 lockdown during two online whisky festivals, the Summerton whisky club festival and the Belfast whiskey week. We generally liked it, in particular the peated version (Morven), but since then, we tried Wolfburn only a handful of times, so it started fading a bit from our palate. A first plan to visit the distillery failed in 2021 because of a Covid-related issue, and we couldn’t fit Caithness in the rescheduled trip. No more plans were done to visit them…Until this summer! Hurray!

Right place, on time. Yay!

We arrived at the distillery five minutes earlier, while our soon-to-be guide Charlie was opening the visitor centre. The distillery production is in a warehouse, together with the shop and some offices. As we entered, we could spot all the equipment from the wide hall: malt bin, mill and mashtun on the left, washbacks and stills in front of us, two tanks for water and spent ale, and the shop, on the right. Fun fact, the tanks come from the demolished Caperdonich distillery, from Rothes. So, after Belgian Owl (still) and Falkirk (still and mashtun), Wolfburn is the third distillery we know of that uses equipment from the defunct Caperdonich. The plant was built by Forsyths, and it was the first project Richard Forsyths took on.

As it was just the three of us, the tour started right away, and after some background information, Charlie started describing the production process. Currently they are only producing four days a week, Monday, Tuesday, Thursday and Friday: we wondered if that is because of the current sales slowdown in the whisky market (and potential overproduction in the industry in general). At first, they only had two people working in production, now they are four, and production went from 100,000 litres per annum to 125,000.

Nice view on arrival. To note the red tanks from Caperdonich.

They get the malt from Inverness, one lorry every 4 to 5 weeks while, as we said, water comes from the nearby Wolf burn. They aim for a light and floral spirit, mostly unpeated: only 3 out of 11 barley deliveries per year contain lightly peated malt to 10 ppm. To make sure not to mix peated and unpeated runs, the first distillation after their peated period (and cleaning) goes into ex-Islay quarter casks anyway. In general, they mill 1.1ton of malted barley (with the usual split for the grist, 20/70/10) and mash it (twice a day, 8 mashes a week) first with 4,000 litres of water at 64.5°C, and then with another 1,000 litre at 80°C. The third water, 4,000 litres at 90°C, is stored for the following mash. Mashing takes 5.5 hours, and at the end of the process they obtain a clear wort, and sell the draff to cattle farmers. The wort, 5,000 litres, is moved to one of the very tall washbacks: they are so tall that they don’t need defoaming.

Good to see everything is signposted.

Fermentation lasts 72 hours for the Monday and Tuesday batches, while 96 for the Thursday and Friday ones (so 84 hours on average), and is kicked off using distillers’ yeast to obtain an 8.5% wash. At the end of the catwalk between the washbacks there are the two copper stills, both equipped with a steam coil inside, heated by a kerosene boiler. First distillation lasts about 5.5 hours, while the second one only 4.5 hours; during the latter, they take the spirit between 74% and 61%abv, a quite wide cut, discarding the first 40 minutes of foreshots, and the last 1.5 hours as feints.

The unmissable selfie with the stills.

At that point Charlie walked us to warehouse 1, the first past the distillery, where we could see a number of different cask types and sizes, which they get from the Speyside Cooperage. Casks are stored horizontally above ground: a proper modern dunnage warehouse. He told us that warehouse 2 (the next one) is identical, while warehouse 3, on the other side, hosts the bottling plant as well (the water to reduce the abv is from the burn as well). There are two more warehouses – Charlie said that on top of the distilling history, land availability was crucial for choosing the site.

Warehouse 1, bigger than we thought.

Back to the main building, it was time for the tasting, with a branded perfect-dram glass for us to take home. The first dram was Wolfburn Aurora, made with an even split between 1^st fill ex-bourbon and 2^nd fill sherry casks, bottled at 46%. It’s a non-age statement whisky, similar to most of the expressions we tried, but Charlie told us that as older stock becomes available, the average age increases, and is now around 8 years. Second up, the Northland (46%, NAS but again around 8y), unpeated spirit aged in ex-Islay cask: peat is there but very subtle, so much that Edoardo bought a 20cl bottles to give to a pal who claims they don’t like peated whisky…We’re waiting for the response. The third dram, Langskip, was cask strength (57%), from 7y and 8y 1^st fill ex-bourbon barrels: a floral deliciousness. The last two drams were the 10y (46%, 2^nd fill Oloroso casks) and the Morven (46%, again ex-Islay casks, but peated spirit).

Quite the display for a delicious tasting.

In the shop they have quite a variety of bottlings, other than their core range (in 70cl and 20cl bottlings, and 5cl miniatures): the new 12y (60%ex-bourbon and 40% sherry casks), a small batch Cognac Cask (46%, finished one year in ex-Cognac cask), the Drams on The Burn (a vatting of few casks for a local festival), a couple of small batches (one ex-Rum, another cask strength) and the “fill-your-own-bottle” (details below) single-cask expression. Everything is also very well priced between £45 and £75 (for 70cl bottles), except the “fill-your-own-bottle”, which is a tenner or two too expensive in our opinion.

Bottle-your-own.

As the tasting ended, we quickly left, as we didn’t have much time before our next tour. We had to decide whether to go to Lidl or to try go watch the second half of the first test between Australia and the British and Irish Lions. With Gianluigi and Edoardo being rugby fans, we obviously chose the latter, and we drove back to Top Joe’s, in Thurso. They don’t do food, but we could order some tasty sandwiches from the next door Central café menu.

Overall, both the tour and the tasting at Wolfburn were great, one of the best and most satisfactory experiences we did recently in an established Scottish distillery (we’re excluding the new ones that haven’t released their own whisky yet). Charlie was an excellent guide, very knowledgeable, and very engaging too. Their range of malts is very tasty and various, and the delicate, floral (but also very fruity) spirit signature is clearly there in all the different expressions we tried. Definitely one you should keep an eye on, and if you’re in the area, go to.

Next up, the final northern distillery, but with a twist, so stay tuned! Until then, slàinte!

Wolfburn Classic Tour and Tasting

Price: £19.50 pp (£18.00 when we visited in July 2025)

Duration: 1hr 30min

Tasting: 5 drams, Wolfburn Aurora (46%, NAS), Northland (46%, NAS), Langskip (58%, NAS), 10y (46%), Morven (46%), and a perfect-dram glass to take home

Distillery exclusive: Fill-your-own-bottle 2018 ex-Bourbon cask (7y, 59.3%, £89.99)

Highlights: the tasting

Target: everyone, both occasional and seasoned drinkers

Value for money: great

Recommended: yes

Link: https://wolfburn.com/

“The hero of the gods
The crossing of the threshold
The belly of the whale
Refusal of return”

*The wolf is loose, Blood Mountain (2006), Mastodon

We’ll miss you Brent, crazy guitar genius.

#60.3 Another Spirit of Speyside

A workhorse in Buckie: Inchgower distillery

TL; DR: Another festival day, with a morning visit to another Diageo’s workhorse, Inchgower in Buckie. The distillery tour was good but, with only four tiny drams at the end, we cannot say it was good value for money. We then continued the day with a relaxing walk in Spey Bay and an independent bottlers’ tasting in Dufftown.

(missed Part 2/Part 1?)

On the seafront near Portgordon, where we slept, the morning was cosy and sunny. We felt quite rested, thanks to the quietness of the place: only a few dog walkers showed up while we had a small breakfast and got ready for the day. Disappointingly, we didn’t spot any seals…Hopefully next time. Anyway, we were soon on our way to Buckie, another village on the Moray coast, on a hunt for a coffee and a scone. It took us some time to find a place open early, but then we landed at Pozzi on High Street.

The reason why we needed something open early was that we had to be at Inchgower distillery at 10 am, for our first whisky activity (or “experience”, if you want more exclusivity). The distillery is just outside Buckie, on the A98, the road that stretches from Fochabers all the way to Fraserburgh. The distillery sits on a big complex, with a lot of warehouses around (we’ll learn later that they can hold up to 36,000 casks). As we drove to the visitors parking lot, we noticed the numerous houses (some of which still owned by Diageo) originally built for the workers: it was obvious which one was the distillery manager’s. We also noticed the stonework, quite dark, possibly because of the Baudoinia fungus, that digests the alcohol in the air.

Cute distillery cottages.

