#44.2 Spirited in Speyside

A walk to Craigellachie

TL; DR: After Kininvie and a very nice walk, it was time for Craigellachie distillery, the ‘queen of worm tubs’! We’d been waiting over 4 years to visit it, we finally made it and it didn’t disappoint. A great tour with very knowledgeable staff, for a very reasonable price (other producers, take note!)

(missed Part 1?)

As the tour at Kininvie came to an end, it was time to move to our next destination for the day. It was a gorgeous day, probably one of the best (if not the best) we had in all our visits in Speyside (so much better than the dreaded August ’21, when it was so wet that we couldn’t ignite the self-igniting charcoal to grill). The weather so was nice and warm that we both ended up in short sleeves – perfect for our walk back to Craigellachie along the Old Speyside Railway. We knew the path, it’s where we ran the Dramathon Half Dram (half-marathon) in 2022 (and 2021), and where we’ll hopefully run the Wee Dram (10k) later this year. The walk turned out to be over 6 km, on a peaceful path surrounded by vegetation and buzzing insects…a very refreshing and enjoyable moment, in particular considering the poor spring we had this year (and still having at the time of writing).

For once, we’re not running on this path.

We arrived at Craigellachie distillery only a few minutes early, just the time to take a few photos in front of the distillery. In the past two years Teresa visited a couple of distilleries that Gianluigi hasn’t (Liberties in Dublin and Copper Rivet in England), while Gianluigi only visited one that Teresa hasn’t (Glenora in Canada), so we both celebrated our personal 100^th distillery in separate occasions (Aberargie for Teresa, Kininvie for Gianluigi). Craigellachie though, was our 100^th distillery visit together, yay! Next target: 100^th Scottish distillery, which will hopefully happen in 2025…maybe?

The 100th distillery visit together, big achievement!

The distillery is unmissable, as it is right on the road from Craigellachie to Dufftown. They don’t have a visitor centre, something we learned back in 2019 when we visited a sister distillery, Aberfeldy. They are both owned by Dewar’s/Bacardi, together with Royal Brackla, Aultmore, and Macduff (whisky marketed as Deveron/Glen Deveron). The distillery was built in 1891, during the pre-Pattinson crash whisky boom, and expanded in 1964, while malting stopped in 1968.

Back to today, the tour was given by Stephen, the distillery manager, together with Matthew (brand ambassador) and Gary (cask supply specialist, and “grainman”), a fun dynamic trio. In the mill room (hosting a classic Porteus installed in 1964), they told us they mostly use Lauriet barley, never peated, with the usual grist split (10% flour, 70% grit and 20% husk). The mashtun is more recent, as it was replaced in 2001. They work 24/7, and they do 20 mashes per week, each one lasting 6h, aiming for a clear wort. They only close for 3 weeks in the summer to clean-up everything. The washbacks are made of Siberian larch, installed in the 60s, and they use Laland as yeast strain (not to be confused with La-la-land), with fermentation lasting about 60h. They used to have direct fire stills, but they were replaced in the 60s with steam coil ones, as many other distilleries.

Finally in the still room we saw so many times from the outside.

After the stillroom, they showed us one of their most iconic feature: the worm tub condensers! This is an old way of condensing the spirit, as simple as “a worm in a tub”, as they jokingly pointed out. Compared to the more “modern” tube and shells (well, still over 100-year old), the reduced contact between the copper and the spirit should result in a heavier spirit, loved by many. Craigellachie is one of the best examples of this feature, together with Mortlach, but there are many other distilleries we visited that have worm tubs: Speyburn, Oban, Edradour, Cragganmore, Springbank (which uses a mix, except for Longrow, which is 100% worm tub condenser) and even some newer distilleries, notably Ardnahoe on Islay and Ballindalloch in Speyside. It’s a very fascinating topic, and if you want to know more there is a recent Aquavitae vPub focusing on this.

We had to take a picture with worm tubs.