We were really tight with time, so when we entered the offices, most of the other visitors were already seated around a large table, including our pals John and Jeeves. The staff offered us a coffee, which is always a nice touch. We said “office” and not “visitor centre” because this distillery doesn’t have one, as it is generally closed to the public. They are owned by Diageo, and needless to say, they are one of their hidden workhorses, and other than their Flora and Fauna release, we only know it thanks to independent bottlers.

As the last people came in, we started our visit with the distillery manager, Gary, who introduced himself. He is fairly new, as he came in a couple of years ago when the distillery was reopened, after some years of refurbishment. The distillery was founded in 1871, using the equipment from another one, Tochineal distillery. The first notable event we were told of is the acquisition of the distillery by Buckie council in 1936 after the founders, Alexander Wilson & Co, went bankrupt. It was then bought by Arthur Bell & Sons in 1938, and in 1966 it doubled capacity. Guinness took over Bell’s in 1985, and eventually the company became Diageo.

After this introduction, Gary and his team walked us outside, and because it was a decent day (cloudy but not rainy, yet), we climbed the malt bins stairs to have almost an aerial visual of the big distillery. The three silos can contain up to 60 tons of malt, enough for nine days of production.

Yes, we climbed those stairs…

…definitely worth it.

We then moved inside the production building, where we saw a Bobby mill, according to them one of the oldest around (although they couldn’t tell us a precise date). The malt currently used is Diablo, for a fully unpeated production. The 8.36 tons leuter mashtun is one of those big stainless-steel ones, where mashing is done with the usual three waters at increasing temperature, for about 7-7.5 hours. Fermentation, activated by liquid distiller’s yeast, usually lasts about 46-48 hours, but can range from 40 to 100 (they work five days, so the longer ones are the ones going over the weekend). All this happens in wooden washbacks that can contain 37,000 litres.

Hello, Bobby.

They have two wash stills and two spirit stills, and from the latter they take a large spirit’s cut (the “heart”) from 72% to 55%. As usual, they discard the foreshots (or “head”) coming before, and the feints (or “tail”) coming after, and they mix it together with the low wines from the first distillation, to eventually redistill it. The newmake spirit is usually around 65-68% abv, and it is filled in tankers and sent to one of Diageo’s “casking” facilities.

A good looking pair.

After production, we visited one of the warehouses, located in front of the row of houses for the tasting. The drams were on top of four casks lined up in front of us. We obviously started with the Flora and Fauna 14y (43%), as it is their flagship dram. The other three were cask samples: a 15y (vintage 2009, 56.6%) from an ex-bourbon cask, a more interesting version of the 14y we could say. The other two were a 35y (from 1989, 44.1%) from a refill cask, and a 28y (from 1996, 53.7%) from a sherry cask, which was obvious by looking at the colour. It was a good showcase of the distillery’s malt, where we could appreciate the heavy and meaty character of this whisky, which worked well with both cask types. At that point the tour was finished, we went back to the offices to pick up our bags and our gifts (one Cardhu branded highball glass and one cookie stamp each…no comment) and leave.

A great space for a tasting.

Nice to bump into whisky friends!

We had a few hours before the next event, so we drove to Spey Bay to check out the Scottish Dolphin Centre (spoiler: zero spotted dolphins). There, we had a nice walk around the mouth of the river Spey, and a tasty soup at the cafè/visitor centre.

An icon of Speyside.

After that, we drove to Dufftown, as our next event was starting soon. It was the Independent Scotch tasting, hosted by David Stirk (for £30pp + Spirit of Speyside fee), at the Whisky Capital Inn: a great whisky bar and restaurant (and hotel as well) right in the centre of the small town. The tasting went through a bit of history as well, so we started with an old blend. It made sense, as if you think of it, blenders used to be the original “indy bottlers”. The blend was an Italian import D&L Deluxe Special Reserve (not telling much), bottled at 40% by a company called Block Grey & Block. Then, we moved on to a Berry Bros & Rudd Glen Elgin (2008, 53.4%, hogshead), followed by a Stirk Brothers Linkwood (2010, 13y, 50.0%) and a James Eadie Strathmill (2011, 13y, 55.6%, finished for 20 months in a 1^st fill Malaga hogshead). Finally, a Little Brown Dog Highland Park (2014, 10y, 60.1%, from a random barrique), for the usual peated ending. Overall an interesting line-up, showcasing different cask types. After the tasting, we stayed at the Whisky Capital Inn for a delicious venison burger, before heading off.

Independent Scotch tasting – a varied line-up.

Another good whisky day, with some good drams and some great banter! Unfortunately, the Inchgower tour, while very interesting and hosted by enthusiastic and passionate staff, was not good value for money: for £100, we expected at least 6 drams instead of four (although well aged, definitely better than the Johnny Walker that was served in previous Diageo’s Spirit of Speyside tours). What was even more awkward was the size of the drams: when Teresa filled her driver’s pack, we realised some of the drams filled less than a half of a 20ml sample bottle. Not very well played from Diageo.

Anyway, stay tuned for more Spirit of Speyside action! Until next week, slainte!

Inchgower Through the Decades Distillery Tour (Spirit of Speyside 2025)

Price: £100.00 pp + SoS transaction fee

Duration: 2hr

Tasting: 4 drams, Inchgower “Flora and Fauna” 14y (43%); cask samples 2009 (15, 56.6%, ex-bourbon cask; cask sample 1989 (35y, 44.1%, refill cask); and 1996 (28y, 53.7%, sherry cask)

Target: whisky geeks (and people trying to visit as many distilleries as possible)

Value for money: not great

Highlights: the climb to the malt silos

Recommended: only if you’re a massive Inchgower fan

Link: https://www.spiritofspeyside.com

#60.2 Another Spirit of Speyside

The casks of Glen Moray

TL; DR: After the Cabrach, we drove straight to Elgin, for a last-minute tasting: Cask Origin Stories at Glen Moray! The distillery is an old acquaintance (fourth visit!), and as the previous three times, we had a great time with a range of delicious whiskies paired with a glass of what was in the cask before newmake or whisky. One for real whisky nerds!

(missed Part 1?)

The tour at the Cabrach lasted less than we thought, so after a short stroll around the distillery under an overcast sky, we were on the road again. Since the afternoon unexpectedly opened up, as soon as we had some phone signal, we phoned a well known distillery to ask if they still had places for a tasting we’d spotted, but until that moment we thought we could not make it on time. The tasting was the Cask Origin Stories, at Glen Moray, in Elgin.

Glen Moray is an old acquaintance. At the start of our whisky journey, we mostly saw their entry level expressions at supermarkets, a brand among many, possibly anonymous. However, thanks to Scotch Malt Whisky Society (SMWS), it didn’t take long to mark the distillery as one of our first great “discoveries”. We found some of their single casks remarkable, and our second bottle ever from the SMWS was indeed a Glen Moray – St Bernard’s barrel, 35.232, finished in an ex-wine barrique, hidden in the elusive Spicy & Dry category. We were definitely sold after we visited the distillery during our first trip to Speyside in December 2019. There, we had two whisky flights: the travel retail version of the core range (Elgin Classic, NAS, the 12y and the 15y: all not chill-filtered and bottled at 48%) and the bottle-your-own drams. It was a wee while ago, so we don’t remember all the details, but Gianluigi still regrets not buying a delicious ex-Rye whiskey finished expression. We went back there in 2022, during the Speycation with the Edinburgh Whisky Group, for a full distillery tour and tasting, and again last year for a Star Wars themed tasting on May the fourth.

We managed to get here on time, yay!

One of the great things about Glen Moray, other than the variety of casks they like to experiment with, is that they always have three bottle-your-own expressions available at the distillery. But mostly, that two of the three are kept at a very reasonable price, conversely to most distilleries that like to charge extra for distillery exclusive bottlings. Last time we were there, two were nicely priced at £60, while the third, a more aged one, was £99 (still very affordable for a 20y malt!). This makes all the new visits interesting, and hence, once we realised we had enough time, buying the tickets for this event was a no-brainer!

The power of the wind on Teresa’s hair.

As we arrived at the distillery, we greeted our pal Iain, the brand ambassador and visitor centre manager. We met him during an online tasting organised by Justine (Kask Whisky), and since then we had many tastings with him (and we are also acquainted by a similar taste in music). After a nice chat, it was the time for the tasting to start, not with him, but with Fiona, who led us to the Glen Moray House. This is a lovely cottage to the right of the entrance, a multi-functional space that has been used as a tasting room as well. First, she showed us some old registers, reporting dates and type of casks filled: among the many “refill” and “sherry”, we spotted a few different wines, fortified or not.