After the production, it was time for the tasting, which was held in a shed, previously a space for in-house cooperage. The line-up was quite comprehensive, considering we only paid 20 quid (!!!) for the whole thing. We started with the distillery flagship, the Craigellachie 13 (46% abv), matured in a combination of ex-bourbon and ex-sherry casks: having tried it years ago, we’d forgotten how good it is! We then tried a more recent bottling, again 13 years old (46%), but finished in Bas-Armagnac casks, less sherry influence, brighter and super fruity. Then, a treat, the 19yr (again 46%), very well balanced and delicious, matured in ex-bourbon casks, and finished in 1^st fill both ex-bourbon and ex-sherry casks. Finally, they also let us try their Spirit of Speyside 2024 exclusive: cask strength (54.9%), vintage 2005 (so 18-19yr), finished for over 3 years in red wine casks. The jump in ABV was there, but also in flavour compared to the other (still very tasty) drams.

A nice display.

As the tasting ended, we went to the office/pop-up shop to pick up a “souvenir”, and we slowly walked back towards the van, not before stopping at the Craigellachie Hotel. Unfortunately, the whisky bar was busy with a tasting, so we just had a half-pint at the bar downstairs, before finally heading to the van where we had dinner and spent the night.

A very good spot for the night!

What a day, Kininvie first (making 4/6 of the Dufftown distilleries for us… Glendullan and Dufftown, some day we will come!), and then this great tour at the ‘queen of worm tubs’ distillery! Also, kudos to Dewar’s: not only the team that took us around was super knowledgeable and very nice, they also gave us a very nice tasting for a very reasonable price, unlike some other producers.

Stay tuned for the rest of our Spirit of Speyside trip, still 3 days (and 3 distilleries) to go! Until then, slainte!

Craigellachie Distillery Tour

Price: £20.00 pp (Spirit of Speyside 2024)

Duration: 1hr (a bit more actually)

Tasting: 4 drams, Craigellachie 13y (46%), 13y Bas-Armagnac finish (46%), 19y (46%) and Spirit of Speyside 2024 Edition (54.9%)

Target: whisky curious and nerds

Value for money: extremely good!

Highlights: the worm tubs, of course!

Recommended: yes

Link: https://www.dewars.com/

#44.1 Spirited in Speyside

Catching up Kininvie

TL; DR: May again, which means Spirit of Speyside again! And again, we tried to bag as many distillery tours as we could. First off, the mysterious Kininvie: hidden behind their stablemate Balvenie, it’s a treasure to be found…and we’ll have a pleasant surprise too!

In the last couple of years, the Spirit of Speyside has become one of the unmissable events for us. It’s a festival, but it doesn’t feel like one, probably because of the wide area the events are spread around: the whole of Speyside! There are so many events: fairs, walks, tastings, tours, even runs! Of course, for us it is a good opportunity to visit distilleries that are normally closed to public. In 2023 we managed to visit “a few”, this year we tried to do the same.

This year we made our long weekend a wee bit shorter: from Thursday to Sunday only, skipping the Wednesday and the Monday. It was enough, because, unlike last year, we managed to book all the distilleries we wanted to visit over 4 days! The only ones we decided to pass on were Glen Keith (the event is insanely expensive, like north of £250… yes, it included Strathisla, which we visited twice already, but still a brainfart) and Glenglassaugh (the event was pricey, £200, but included visits at Benriach and Glendronach too, transport and lunch…not a bad deal, but still too much considering all the other visits we’d planned).

The first distillery we hit this year was Kininvie, in Dufftown. It is owned by W. M. Grants, like Glenfiddich and Balvenie. Actually, we’d already visited most of the distillery during our fantastic tour of Balvenie in 2021, with James. Mash-tun and washbacks are indeed in the same building as Balvenie’s ones, and the mill is actually the same! This time though, we will see everything about Kininvie!

A cryptic bus timetable…

Back to the trip, we left early in the morning, as the tour was at 11am (but also to avoid the silly Edinburgh’s rush hour traffic…silly because given the size of the city, it shouldn’t be like that). We also left a bit earlier because we’d planned to leave the van in Craigellachie, get the bus to Dufftown, walk back to Craigellachie after the tour. Everything went according to plan, except that the bus from Craigellachie to Dufftown was, like, over 20 minutes late. No problem though, we were still able to get there in time for our tour, and in the meanwhile we had time to chat to our friend Graham Fraser, who was taking the same bus to go to Glenfiddich instead. He is a fellow vPub barfly and also a “drammer around” like us, but more experienced, with over a 100 Scottish distilleries under his belt: impressive!