A cosy tasting room.

We started the tasting with an unusual one, a Busnel Calvados (40%), followed by a vintage 2017 Glen Moray single malt finished in Calvados casks (56.9%). We moved on to the second pairing, a 10y Tawny Port from Cruz, with a 2008 (17y) single malt fully matured in a Tawny port cask (at the impressive abv of 60.2%!). These two drams were available as “bottle your own”, so it might be that at the time of writing (June ’25) they are still available at the distillery visitor centre. The third drink was a 15y Boal Madeira wine from Henriques & Henriques, followed by the Glen Moray House Exclusive whisky, a 13y Madeira matured whisky (57.8%). As the name suggests, this one is only available if you attend an event at the house. Finally, the last pairing was a single-vineyard Valdespino Inocente Fino sherry, and a peated, fully matured Fino cask whisky from 2015 (58.5%), this one available at the distillery.

From bottle…

…to glass.

It was a great line-up, and Fiona did a great job to walk us through the drinks and the drams, in spite of an unusually ‘serious’ audience of northern European men (other than Fiona, Teresa was the only woman in the room). Drink-wise, we were not too keen on the Calvados, too sweet for our taste, but otherwise we liked them all, especially the Madeira! The drams were all very tasty, showcasing a range of flavours from fruitiness, savoury and smoke. The Port-finished dram and Glen Moray House Exclusive were the two we liked the most, while in the last one the peat was ‘turned to 11’, which masked a bit the savoury notes of the Fino cask…One for true peat lovers!

The new kid on the block.

Back at the visitor centre we tried some of the new releases: “spirit drink” finished in Maple syrup casks, one peated (11y) and one unpeated (8y, both £90). Obviously, it cannot be “single malt” because the SWA doesn’t allow such experimental casks (but who knows? maybe Diageo or Pernod Ricard will buy a maple syrup producer at some point…). They were both less sweet than expected, in particular the peated one: was more like a BBQ-y meaty thing.

Not a bad spot for the night.

We soon left the distillery to find a spot for the night, which we did next to Portgordon, on the sea. There we made ourself dinner and relaxed (and Gianluigi powered through his drams, since he had bottled them all in sample bottles). It was nice to fall asleep to the sound of the waves, after such a nice day and cracking drams.

Stay tuned for more Spirit of Speyside action! Until the next week, slainte!

Glen Moray Cask Origin Stories tasting (Spirit of Speyside 2025)

Price: £50.00 pp + SoS transaction fee

Duration: 1h30m-2h

Tasting: 4 drams paired with the previous content of the cask (see above).

Distillery exclusives: bottle-your-own 2017 Port cask finish (59.4%), £60; 2005 Chianti cask finish (53%), £99; 2015 peated Fino Cask (58.5%), £60 (at some point the first two drams of the tasting)

Target: whisky geeks

Value for money: very good

Highlights: a few of the drams were excellent…and Fiona was a great host!

Recommended: absolutely

Links: https://www.glenmoray.com/ https://www.spiritofspeyside.com/

#55.3 All drams great and small

An English malt with a Tasmanian twist and an eye for sustainability

TL; DR: From Ellers Farm, we went directly to another distillery: Cooper King. Inspired by Tasmanian craft distilleries, they produce other spirits other than single malt, with a very interesting set up. And, everything is done in the most sustainable way possible, kudos! After the visit, we went to Brew York, for a tour, dinner, and a quiz!

(missed Part 2/Part 1?)

After the visit at Ellers Farm, we jumped back on the minibus. Our next destination was only about half hour away driving north-west, approximately 13 km north from the city of York, in the village of Sutton-on-Forest. The distillery is called Cooper King, just outside the village. It was founded by Abbie and Chris, a couple who got the inspiration while travelling in Australia and visiting local distilleries. The distillery is named after Charles Cooper King, Chris’ great-great-grandfather. The main building is just a few meters from the gravel parking lot, and it harbours a bar/shop and production. There is also a nice wee garden outside, with wooden tables and benches, which we took advantage of after the tour. It was a nice sunny day!

Nice set up outside.

We were welcomed by Mark, tour guide and assistant distiller. Like others, he came on board as a crowdfunder. At some point (in our understanding) the two founders Abbie and Chris asked who among the crowdfunders wanted to be more involved, and Mark answered the call. We could clearly see his passion for the project. He explained that, in 2014, Abbie and Chris, once a biochemist and an architect, moved to Australia to travel, and started working as fruit pickers. Then, they went to Tasmania, and after getting in contact with Sullivan’s Cove and Lark, they decided to go back to England and produce a Tasmanian-style whisky. Back in Yorkshire, they bought the land thanks to a crowdfunding, as well as a 900-litre pot still (Neilson) straight from Australia.

Cooper King distillery in one shot.

Another principle they had in mind when setting up the distillery was sustainability. The electricity comes from renewable sources, of which 60% is produced on site with solar panels: this contributed to make them the first net-zero distillery in England. They also have a programme for planting trees and restoring woodland and wildflowers habitat for each bottle they sell. Moreover, they chose lighter bottles, and offer refills at the distillery, for a few quid less.

Ready for the tour.

Production-wise, they use Maris Otter barley malted in middle England. They pre-heat the small mashtun before mashing the malt. After that, the remaining draff goes out to local farmers to feed cows. Fermentation takes place in a 1750-litre plastic vessel (usually only half full to avoid foam accidents) and lasts seven days. Both distillations happen in the same still, which is different to what we saw in all the Scottish distilleries we visited so far. At first, Neilson the still was heated externally, but to make the process more efficient it was sent to Scotland for modifications and is now internally heated and insulated.

Inside Neilson.

The wash gets distilled to 25% abv, while the heart of the second distillation comes out on average at 75%, before getting diluted by filtered tap-water. Needless to say, everything in the distillery is very manual, except for the gin and vodka very modern cold-distillation machines (which take only about 10% of energy compared to a classic copper pot distillation).

Super-modern gin and vodka distillation.

They use a variety of casks from all over the world, and their main American cask supplier is the Garrison Brothers distillery, in Texas. Casks are kept in a safe container behind the distillery, while waiting to get a proper warehouse. They started distilling newmake spirit in 2018, and their first whisky was released in October 2023, about a year before our visit.

And Cooper King warehouse in one shot.

While we were outside checking out the casks, another member of staff set up the tasting in the main production room, which also serves as a tasting location. First, we went through five liquors and gins (see below), but as it’s not really our focus, we won’t spend many words on it. We were really interested in their whiskies. The first one was not exactly that: a newmake spirit, from the “Pilot Series” and bottled at 47%. It was followed by two single malts from their “Expedition Series”, Transatlantic (ex-bourbon and ex-wine casks, 48%), and Embers (charred ex-bourbon casks, 49%). Then, two single casks: first, an ex-Cognac matured single malt, bottled at the 53.2% natural cask strength; second, a dram first matured in virgin oak casks, then re-racked into an ex-Armagnac cask, again cask strength at 52.1%. The evaporation (or “angel share”) is higher compared to Scotland, about 4%, which combined with other specific conditions, might cause the abv to be lower for such young whisky. Overall, we could tell the degree of experimentation at this distillery is high.

The whisky part of the tasting, with our guide Mark.

After the tasting we had a few minutes to spend in the sunny patio, sipping on our leftover drinks, before getting back on the mini-bus. We headed towards York, precisely the Brew York Brewery. Despite the city location is not their main production facility anymore (that one is in York’s outskirts), it’s still a massive place. We did a production tour (£15, including four tastes) and then had dinner there (they do a range of Asian-inspired dishes, which were delicious, albeit heavy on spring onion). Unfortunately, the place was too noisy for the next scheduled activity, a whisky-based quiz, so we had to move to a quieter pub nearby. The quiz, organised by our whisky veteran pal Charlie, was great fun, and we went back to base all very happy.

What a great afternoon and evening we had! At that time, we had tried very few craft Australian whiskies (and even less Tasmanian ones), so the link between them and Cooper King was not evident to us. At the time of writing however (after a serendipitous trip to Australia…Stay tuned in the coming weeks for more), the connection is quite obvious: we spotted a very typical herbaceous note in Cooper King drams, the same we found in most whiskies down under. Overall, it’s a very interesting project, which we are very glad we got to know more of.

Next up, another Yorkshire whisky day, but not a distillery! Until next time, slainte!

Cooper King Distillery Bespoke Tour

Price: £20.00 pp (October 2024)

Duration: 1hr 30min

Tasting: 5 spirits (Dry Gin, 42%; Herb Gin, 40%; Smoked+Spice Dry Gin, 41%; Black Cardamom Vodka, 40%; Berry+Basil liqueur, 25%) and 4 drams: Transatlantic (48%, ex-bourbon and ex-wine, 1208 bottles), Embers (ex-bourbon, 49%, 938 bottles), ex-Cognac matured single cask (53.2%), virgin oak/ex-Armagnac cask (52.1%)

Target: whisky and spirit enthusiasts

Value for money: very good

Highlights: the distillery set up

Recommended: yes

Link: https://www.cooperkingdistillery.co.uk/

#55.1 All drams great and small

The Top of the Wold and the Spirit of Yorkshire

TL; DR: This year the jolly gang of the Edinburgh Whisky Group chose a controversial destination for the annual trip: Yorkshire, in England! Plenty of distilleries and other destinations, starting from one of the most celebrated English whisky distilleries: the Spirit of Yorkshire! The tour(s) and tasting exceeded our expectations: this distillery is a strongly suggested destination for whisky lovers!

With the start of the autumn (or fall, for those of you on the other side of the pond), it was time again for the Edinburgh Whisky Group annual trip. Our first destination was Campbeltown, in 2021: plenty of whisky activities, all at walking distance from each other, just perfect. The trips that followed, Speyside in 2022 and Northern Highlands in 2023, were logistically harder to organise for Justine, as they required getting a coach, and playing Tetris with the various distilleries’ availability. One thing Justine had to face, despite her huge effort and the number of distilleries in those areas, was the unwillingness of many to accommodate a large group (with exceptions, such as Glen Moray and Glenallachie), open their doors for the ones usually closed to visitors (again some exceptions, like Dornoch), or just arrange something different for us…In some cases even replying to emails seemed to be too big of an effort!

For the 2024 trip, Justine had a great idea up her sleeves: going south of the border, to England! Specifically, to Yorkshire. English whisky has seen a renaissance in the past decade, going from one distillery (The English distillery, in East Anglia), to a few tenths, as testified by the ever changing map maintained by Cooper King (a caveat though, some of them are gin distilleries possibly laying cask of newmake spirit, so take this number with a pinch of salt…Nevertheless, 55 is quite impressive!). We had already “drammed around” England, with visits to the Lakes Distillery (March ’22), Copper Rivet (October ’22), White Peaks, and Cotswolds (both July ’23), with White Peaks being the most impressive, in terms of location, quality of the whisky and, last but not least, company ethos. Because we’d enjoyed these ‘tasters’, we were quite curious of this deep dive in the English whisky scene, so when October came, we were really excited!

On the road again.

We left Leith on the Thursday night, sleeping half-way between there and the “base camp” of our trip, the Piebald Inn, in Hunmamby. This is a quite famous hotel and restaurant, in particular for the number (and quality) of their pies…Although Gianluigi was a bit disappointed when he learned that the Quarter Horse or the Chestnut Horse pies were not really made with horsemeat, d’oh! We got there in the morning, just in time for the group meet-up. For our first day, we had a brewery and a distillery tour: Wold Top Brewery and Spirit of Yorkshire Distillery, both owned by the Mellor family.

First stop – Wold Top Brewery.

We started from the brewery, called Wold Top because Wolds are the hills where the brewery is located (it’s not a typo!). We got there by taxi, and as we settled in the brewery visitor centre and bar, they offered us a half pint (with a pint glass to keep), nice welcome! Sam, our guide, put on a well-made video about the brewery history. It was founded in 2003 by Tom and Gill Mellor on their farm, and it’s currently run by their daughter Kate and her husband Alex. Knowing that this part of Yorkshire is ideal to grow brewers’ and distillers’ barley, and realising that the farm sits on a great water source, they decided to cut the middleman and start producing their own beer, farm-to-glass. At first the biggest issue was distribution (they started with farmers markets), because of the remoteness of the area. In 2008 they installed their own bottling plant, and in 2012 and 2016 they expanded with new kits and started doing contract brews as well. For a while, the location could also be hired as a wedding venue, but that stopped a few years ago. In 2016, they also started distilling, but we’ll talk more about that later. For the beer, they mainly use Lauriet barley, which is sent to Muntons for malting. The barley is malted to eight different “colours”, but sometimes they also use wheat and, more rarely, corn. They use over 40 varieties of hops from all over the world.

After the video, we moved to the production area next door, also used as an extension for their events (and indeed, decorations from the October Fest were still hanging around). In this location they produce both the beer and the fermented wash for the distillery. After checking out the modern malt mill, we climbed a stair to get on top of a catwalk and check out the mushtuns, including the kettle to boil the beer (one of the main differences between making beer and whisky, beside the addition of hops), where the beer wash is boiled for 75 minutes. Next to the catwalk, the stainless steel washbacks for fermentation. The beer is kept in conditioning tanks for 2 to 4 weeks before going straight into casks (i.e. unfiltered), then chilled, filtered and finally put into kegs or bottles. We headed back to the (cosy) bar for another half pint, while our pal Stephen (after asking permission to the staff) served us a dram of a Filey Bay single malt finished in a Wold Top beer barrel (Ex-IPA finish, Whisky Exchange exclusive bottled for the 2024 Whisky Show, 51.5%) – a preview of what was about to come.

Going up to the top of the Wold.

Oh yes, the wort fermets here before going to the distillery down the hill.

We headed back to Hunmamby (again by taxi), to the Spirit of Yorkshire distillery. The building is in a small industrial estate, and other than distilling they also have a shop and a bar/café (The Pot Still) overlooking the still room. We had tables booked for lunch, and after the (nice) meal, we started the tour with our guide Justina. She gave us a welcome dram (the Flagship) while telling us the history of the distillery, which was built in 2016 and opened to visitors in 2017, with many options for tours and tastings.

Second stop – Spirit of Yorkshire distillery.

The fermented wash comes twice a week from the brewery on a tractor, 20,000 litres in total. For the whisky, they usually use Concerto barley in spring, and Vessel in winter. Fermentation lasts 75 to 95 hours, and the yeast is added twice, at different temperatures (two types of yeast, we missed which varieties though). The first pot still holds 5,000 litres, which are reduced to 1,700 after the first distillation. The second pot still is 3,500 litres, and after 10-15 minutes of foreshots, they collect 500 litres of spirit for about 1-1.5 hours, with cuts between 77-76% and 69% abv. Here is the novelty, they also have a small column still, which they use for 6 months a year in tandem with the pot still. For the column still, the 400 litres cut is taken between 86 and 85%. This system, as for many other new distilleries, was suggested by the late Dr Jim Swan, and because we are in England, and the grain used is barley, they can call it single malt whisky. The newmake spirits from the column and pot stills are put into casks separately, and then blended before bottling to get the required flavour profile: their flagship product is 50/50 column and pot still whisky, and it is fractionally married aiming for consistency; everything else they produce is made in small batches.

No pictures in the distillery – this one if from the cafe window.

The full capacity would be 450,000 litres of alcohol per year, but their usual production is between 12 casks per week (about 82,000 litres) which are stored in a bonded warehouse off site, but near the farm. Casks are then moved back to the distillery for bottling, in their new automated bottling line, able to make 600 bottles per hour. Everything is non-chill filtered and no colouring is added.

Well, we were allowed this one :).

After the very comprehensive tour, for the tasting we went back to the cafe, which they closed for the occasion. We explored their current range of single malts and variety of cask they use, including two expressions from beer casks (full tasting description below). At the shop they offered us another nip of things we might want to try (peated and Moscatel cask finish for us, to complete their range). Happy, we then headed back to the Pie Bald Inn.

Awesome tasting!

It was a great visit, we learned how things can be done differently compared to Scotch whisky, and still obtain a great result in such a short time (first release was in 2019 only) – the distillery is not even 10 years old! The array of whiskies we tried was very interesting, showcasing a great variety of flavours.

Stay tuned with us for more English whisky action! Until the next time, slainte!