After checking in at the Balvenie visitor centre, we had a big surprise: Paul (who we met at Linkwood last year) has recently moved to Balvenie and Kininvie as production manager, and would give us the tour! He is a super nice guy, and thanks to his impressive career in whisky, also extremely knowledgeable, so we were super happy about that!

Paul gave us the tour, such a nice surprise!

The history of Kininvie is peculiar: it was built in 1990 to supply malt for blends (Grant’s and later Monkey Shoulder), instead of Glenfiddich and Balvenie, kept to be bottled as single malts. They started producing on the 4^th of July of the same year, and nowadays the equipment is also used to experiment with barley and yeast strains, including running a rye campaign every year before the silent season: Paul was very excited about the freedom to experiment.

A happy “worker” at Balvenie malting floor.

The tour started with a visit of the Balvenie malting floor and kiln, which was under repair waiting for some replacement parts. After a walk in the kiln, we moved to the main production building with mill, mash-tuns and washbacks. On average they do up to 25 mashes per week, using 240 tons of barley. When they don’t experiment, the barley strains used at the moment are Sassie or a mix of Sassie and Diablo, which have mostly replaced Lauriet. The barley is mashed with the usual three waters at increasing temperatures (65, 75 and 85C). Fermentation takes place in one of the 10 wooden washbacks, next door to the Balvenie’s ones. They use Mauri yeast and go for either a short fermentation (60h) to get a cereal-y cloudy wort, or a long one (over 70h) to obtain a lighter and fruitier one: the one we tried was very sweet, and Teresa picked up notes of white chocolate.

Gianluigi feels cool because it’s his 100th distillery!!!

Finally, it’s time to visit the still room, located in a hidden (hence the name of the tour) dedicated building behind Balvenie. They have three triples of stills (with enough space for a fourth, in case of expansion), for a total of nine. Each triplet works as a unit, with one big wash still for the first distillation and two smaller spirit stills for the second one. The cut points are very variable depending on what they are producing, but usually the second distillation takes 10 hours: 1.5 to heat up, 4.5 for heads and tails and 3 for the heart run. Once at the spirit safe (the piece of equipment used to control the cut points of the distillation run), we could try some newmake spirit, at a whooping abv of 70%! A very nice touch!

A hidden still room…

…a beautiful one.

After that, we moved to one of their massive racked warehouses next door, where after a brief, nerdy chat with the warehouse manager George, we tried some drams. Kininvie releases are very rare: the only one we’d tried previously was during an online event in 2020, as part of the Belfast Whisky Week: the KVSM001, a 5yr triple distilled single malt matured in ex-bourbon casks. We had like it back then, so we were now quite excited and curious about the tasting at the distillery. We started with a “single distillery blend”, KVSB003: a vatting of single malt (matured in European oak casks) and single grain (matured in virgin American oak) produced at the same distillery, 4yr and bottled at 48.2% abv. The second one was a component of this blend, the single grain KVSG002: it is actually a rye whisky (although we think it wouldn’t comply with the American definition of “rye whiskey” because the rye part was less than 51% of the mashbill, only 1 ton malted rye vs. 8.6 ton malted barley), matured in virgin American oak, distilled in 2015 and bottled in 2019 at 47.8%. These drams were both quite interesting, but we recently find rye whisky a bit too herbaceous, particularly the ones produced in Scotland and Europe. Nonetheless, we were quite excited because the labels on the bottles provided a great deal of information, a real deal for us whisky nerds!

We then moved to a single malt, a 23yr distilled in 1991 from a combination of hogshead and sherry butts, bottled at 42.6% (a bit weak to our palate, but nicely tropical and balanced). Finally, the gem was the cask sample: a 10-year single malt from a first refill Sherry butt at 68.4% (the cask filling strength was 70.3% abv!!!): it definitely needed water, but once it opened up it was really fantastic!

About to pour something really delicious.

And with this visit, the Spirit of Speyside festival was officially underway, starting with a bang! Like we noted last year, the staff were so happy to show us around, truly a refreshing experience, and so nice to see Paul in his new role! But it was time to move to our second whisky “adventure” of the day, so we quickly left the distillery on foot.

Stay tuned for more on this. Until then, slainte!

Kininvie Hidden Distillery Tour

Price: £60.00 pp (Spirit of Speyside 2024)

Duration: 2hr

Tasting: 5 drams, Kininvie single distillery blended KVSB003 (single grain rye whisky and single malt), single grain rye whisky KVSG002, Kininvie 23y Single malt, cask sample (ex-sherry cask, 10y) and newmake spirit (for details see the descriptions above)

Target: whisky nerds

Value for money: good

Highlights: the still room

Recommended: yes

Link: https://tickets.spiritofspeyside.com/sales/events/2024-festival/kininvie-hidden-distillery-tou

#41.2 Fife Whisky Festival 2024

Inside the green distillery…Aberargie!

TL; DR: After another successful Fife Whisky Festival under our belt, we got to visit a new Fife distillery, Aberargie! Owned by an independent bottler company, Morrison Distillers (Carn Mor, Old Perth and Mac Talla), they have a clear plan for their whisky. They gave us a great tour, and what an amazing tasting!

(missed Part 1?)

And here we are, after the opening dinner (!), the two Fife Whisky Festival sessions (!!) and the Sunday morning Adelphi masterclass (!!!), it was finally time for the final event: the visit to Aberargie distillery!(!!!!) Compared to other new distilleries, they are quite under the radar, although we were already aware of its existence since our first trip to Lindores in late 2021, as the distillery can be clearly seen from the road to Newburgh. It is owned by the Morrison Distillers group (formerly Morrison & Mackay), which also has connections to other distilleries, in particular Bowmore. Their malt is not on sale yet, so their main business is still that of independent bottlers. They own the Carn Mor brand, for single casks or small batches, Old Perth, a fully sherry-matured blended malt (coming in different configurations) and the recent Mac-Talla, a range of Islay single malts but from undisclosed distilleries (they were very adamant about not saying from which one).

Ready for the distillery tour.

We were welcomed by Greame, head of production, and Thomas, the brand ambassador who was at the festival the day before. Thomas told us that we were the first visitors ever: what an honour! The site buildings include an office/bottling hall, the production (where we headed) and of course the warehouses. Inside, Maree, brand manager, and David from production were waiting for us in a meeting room. Tasting mats had already been prepared, with four “Old Perth” marked spots, and four “Mac-Talla” ones. Once everyone took their seat, Greame started explaining the history of the company, which used to focus on fruit liqueurs, and talked about their connections to Bowmore, Auchentoshan and Glen Garioch. The distillery started operating in 2017, and barley is sourced from their own surrounding farm. It’s a farm-to-bottle site, except for malting that is done at Simpson. During this chat, we started with the tasting: first, an 8y cask sample destined to become part of a bottling from the Old Perth range, fully matured in ex-Oloroso casks, and reduced to 48% abv. The second dram was from the same (undisclosed) distillery, same age, same abv, but distilled in a different way (apparently this distillery has both stainless steel and copper condensers) and fully matured in an ex-PX cask. The third sample was the Old Perth 12y (46%, chill-filtered, natural colour), one of the three core range expressions (the others being the Original, NAS, and the cask strength).

A nice welcome.

At this point, the group was split in two for the tour of the distillery. We were in the second group, with David and Thomas. As usual, we started with barley storage and milling; the mill is a modern one, near the two malt bins with a capacity of 28 tons, and it can process batches of 2 tons. Almost all the whisky they produced so far is unpeated, and they almost uniquely used Golden Promise barley. They aim for 9 mashes per week in their semi-Leuter mashtun, collecting the sugars through the usual 3 waters at increasing temperatures. They recently increased the number of washbacks, from 6 to 9, all stainless steel, where fermentation takes from 3 to 6 days and it is ignited by 20 kg of dried yeast. They have two stills, a 10,000-litre wash still and a 7,500-litre spirit still, both using steam coils as heat source. They collect the heart of the distillation from 74% to 60.5%abv, one of the largest cuts we heard of. Because they do a 5-week production, their capacity is currently around 250,000 litres of alcohol per annum.

No pictures inside, sorry!

The two groups were then reunited in the courtyard, just before getting inside the racked warehouse. There, they have temporary tanks where the spirit (both theirs and the sourced one) is kept before being casked. It’s quite a big operation, which made sense considering the availability of bottles from their independent bottler side. Still in the warehouse, we could spot a number of distilleries’ names and different types of casks. We walked a bit more inside, until the point where seven big butts were on display: contrary to most of the current sherry casks, which are seasoned for the whisky industry, these were bodega casks, which were actually used in sherry production for decades. They’d originally acquired ten, but only seven survived, and they are used to put to rest the whisky that ends up into the non-aged Old Perth (Original and Cask strength expressions), in a Solera-like system. We had a sample of it (again diluted to 48% abv), and we found it dirty but exquisite.