Wold Top Brewery Tour + Spirit of Yorkshire Distillery Tour

Price: £12.50 pp + £30.00 (October 2024, our experience was a combination of the Brewery and Distillery tour, £25.00, and the Distillery tour & Deep Dive tasting, £30.00)

Duration: 1hr 30min + 2hrs

Tasting: 2 half pints of choice at the brewery and 6 Filey Bay drams at the distillery: the Flagship (46%, NAS, £55); IPA finish Batch 2 (46%, 6-7 months finish in a barrel that hold an IPA for 7-8 months, £65), STR Batch 4 (46%, finished for 7-8 months, £65); Porter Cask (50%, similar to their flagship, but finished for over a year in barrel that held Rip Curl porter for 14 months, sold out); Yorkshire Special Release 2024 (55%, matured in STR, then re-casked in ex-Madeira, ex-Sherry and finally virgin oak casks, £95); and a single cask bottled for the whisky marked (49.9% cask strength!, fully matured in ex-PX casks, distilled in December 2018, bottled in 2024)

Distillery exclusive: the Yorkshire Special Release 2024 (see above)

Target: beer and whisky enthusiasts

Value for money: very good

Highlights: the whisky and the welcoming staff

Recommended: absolutely

Link: https://www.woldtopbrewery.co.uk/, https://www.spiritofyorkshire.com/

#46.6 The return of the smoke

One last stop in C-town

TL; DR: Back on the mainland, we indulged in a further treat before driving back home: a morning in Campbeltown. After spending the night in a camping just outside town, we drove there to get some goodies from Springbank and do a generous Cadenhead’s Warehouse tasting, very well conducted by Aly. What else?

(missed Part 5/Part 4/Part 3/Part 2/Part 1?)

The ferry back from Islay was uneventful. Once on the mainland, at the junction with the A83, instead of turning left towards north, we turned right, southwards. Well, at first we actually turned north, but just because we made a mistake and Gianluigi forgot to turn on the data on his phone, so Waze couldn’t help much. Anyway, our destination was Campbeltown. There were two available campsites near Campbeltown (unfortunately none in town), one in Machrianish, near the airport, and one on the east Kintyre coast, a mere 10-minute drive north of town, in Peninver. We opted for the latter, and to get there, we drove through the east coast of Kintyre. The road is a single track, much smaller compared to the faster one on the west of the peninsula. However, because it was a beautiful sunny evening, the landscape was quite spectacular, with the isle of Arran clearly visible. Around 7.30pm, we arrived at the Peninver Sands campsite: small but tidy, with campervan pitches on grass just a few dozen meters from the beach, behind a row of static caravans.

Not a bad spot for the night…

After dinner and a well-deserved shower, we had a few of the drams collected during the day. We were pleasantly surprised by the differences in the Laphroaig 10 cask strength batches (13 to 16): some more smoky, some more fruity, some harsher while others very mellow, drinking like a lesser abv whisky. We totally embraced batch variations! Unfortunately, there were midges outside, so we had to enjoy the drams in the van. That’s the West Scotland summer curse: either crappy weather or midges…What a bummer!

…except for the midges!

The morning was sunny again, and light came in through the van windows. Edo was the first one to wake up, we followed soon after. We then had breakfast, another shower (just because) and a walk to the beach. We dipped our feet in the incredibly cold water: after a minute we felt like pins in them. Then, we drove southwards under the Kintyre morning sun. Soon after we arrived in Campbeltown, where it was easy to find parking not too far from Springbank.

That was in fact our first destination, first to check out what the cage had to offer. Edo got himself a 7y heavily peated Kilkerran matured in bourbon casks, while we got a sherried teenager Kilkerran matured in sherry (probably Oloroso) and a 9y Longrow matured in refill Palo Cortado sherry cask. Of course it is always a gamble, but a safe one: never had a bad nor an average cage dram. A few days later the former two were mentioned in Roy’s vPub, hinting to two memorable drams (ours aren’t open yet at the time of writing, but we feel optimistic).

Three whisky enthusiasts in the old whisky capital.

It was soon time for the Cadenhead’s Warehouse Tasting. To our surprise, the meeting point was not the Springbank visitor centre, as the previous two times (three for Gianluigi). This was because the venue for the tasting changed (for the second time in the last few years): instead of being held in one of the warehouses behind Springbank, Cadenhead’s recently acquired a building not too far from the new hub (shop and tasting room), that has been gradually converted into a warehouse dedicated to tastings.

A wee warehouse…

The tasting was guided by Aly, who did a great job guiding us through the usual range of tasty drams: it was informative and entertaining. We started with a blended malt, a vatting of a 24y Glenrothes, 12y Aultmore and 14y Dalwhinnie, from an ex-bourbon barrel, bottled at 54.9% abv: a tropical deliciousness. It was followed by a few drams from fortified wine casks: 16y Glentauchers ex-Oloroso hogshead (49.4%), a 13y Glenburgie from a Madeira barrique (57.5%), an ex-Amontillado 11y Glen Garioch (58%) and an Oloroso-finished 13y Craigellachie (finished for 4 years). All these drams were very well received, although for the three of us the Glen Garioch was a notch below the others: too herbaceous and harsh. Finally, the peated dram was a Staoisha (peated Bunnahabhain) 9y at 60.4%, finished for three years in a PX-cask: delicious, only reason we didn’t buy it because we have waaaaaay too many peated Bunna at home. So, after much debating we opted for the ex-Madeira Glenburgie and the tropical blend, by far the best value for money.

We had our seventh dram at Cadenhead’s Tasting room (Ardmore 11y ex-PX cask, Deanston 15y ex-Manzanilla, and Balblair 10y ex-rum cask for Teresa to take home, to add to the other six drams). Then, we finally had a nice big lunch at the restaurant of the Royal hotel, before going back to the Washback bar for a final dram of Springbank, whose Edo is a big fan, before finally hitting the road.

Thanks Aly!

That day Teresa had the shortest straw, but the day was beautiful and sunny, and the drive was smooth. Edo and Gianluigi fell asleep for a few chunks of it. We only stopped once at Inveraray, to meet our friend Ivan who was saving some venison burgers for us, and we took the chance to try the Ardnamurchan Midgie at the George Hotel bar: a super funky and tasty dram.

One down!

Another Warehouse Tasting, another banger: we really enjoyed the range of drams, and Aly was very entertaining and fun. As we said other times, warehouse tastings are probably our favourite type of experience. There is something more when sipping drams just drawn from the cask, in the dumpy cold warehouse environment, surrounded by the “angel share” (i.e. vaporised alcohol). Similarly to our last Cadenhead’s Warehouse Tasting (two for Gianluigi), this tasting was structured and tidy, while the very first one back in 2018 was a bit more wild (and we had more samples, if we recall correctly). The concrete floor made it less dumpy as well, although thanks to this year not-so-warm summer, it was definitely chilly (and indeed Aly was very heavily dressed). Also, it’s great that Cadenhead’s are keeping it at £40 per person, which is an incredible value for money considering it includes 6 (+1 at the bar) drams. Other warehouse tastings are generally pricier, like Bunnahabhain (£50 for four drams) or Deanston (£40 for three drams). In this specific case, if we have to be really peaky, maybe the only thing that was missing was another ex-bourbon cask dram, after the first one. Anyway, with experiences like this, and the honestly priced drams, Cadenhead’s is leading the way in the scotch whisky landscape. Kudos to them!

See you in a couple of weeks for more whisky action. Until then, slainte!

Cadenhead’s Warehouse Tasting

Price: £40.00 pp (July 2024)

Duration: 1hr 30min

Tasting: 6 drams (plus a voucher for a seventh dram at the Cadenhead’s Tasting Room)

Target: whisky nerds

Value for money: great

Highlights: the drams

Recommended: absolutely

Link: https://experience.cadenhead.scot/

#46.2 The return of the smoke

Off to Jura

TL; DR: After Port Ellen, we drove to Port Askaig to catch the Feolin ferry to Jura. Very different landscape here, except for the main settlement it feels very remote. The Jura distillery is tucked between the hill and the sea. Despite its not great reputation, we had some very good drams, and a great time overall.

(missed Part 1?)

The tour at Port Ellen overran slightly, about 10-15 minutes, which eroded the time we had to get to Port Askaig to catch the Feolin ferry and get to our next destination: the Isle of Jura. We sprinted in the vans, us first and Justine behind, and got there at the exact time it was scheduled to leave, just to see the ferry leaving…to our surprise, as it doesn’t happen often with Scottish and British public transport to be so on time. We were so close to make it that we joked about “Starsky and Hutch-ing” our way into the boat with a sprint, but it would have been a big ask to Mr. Vantastic. Oh well, the next ferry was only an hour later, still on time for our tour. We started fixing ourselves some food…but the ferry came back right away, and the staff decided for an extra trip (probably they needed it to accommodate two big lorries coming the other way). While Gianluigi drove on the ferry and then from the pier to Craighouse (the main settlement on the island), Teresa and Edo were holding the half-cooked food in the back (thankfully there are no pictures of this clumsy moment).