That’s a big warehouse!

After this, we headed back to the meeting room, where food was waiting for us. While we were eating, they started pouring the final four drams. Three of these were from the Mac-Talla range, starting with the Flùran (53.8%, single cask ex-bourbon), from the Flavourscape collection. This series is a collaboration with artist Marzia Sileno, who created a series of drawings inspired by the whiskies. In this case, the drawing recalls the flowery and light character of the whisky. This was followed by the Mac-Talla Mara, their cask strength expression (58.2%), a vatting of 25% first fill and 75% refill ex-bourbon cask: it’s a very spritely and delicious Isla drams, we both loved it (well, Gianluigi a few days later at home…). Finally, a novelty: the Mac-Talla Oloroso, a vatting of about 20 caks bottled at 54.8%, that was going to be announced the very next day: a delicious sherried peated malt. The final dram was a real banger: a cask sample of a 1996 Bowmore from a 2^nd fill ex-oloroso, at a natural strength of 47.4%. What can we say, we had a very few drams that good so far, an explosion of tropical fruits, surrounded by soft sweet smoke. A gem.

Art and whisky.

The event ended there, although it lasted almost an hour more than expected – not bad, it was really worth it. We made our way to the office for the pop-up shop they’d set up for the occasion, to grab some “souvenirs”. This was an amazing event, truly very well planned and definitely for whisky geeks and, by what we could see, organised by whisky geeks. They were extremely generous with the drams, they also provided 30ml samples for the drivers! We will keep our eyes peeled for their release, although it’s not going to be out soon. In the meanwhile, we can enjoy their fantastic whiskies from the Mac Talla and Old Perth ranges, which we got to know quite well during the visit. A visit which, by the way, marked Teresa’s 100th distillery visit!

The day ended with us driving back to Cupar to help Justine and Karen clean up the Corn Exchange after the third and final masterclass, and we managed to get some leftover from the Woodrow’s of Edinburgh masterclass (and because we’d run out of sample bottles, we temporarily stored them in coffee cups). What a great weekend, we’re already looking forward to next year.

Until next time, slainte!

Morrison Distillers

Link: https://www.morrisondistillers.com/

#41.1 Fife Whisky Festival 2024

Another Fife bites the dust

TL; DR: We volunteered again for the Fife Whisky Festival, what a great event! We started with a nice dinner at Lindores Abbey, followed by a day of work and fun at the festival, and finally a masterclass! We’ll definitely try to go back once again next year!

Whisky festivals are interesting experiences: a joyful buzzing bunch of people moving between stands, like bees between flowers to “sip” on the golden nectar offered. At least, this is what we experienced so far at the Fife Whisky Festival (FWF), Whisky Fringe, and Funky Booze, the very few festivals we attended so far. As people who started their whisky journey visiting distilleries, mostly in the middle of nowhere, we particularly appreciate these festivals’ chilled out atmosphere: busy but manageable. As a matter of fact, it’s the third year in a row we attended and volunteered at the FWF (it’s becoming a friends’ reunion!), and we’ve always had great time. The small but not-too-small size, the selection of exhibitors that tends to attract whisky nerds more than people who just want to drink, and overall the great organisation by the two festival directors Justine and Karen make this event special to us.

Not a bad place to enjoy a drink before dinner.

As usual, the festival started on the Friday evening with the opening dinner at Lindores Abbey distillery, over 70 people seated around a huge table in the cloister, after a welcome highball or dram (MCDXCIV single malt, 46%abv) at the distillery bar. The dinner was a 3-course meal paired with four drams. We started with a Lindores Abbey, a nice single cask expression, from a Ruby port seasoned cask, paired with melted camembert cheese. Afterwards, a Lochlea Our Barley (their core range expression, ok but a bit boring in our opinion) and a tasty beef main with roasted vegetables. This year, the guest speaker was Nicholas Morgan, who talked about his career and his connection with Fife (mostly due to working for Diageo at Cameronbridge distillery). Having read a couple of his books, it was quite interesting. The meal continued with a very good Spey single malt (probably our favourite of the dinner drams), a Spirit of Speyside bottling from 2022 and creme brulee. Finally, another Lindores, an interesting cask sample from a French wine cask that we couldn’t quite understand (the room is big and, at that point, people were chatty). During the evening a couple of drams made their way to our glass, first the new Blended Malt by Woodrow’s of Edinburgh, a small but great independent bottler based in Leith: a perfect session dram. The other one was a very yummy Clynelish Rare Malts from 1974, bottled at cask strength at 23 years of age: as these bottlings are disappearing, probably one of the few times we’ll be able to try one.

Probably those drams were one or two too many, as the morning after we woke up with a slight headache. We quickly dressed up and headed towards the Cupar Tearoom, where we had a delicious breakfast, including a 3-pancake stack with bacon. That bacon-heavy breakfast was enough to made us feel better, so by the time we got to the Corn Exchange we were perfectly fine again and ready for the festival. As usual, we helped exhibitors unload their cars and vans, showing them where their stand would be, and performend various small tasks required before the festival started. We also met up with this year official photographer, Dougie from Dramface: check out his IG page – unlike ours, his whisky shots are great!

Getting ready…

For both sessions, our main task was to check tickets and put wristbands on. When the first wave of people was in, we moved on to serve coffee and tea to the exhibitors, and helped them with anything else they needed (and also, enjoy a couple of drams). In the second session we were a bit more relaxed (and maybe slower because of the irresistible fudge donuts we’d had in the break), and for about an hour we got lost in the “Bermuda triangle” formed by Woodrow’s, Fragrant Drops (another small but great Leith-based independent bottler) and Daftmill. Gianluigi even talked a bit with Francis Cuthbert, Daftmill’s owner, about his cows…professional interests. As the second session ended, we helped tidy up the rooms. It was a long day, but it was a lot of fun too, in particular catching up with many people we hadn’t seen in a while: people are what really makes whisky special. The day ended with a nice (and very abundant) meal with the other volunteers at the Greenhouse, kindly offered by Karen and Justine as a “thank you”.

Nah, it wasn’t just hard work 🙂

We woke up well rested on Sunday. After packing up the van, we got a coffee at Justine’s B&B, before going back to the Corn Exchange to help set things up for the three masterclasses: Adelphi, Kingsbarn, and Woodrow. To our surprise, we and other volunteers were invited to join the first one, so nice of Karen and Justine! The presenter was Antonia Bruce from Adelphi/Ardnamurchan – a great tasting host who brought delicious drams. We started with the (now) classic Ardnamurchan AD (46.8%), and moved on to a single cask bottled for Lockett Bros wine shop in North Berwick (unpeated ex-Oloroso Spanish Oak hogshead, 58.6%). The following drams were from the Adelphi range, a 16y Breath of the Isles (“undisclosed” Orkney, vintage 2007, 57.4%), and two sherried drams, a 18y Bunnahabhain (58.2%) and a 12y Inchgower (57.4%). The tasting ended with an extra dram, a 40y Miltonduff (refill ex-bourbon hogshead, 50.4%) from their 30^th anniversary celebratory collection: stunning.

We didn’t know there was a place for us!

A great lineup.

Because Teresa was driving right after the tasting, and Gianluigi later in the day, we couldn’t drink (Gianluigi only sipped a couple of them), and for once we had run out of sample bottles (lesson learnt: sample bottles are never too many). Fortunately, our pal John came to the rescue and gave us some of his empties: thanks! We left soon after the tasting for a 30ish minute drive north-west to attend an event we were really looking forward to: the visit to Aberargie distillery!

Stay tuned to hear more about this, and until then, slainte!

Fife Whisky Festival

Link: https://www.fifewhiskyfestival.com/

#37 Farewell to 2023

A year full of whisky trips… and more!

TL; DR: It’s December, perfect time for some reflections on the year that’s about to end. Another year full of awesome whisky trips, not only in Scotland: 31 distillery visits, of which 27 seen for the first time!

We are quickly approaching the end of the year, so it’s the perfect time to reflect on the year that has been, of course whisky-wise. As we’re writing, we already travelled back to Italy to celebrate Christmas with our families. It’s around 15 degrees Celsius here, so the atmosphere doesn’t quite call for a dram by the fire, but we’ll try to make the best of it anyway, eheh.