Spot the drammer.

The landscape looked different from Islay: more trees, less buildings, and the presence of the two Paps (the hills that can be seen from the north-eastern side of Islay) is certainly very notable. Fun fact, on the island there are more deer than people (nowadays about 250). Jura is also famous for being the place where Orwell wrote his masterpiece 1984.

Anyway, once in Craighouse, we parked the vans in a nice spot Justine had found, behind a multipurpose warehouse (including the Deer Island Rum distillery, closed unfortunately) and next to an old pier. A great spot, quiet and with some tables and benches too… just a shame that as soon as the wind calmed down, midges appeared to torment us. We just had time to walk to the Antlers Bistro for a coffee before going to Jura distillery for the tour.

And the tour begins.

The visitor centre is quite small, only a small entrance hall and a wee shop. Other than some merchandise and their full range of whiskies, they also have some special editions, a couple of distillery casks, bottlings, and the travel retail range. The guide for the day was Fiona, a local who has worked there for many years. She walked us through the shop and some offices to the courtyard, where she started introducing the distillery history, from its establishment (1810) to the first license (1831), and the troubled late 19^th and early 20^th century, when it closed. In 1960, the distillery was acquired by Charles Mackinlay & Co (of the famous Mackinley blend), rebuilt and extended, and in 1963 they restarted distilling. Since then, the distillery has never stopped producing (except for maintenance of course), not even during the whisky loch (when they just reduced production to 3 days per week).

Someone got distracted.

Their main malt supplier is Crisp, mainly Sassie and Lauriet, and they do heavily peated runs four weeks per year. The mill, a classic Porteous, was bought second hand in 1963, and never changed since. Their grist ratios are a bit different compared to others, with 15% flour, 25% husk and only 60% of grit. They do 28 5-ton mashes per week, working 24/7, and use the typical three waters at increasing temperatures (64.5, 75 and 85°C) in a semi-leuter mashtun. Each washback (six in total, all stainless steel) takes two full mashes, to which they add 150kg of Mauri yeast, left fermenting for about 60 hours. The two pairs of stills are heated by steam coils and used for a typical double distillation (7 hours the first one, 8 the second one), with a cut between 72% and 64% abv. Some casks are filled on site, usually the ones destined to stay in one of the four warehouses on the island (total capacity of 24,500 casks), while all the vatting and bottling (including re-racking for finishes) happens at Whyte and Mackay’s mainland sites in Invergordon and Grangemouth. To note, they recently demolished part of a warehouse to make space for a biomass boiler, so to decrease their environmental impact.

A glimpse of the still room.

After the tour, it was finally time for the tasting! A few words here: Jura whiskies, despite being best sellers in the UK, tend not to have the greatest reputation among whisky enthusiasts. Sales are probably driven by the notable number of expressions available at supermarkets (the Bourbon Cask, formerly known as “Journey”, the 10y, 12y, 14y Rye Cask, Seven Woods, Rum Cask, Red Wine Cask, Pale Ale Cask…have we forgotten any?), so well played to them. But quality-wise? Well, let’s say that in our opinion it’s not the best whisky you can find, not even for the money probably (when on sale, these expressions can be quite cheap). We had one bottle of Jura Journey a few years ago and tried very few independently bottled whiskies (maybe 2 or 3), so we were very curious to taste other expressions and didn’t really know what to expect. This is why, when we booked this tour, we went for the extended, fancier tasting.

The tasting was set up in a dedicated warehouse-ish space (a damp room with a few dozen casks). Because we’d already parked for the night, we could all drink, yay! First dram, a 15y whisky finished for 1-2 years in oloroso sherry (42.8%), bottled for the south-east Asian market. Very sweet, a good start but not our thing (and the colour was suspiciously dark, which made sense given the target market). The second dram was definitely better, a travel retail 19y “The Paps” (45.6%), finished in a PX sherry butt (40 years old!). However, the third dram was the one where things started to get serious. It was a distillery cask, 1^st fill ex-bourbon barrel, vintage 2016 (7.5y) and bottled at 60% – a very fruity dram, not too hot despite the high abv, and it took water very well too. The fourth dram was another distillery cask, same cask but a bit older (vintage 2008, 15y) at a slightly lower abv (55.5%), a very nice dram too. Finally, we had a choice between an unpeated 33y (distilled 1990, bottled in 2023) from a PX hogshead (44.8%), and an 18y heavily peated ex-bourbon barrel (distilled 2005, bottled 2023) at 53.7% – being four of us, we got two of each and we shared. They were both delicious in their own very different way.

A good line-up…

After the distillery we went for dinner at the Jura Hotel. Our attempt to enjoy a pre-dinner pint outside lasted about 3 minutes, before the midges swarmed and made us run for a table inside. We had good time, good food, tasty pints and, worth noting, we found very clean bathrooms and strong Wi-Fi too! We soon retired to our campervans, to enjoy a last dram before a good night sleep (no wind this time!).

There are worse places to spend the night.

Overall, we loved the visit and the tasting, and Fiona was a great host, so money totally well spent. During the tasting we realised Jura can produce very tasty whisky, so probably the issue with their range is downstream. What is a bit strange, to us, is that all the supermarket expressions (all well below 46%, probably chill-filtered and with E15Oa too) seem to be aimed for the casual or novice drinker, none of them targets non-beginners. Other distilleries/brands (Glen Scotia, Loch Lomond, Laphroaig, Pultney, Tomatin, just to name a few) tend to target a wider range of drinkers, it’d be interesting to understand what drives Jura’s different approach.

Stay tuned for our time back on Islay! Until then, slainte!

Jura Distillery Exclusives Tour

Price: £50.00 pp (July 2024)

Duration: 2hr

Tasting: 5 drams, Jura 15 Sherry cask East Asia exclusive (42.8%); 19y The Paps travel retail (45.6%); Distillery cask 7y (60%); Distillery cask 15y (55.5%); choice between 33y ex-PX cask (44.8%) and 19y heavily peated ex-bourbon cask (53.7%), and a complimentary glencairn

Distillery Exclusives: Distillery cask ex-Bourbon 7y (60%, £90.00); Distillery cask ex-Bourbon 15y (55.5%, £120.00)

Target: whisky geeks

Value for money: good

Highlights: the island and the tasting

Recommended: if you want to try some good Jura’s, definitely!

Link: https://www.jurawhisky.com/en/

#43 Cask finish DIY

Diary of an experiment

TL; DR: Have you tried to finish your own whisky in a wine cask? Well, we did, and although we already knew, we could see how hard it is. While the result was not great, we definitely learned a few things.

This post is going to be different from others, as we won’t tell you about a distillery visit, nor a trip, nor a tasting. We’ll talk about an experiment we did recently – still a journey, if you wish.

The idea came after some thoughts on whisky maturation in casks that previously held wine. It took a while to us to realise this is a controversial topic. At first, we didn’t give it much thought as it felt it was just part of the broader “wine” category (including Sherry, Port, Madeira, etc.), but then we noticed many whisky enthusiasts think wine cask maturation is a separate thing, often perceived as bad… so what’s the deal with red/white wines? We had amazing drams matured in wine casks (Arran Amarone, to name a popular one, but also a stunning Glen Garioch 19y fully matured in an ex-Bordeaux cask tried at the distillery, or the Glen Moray 10 Elgin Limited Edition, finished in ex-Chardonnay casks). Let alone the STR (shaved/toasted/re-charred) casks made popular by the late Jim Swan: some can deliver a lot of flavour in a short time, which is particulatly crucial for new distilleries. However, we also had some very “meh” wine-matured whiskies (we won’t name names here), dull at best, so we totally get the scepticism of some.

A taste of Gianluigi’s home, Gutturnio wine.

Probably our Italian upbringings sparked further curiosity on the topic, so we did a bit of research and noticed that while maturation in casks such as Amarone, Barolo and Cabernet-Sauvignon is fairly common nowadays, lesser known red wines aren’t a thing (yet). One wine in particular seems to be overlooked: Gutturnio. Typical from Piacenza’s province (Gianluigi’s hometown), it is a mix of Barbera and Bonarda grapes, and comes either fizzy or still (“superiore”). A thick red wine, that goes well with the greasy local cuisine, quality-wise you can find the cheapos from supermarkets, up to several tenths-of-euros per bottle. We wondered for a while, then, after a conversation with Woody and Megan from Woodrow’s of Edinburgh, we decided to give it a try and start an experiment.