Even more than in 2022, this year we felt like the pandemic was a gone memory (despite Covid is still among us, and it will be for long): travels resumed in full force, Edinburgh is busier than ever, and so it was travelling around Scotland. The big novelty in our life was the campervan, Mr Vantastic, which allowed us to travel a bit more on the wild side, without worrying about reserving accommodations (which in the meantime became quite expensive) or planning too much in advance.

Mr Vantastic, yay!

For our summer holidays we went on a big road trip down to Wales, to discover this beautiful country and its whisky scene. Except for a couple of producers, with Penderyn being the main one, the Welsh whisky industry is still in its infancy and mostly populated by craft distillers, but it’s nonetheless promising. While travelling to Wales, we also stopped by a couple of English distilleries – White Peaks stood out, definitely a hidden gem.

A hidden gem in Derbyshire, White Peaks.

Also, we couldn’t help but going to Speyside again, this time for the Spirit of Speyside festival, a different experience (not in a bad way) compared to our beloved Fife Whisky Festival and Whisky Fringe (which we attended this year too). We had great time, and visited a number of distilleries that are usually closed to the public.

A highlight of the Spirit of Speyside.

Mortlach, Linkwood and Dailuaine were fantastic, in spite of the entry price, and so it was Speyburn, but good news: the latter is now open to the public! Now every whisky enthusiast can visit and check out their old drum maltings: a piece of industrial history! We briefly stopped in Speyside again later in the year on our way to the Highlands, to visit a couple of new distilleries: Ballindalloch and Dunphail. The first one had just released their first single malt, while the latter had just filled their first batch of casks…History in the making!

Even Grogu is excited to visit Dunphail!

The Highlands were the destination of the Edinburgh Whisky Group annual trip. In Dornoch, Phil from Thompson Brothers gave us a quick tour of their craft distillery. Then, we visited other local distilleries, two for the first time (Glenmorangie and Balblair), and Clynelish for the second time (blog posts about all this coming soon). This was not the only one we visited for a second time this year. In early February we had a very wet trip to the West Highlands to revisit Ardnamurchan and Tobermory. Moreover, in August we did a Warehouse Tasting at Deanston with a couple of friends from Italy. Gianluigi even went on a solo trip to Campbeltown in December, to use a couple of remaining leave days from work and take advantage of his Cadenhead Club membership by getting a free warehouse tasting: a string of awesome drams, including a spectacular 9y old Staoisha (Bunnahabhain) finished in an ex-Amontillado sherry cask.

Two things we love in one picture.

We did a lot of things, but also missed a few opportunities: first, we wanted to go back to Islay, but we couldn’t make it, too busy with work. Then we missed the Dramathon due to a flood risk in Aberlour (this year we were supposed to run the 10k only), as well as the Roy Aqvavitae Blind Challenge, this time because of a terrible cold we’d caught.

Leaving whisky trips on a side, it seemed to us that the number of tastings happening around Edinburgh has grown exponentially. We had great fun with Justine from Kask Whisky, now doing her monthly tastings at the Lind and Lime gin distillery, conveniently near home. One of the highlights of this year was definitely the Glen Mhor tasting, on the 40^th anniversary of its closing, organised by Jason and Mark/Jolly Toper. Other great ones were the Woodrow’s of Edinburgh tasting at the Palmerston, organised by our pal Murray, and some tastings at Kilderkin and at Bacco Wine.

On the bad side, we noticed the sharp increase in bottle prices. It was interesting to follow a recent vPub from Roy, where he showed that for some products the growth was mostly in line with inflation. However, this was for core/standard releases. We still feel that, instead, some independent bottlers and some producers are “taking the piss”, for a lack of a better term, particularly in relation to single cask and limited releases. Among these, the Scotch Malt Whisky Society bottle prices increased substantially, which resulted in us buying almost zero bottles and going only a few times to the venues compared to previous years. We have to say, though, that food at Queen St is still awesome, and the renovated Vaults look great.

Cask experiment 1.0.

One of the few bottles we bought from the SMWS was for our cask experiment: we got a 1-litre American Oak cask (virgin), which we seasoned with Gutturnio red wine (a typical red wine from Piacenza’s province) for 3 months, and it is now holding a very tasty 12y Dufftown…In 2024 we will find out if it’s turning into pish or is actually drinkable.