We asked some friends about to visit us to bring over a bottle of Gutturnio, Gutturnio Zerioli Riserva (later on Gianluigi’s brother would challenge this choice as not great, but hey ho) and then we bought a 1-litre virgin oak cask (American oak, Q. alba) from Master of Malt (where it was cheaper, if you exclude some suspicious vendors on Ebay). On the 26^th of August 2023 we filled the wee cask with 75cl of wine, and left it in there for a bit over 3 months.

A nice dram, before we destroyed it.

While the cask was seasoning hidden away in a cupboard (turning it from time to time), we chose our dram. We wanted something without much cask influence, so we aimed for second-fill (or more) ex-bourbon casks. Living in Edinburgh made things easier, as we could access the two Scotch Malt Whisky Society venues, although it wasn’t easy to find a whisky available both to try and purchase. We still managed to taste 6 or 7 bottlings from various distilleries, and the final choice fell on a 12-year-old Dufftown (distillery that we had the chance to walk past in our first trip to Speyside, but never properly visited), called Biting on a Bung (91.34), distilled on the 7^th of July 2009 and bottled at 59.0% abv.

On the 5^th of December, we disgorged the wine. To our surprise the cask was soaked – of the 75cl of wine we’d put in, only 35cl came out! We knew that some absorption would happen, but not to this extent!

On the same day, we filled the cask with the whisky while leaving 20cl to ourselves, in case we messed things up (spoiler alert, we did). We didn’t have a timeline in mind, we just wanted to try the whisky at different times, but here one miscalculation: we went back to Italy two weeks for Christmas, leaving it unchecked for probably too long. When we came back, we took a sample right away: a lot of colour (copper red), some typical red-wine notes on the nose (tannins and red berries), but very metallic on the palate. We hoped these metallic notes would disappear with some more time in the wood, but they didn’t, so in early March, exactly 3 months after filling the cask, we disgorged it and, again, only 30cl of whisky came out (another 20cl of liquid absorbed) – 30cl of ‘metallic liquid’, clearly not a success.

Filling the cask with whisky…and hope.

It only took three months for the colour to change!

We followed up the experiment, this time not with a proper whisky but with spirit from our infinity bottle: despite leaving it in the wee cask for only a couple of weeks, the same unpleasant notes re-appeared (although not so much absorption this time). Oh well.

So, what did we learn out of this experiment? How to waste a good half-litre of whisky? Definitely, but not only that. We already thought it must be hard to properly finish a whisky in the right cask for the right amount of time, but we were surprised by how easy it is to mess up (well, probably the small size just accelerated the process)!

You really don’t want to taste the end product …Maybe next time is going to to be better?

We made a list of variables to consider:

The cask! After so many distillery visits, we know wood quality is key (but tbh we didn’t feel like investing big for our random experiment)
Time to season the cask with wine (maybe too much?)
Time to finish the whisky (again, too much?)
Climate conditions (our flat is very very dry, but there’s not much we can do…)
Whisky robustness (maybe it was a too delicate one for this kind of experiment?)
Quality of the wine…or even the type of wine?

So many variables…it’s really hard to wrap our heads around it, although we could sum up all these variables into one: experience, i.e. really knowing what you’re doing. We clearly didn’t, but thankfully this is not what we’re doing for a living. Nonetheless, it was fun! What’s next? Currently the cask is empty, but we’ll try to fill it soon to avoid it to dry too much…with, maybe, rum? Another wine? Let us know if you have any ideas!

Until next time, slainte.

#39.4 The Highlander Trip

A quiz, a tasting and a distillery visit

TL; DR: Saturday was a “rest” day, after three distillery visits (actually five in two days!). However, we still had some whisky activities scheduled: a whisky-themed quiz and a tasting at the Carnegie Whisky Cellars. It was a great day, and it was followed by a visit (re-visit for us) at Clynelish on the Sunday.

(missed Part 3/Part 2/Part 1?)

On Saturday we woke up not that rested: Teresa’s cough was getting worse, the humidity inside Mr. Vantastic not helping. Gianluigi wasn’t at his 100% either, with a bit of hangover hanging there. In normal conditions we would have got a warm drink and a good breakfast right away, but unfortunately Dornoch is a bit of a ghost town before 9-10, so we couldn’t find an open cafè nearby, nor open public restrooms. Eventually, the latter opened (thankfully). A few minutes later we met Justine, and took a walk to the beach with her.

Such a beautiful morning in Dornoch.

It was a very sunny day, not that cold, and Gianluigi even dipped his feet in the North Sea waters. We walked back to the village, where we could take a quick shower at our friends AirBnB. As a “thank you” Gianluigi went to the Harry Gow Bakery and got yummy morning rolls for everyone! Teresa felt adventurous and tried the macaroni pie – better than expected, although not sure she’ll have it again.

It wasn’t that cold…He says.

There were no distillery visits scheduled for the day, it was like a rest day, but we’d have had an early evening tasting at the Carnegie Whisky Cellars shop, and a very fun activity was waiting for us before then: a whisky quiz! It was our friend Charlie, a whisky enthusiast more seasoned than us, to organise it. As a location, we went to the Dornoch Castle Whisky bar. Space was a bit narrow, so we were all around the same long table and with little chance to mix: we ended up in the same team, the Home Office (because of our working from home patterns, but also as a political mockery). We had a lot of fun, but we didn’t win: we tried to gamble our last round for a high reward, but we didn’t make it to the top. Afterwards, we went to the Cocoa Mountain to get a warm (and yummy) chocolate. Unfortunately, Teresa kept getting worse, so we decided to get a hotel for the night instead of sleeping in the campervan. Because this was a last-minute decision, we had to scramble back, and we ended up being late for the tasting…d’oh! Fortunately, our pals were all very understanding.

An amazing whisky tasting is about to start.

The Carnegie Whisky Cellars is a shop on the main street in Dornoch, on the same block as the castle. It is run by Michael, the manager, who started there in 2016, and by his assistant David. Beside the shop, there is a very nice room with low ceiling (ehm, the cellar?), and a long table around which we had the tasting. It was a very good one, Michael’s knowledge was impressive, and the choice of drams hit the spot. The lineup started with an old Haig blend, followed by a delicious Thompson Brothers Teaninich (bottled for the shop), a single cask 21y Braveal, a cask strength Campbeltown blended malt Gauldrons (probably mostly Glen Scotia), and two cask samples, one from a local distillery (don’t know if we can disclose it, but it wasn’t Dornoch) and another one from a Campbeltown distillery. While Gianluigi enjoyed his drams, Teresa mostly saved them as she wasn’t feeling well, so after the tasting she went back to the hotel to rest. She revisited the tasting recently, and she loved it as well! Gianluigi instead joined the others for a very nice dinner at Greens (just next to the shop), followed by drams at the Dornoch Castle Whisky bar, and a final pint at the Coach House, before joining Teresa back at the hotel.

The back of an old Haig bottle…What a statement!

In the morning we were both feeling much better, and as soon as we could we had our breakfast (Scottish full, of course) at the hotel, where we said goodbye to our pals Fiona and Mike, who left soon after. We met with the rest of the gang in the main square, but we didn’t join them on the minibus: we were both working the day after, so the plan was to drive back to Leith straight after the visit at Clynelish distillery.

This was the second time there for us, with the first in May 2021 right after the lockdown. While we really like the whisky, the distillery visit was a bit of a bummer: too expensive and too focused on Johnnie Walker (you can read about it here). Fortunately, things changed since then, they have various experiences, and we chose the Production Tour and Premium Tasting, more suited to whisky enthusiasts (£30). The others are the Flavour Journey (sounds very Johnnie Walker-esque, £19), the Express Tasting (£15) and the Premium Tasting (£65).

Dramming around with friends.

The guide for the tour was Shirley, and she was way more knowledgeable than the guide we had in 2021 (to be fair, we are now more knowledgeable too). The tour scheme was the usual, although it was a lot richer in information. They get their malt from Glen Ord maltings, unless Talisker is in high demand, in which case they get it from Buckie. The mill (as usual, Porteus) is the only piece of equipment they didn’t refurbish in 2016, and they set the usual 20/70/10 split in the grist (husk/grit/flour). With the mashing (common to many Diageo distillery, two waters: raising the first one from 62°C to 84°C) they aim for a very clear wort, which then undergoes about 80-85 hours of fermentation.

They recently changed yeast strain, they now use Lalamond. They only do unpeated whisky, but for their neighbour distillery Brora, the peat comes from near Montrose. The stills are a copy of the original 1960s ones, replaced in 2016, and they are fired with steam produced with oil and gas. Similar to our previous tour, however, we couldn’t visit the warehouse (it’s in the Brora area…). Anyway, most of the whisky is shipped away in tankers.

Dramming around with friends nr. 2

The tasting was supposed to be 3 drams, but because we were a big group, Justine managed to negotiate an extra one (yay!). We had the tasting in the bar upstairs, with a magnificent view down towards the sea. Today it was Teresa’s time to enjoy her drams, Gianluigi behind the wheel. We started with the Clynelish 14y (the flagship!), followed by the Distillers Edition, finished in Oloroso Seco for 6 months (we had a bottle of this). It was followed by the Distillery Exclusive, a non-age statement, full ex-bourbon matured whisky bottled at 48% – no mention or colouring or chill-filtering, but given the colour, we think it is unlikely they used caramel colourant. It was good, but not £105 good (this was batch 2, batch 1 in 2021 was ***only*** £90). Finally, we tried the Four Corners of Scotland, a bottling they made to celebrate four iconic distilleries (together with Caol Ila, Cardhu and Glenkinchie) for making Johnnie Walker. Again, quite good but at over £200, insanely priced. A shame these prices, but hey ho, life goes on.

An unexpected photo bomber!

Anyway, we were happy with this distillery visit, much happier than after the first time. Nonetheless, excluding Friday’s tour de force, the real highlights of the couple of days were the whisky quiz (thanks Charlie) and the tasting at the Carnegie Whisky Cellars. Some very good memories to bring home, which is where we headed afterwards, not before a stop in Inverness.

Stay tuned, and until next time, Slainte!

Clynelish Production Tour and Premium Tasting

Price: £30.00 pp (November 2023)

Duration: 1hr 30min

Tasting: 3 (+1) drams, Clynelish 14y (46%), Distillers Edition (vintage 2006, bottled 2021, 46%, Oloroso finish), Distillery Exclusive (NAS, 48%), Four Corners of Scotland 16y (49.3%)

Distillery exclusive: NAS (48%), mostly ex-bourbon cask

Target: everyone

Value for money: good, definitely better value than the flavour journey we did in 2021

Highlights: the bar/tasting room and the view from it

Recommended: yes

Link: https://www.malts.com/en-gb/distilleries/clynelish

#39.3 The Highlander Trip

Down the neck of the giraffe

TL; DR: Third and final distillery of the day (not of the trip), Glenmorangie. The behemoth of the north, producing one of the best-selling malts, a visit we’d postponed for some time. A visit we’ll remember as one of the funniest we had in a while.

(missed Part 2/Part 1?)

The tour and tasting at Balblair ended under a heavy rain. We were quick in jumping back on the bus, which drove us to the next distillery: Glenmorangie! The distillery is located next to the A9 just passed Tain (you can’t see it from the highway), a mere 10 minutes away from Balblair. We’d never had the chance to visit it before, despite driving past it more than a few times.

Ready for the third (!) distillery visit of the day.

Despite its popularity, we haven’t tried many Glenmorangie expressions. Probably one of the reasons is that it doesn’t appear often at independent bottlers, and when it does it usually carries a high price premium (unless it’s marked as “secret Highlands”, of course). Other than the omnipresent 10y “the Original”, we tried the 12y Lasanta (sherry cask finished) and 14y Quinta Ruban (Port cask finished) in a tasting back in 2020, both solid. About other popular expressions, we recently tried the 18y – delicious and very drinkable (the 43% ABV helped), while because of our lack of enthusiasm for Sauternes finishes in general, we never gave a chance to “the Nectar”, the expression formerly known as Nectar D’Or. We also tasted the “A Tale of Cake” (Tokaj wine finish) in a tasting, sweet but truly delicious, but until our distillery visit that was the only one in the “A Tale of…” range we’d tried. To note, not long ago, Glenmorangie have also brought up a “Barrel Select” range, including expressions finished in Malaga, Cognac, Palo Cortado, Amontillado, and more recently Calvados (and similar to the “A Tale of…” range, originally priced around £75-80).

Definitely a big operation.

Anyway, back to the trip! The driver left us in the parking lot, from which the 7-mlpa size of the distillery can be fully appreciated. We took a few pics, and then we started walking down a short path to the visitor centre, which is in front of the main distillery building, on the other side of a small lane. There is also an orange giraffe statue on the path: it is associated to the brand because of the height of Glenmorangie pot stills, the tallest in Scotland. These are considered to contribute to the lightness of this spirit by allowing only light molecules to climb up the tall stills’ necks and leap over to the lyne arms and the condensers.

Contrary to Balblair, the visitor centre is very brightly lighted, almost like an airport duty free and, in general, it felt very “corporate”. On display, other than the usual merchandise, there were most of their recent bottlings, but also some older expressions: we spotted some bottles of the “A Tales of Cake”, priced at £350 (the RRP in 2020 was £75!). Needless to say, they stayed on the shelf.

We were given a few minutes to check the shop and for a neep in the loo, after which our guide Lewis walked us outside the visitor centre and into the distillery building to start the tour. We gathered in a small room (which we filled quite quickly), where a very expensive Renovo bike made with some leftover wood from old casks was displayed, for a short introduction. We immediately realised Lewis was a great character, definitely one of the most entertaining guides we had in recent years. He quickly picked up that we were whisky nerds, so instead of describing all the phases of production (which all of us knew…probably too well) he sat back and replied to all our gazillion questions with a very dry humour. When he was asked “what about the 12 men of Tain?” (in front of a picture of them on the wall) he answered “well, they were 12…and they came from Tain”.

The impressive still room from the outside.

Because of this, and because pictures were not allowed inside the distillery, we don’t have many notes about Glenmorangie. The tour inside was quite standard – milling, mashing, and fermenting – but we could try the wort, a nice touch. The still room is really huge, almost looking like a cathedral. After that, we went back to the courtyard, where we could look at (but unfortunately not go inside) the Lighthouse: a new small fully equipped distillery next to the old one, where Dr Bill Lumsden, the Head of Distillation for both Glenmorangie and Ardbeg (one of the great innovators in current times) can run small batches and experiments. The building in itself is very beautiful, and somehow fits nicely next to the old buildings.

Old and new getting along well!

We can see why they called it the *Lighthouse*.

After wee look at a warehouse, it was finally time for the tasting, prepared in a room just behind the visitor centre. It was a bespoke tasting, so to minimise the chances that someone already had some of the drams, our friend Justine (who organised the trip) chose one recent expression and 3 distillery exclusives. We started with the last of the “A Tale of” releases, “A Tale of Tokyo” (46%), finished in Mizunara oak. It was good but not memorable: all the whiskies finished in Mizunara oak that we tried (3 or 4) were interesting but that’s it, not something we’d go for. The other three drams were sublime: two single casks, one matured in a custom oak barrel and one in red wine, and the last a vatting of two ex-Pedro Ximenex sherry casks. Really great drams, just a shame that the price tag was a bit too high for us.

Getting ready…

…for this. What a tasting!

Lewis humour (well, and these last three whiskies) made our tour at Glenmorangie quite unique, and it didn’t feel corporate at all (which some of us were worried about). Experiences like this are the ones that really stay in our memory, and we are so grateful for.

We left the distillery empty-handed, but very happy nonetheless, and after a brief bus drive to Dornoch, it was time for dinner, after which we went back to the van for a good sleep (spoiler: it was not!).

Stay tuned to hear about it, and until next week, Slainte!

Glenmorangie Tour & Bespoke Tasting

Price: £65.00 pp (November 2023)

Duration: 1hr 30min

Tasting: 4 drams, Tales of Tokyo (46%, NAS), Distillery Manager’s Selection (2^nd fill custom cask, 56.1%), Distillery Exclusive Release Cask 12835 (12y, vintage 2006, bottled 2019, ex-red wine cask, 55.1%), Distillery Exclusive Release Cask 1784 (16y, vintage 2003, bottled 2019, PX sherry, 55%)

Distillery Exclusives: see above

Target: everyone

Value for money: pricey, but at least we tried something new

Highlights: Lewis really made this tour memorable

Recommended: yes

Link: https://www.glenmorangie.com/