After plenty of distillery visits and more than a handful of tastings this year, we’re already planning for next year trips with Mr Vantastic …Islay & Jura? More English distilleries? The Western Hebridies? Back to Speyside? We shall see, but nonetheless, we are already looking forward to it! Now is the time to rest and enjoy some time with our families, hoping that you are doing the same, wherever you are. Possibly, with a good dram in your hand.

Until next year, slainte, and have a great New Year!

#31.8 Spirit of Speyside 2023

The amber swan: Linkwood

TL;DR: Finally, the last day of the Spirit of Speyside came. After a relaxing morning, we visited another Diageo’s workhorse: Linkwood! Very beautiful distillery, tasty whisky, but the tour with the enthusiastic staff it’s what really gave value to this visit!

(missed Part 7 /Part 6/Part 5/Part 4/Part 3/Part 2/Part 1?)

The last morning of the long weekend was a slow one. We woke up in a rainy and gloomy Dufftown, waiting for one of the coffee shops in town to open. After some coffee and cake, we had some free time, so we finally managed to go to the Whisky & Heritage Centre. It is a little place managed by volunteers where whisky memorabilia are on display, plus old pictures and documents that can be checked out. We had a lovely chat with the lady taking care of it, finding out they have plans to increase the size of the centre, and we got a couple of second-hand whisky books for a small donation.

Black Bottle on tap.

We went to the Dufftown Whisky Shop, as they had scheduled a Benriach pop-up tasting. We tried a couple of their new range (which we are not too familiar with, since we visited the distillery before the core range revamp) and had a chat about it and other Brown-Foreman products with the brand ambassador. He told us that some news was in sight about Glenglassaugh, so we hoped for a reopening of the visitor centre. A few weeks later they revamped the line-up (with a 12y bottled at 45% and two NAS at higher abv), but as we are writing their website has disappeared, so…still hoping!

Left the shop, and Dufftown, we drove to Aberlour to…another shop, this time the Speyside Whisky Shop, for another chat with Matteo and a dram (at the time some saught-after bottles were open so people could purchase by the dram). This was followed by a quick lunch at the usual Gather’n Cafè nearby (we should have taken a punch card long ago!). It was soon time to leave though, direction Elgin, for the next and last distillery visit of the holiday: Linkwood! The road wasn’t very trafficked and the drive was smooth, so we arrived there a few minutes early.

Once again, we were not ready for the picture.

There, we met our friend John from the Edinburgh Whisky Group, and we were welcomed by Paul, the distillery manager. The welcome cocktail was the usual Old-Fashioned, of course made with their own flagship whisky. Hovwere, it feels odd talking about a flagship, since Linkwood 12, part of the Flora and Fauna range, is the only bottling from this distillery (similar to many other Diageo’s distilleries).

The original Linkwood distillery was founded in 1821 by the Brown family, and started production a few years later. It was sold in the 1930s to Scottish Malt Distillers, which in turn were acquired by United Distillers (a precursor of Diageo). In 1970-71 a new distillery was built, and in spite of that, the old one continued production until the site was mothballed. The old distillery was demolished only in 2012, with all the equipment moved to the new one, which was expanded.

The old buildings.

Our knowledge of Linkwood dates back a few years, to our first (and only) bottle of Johnnie Walker Green Label 15y, as this is one of the malts featuring in this blended malt, together with Caol Ila, Talisker and the fellow Speysider Cragganmore. Since then, we tried a few different Linkwood expressions thanks to independent bottlers, mostly the Scotch Malt Whisky Society. Recently, we had a great one, finished in Tokaj wine cask, from the new independent bottler Fragrant Drops: a sweet dram with a hint of grassiness, which is the main character the distillery aims to get.

The tour was conducted by Barry and Eilidh, both distillery operators. Near the entrance of the production building, they showed us a small cask that was used back in the day by distillery workers to get their daily dram (or drams, in the past we’ve been told by some guide that usually they were 3 a day). As many other distilleries, they have a Porteus Mill, painted in dark red, but unlike many the proportion of husk/grit/flour is 10/80/10, and they use Lauriet barley. Here the tour became very interesting: they only do two waters during mashing (they call it “continuous sparging”), and we were shown a cylinder they use to check the wort cloudiness. This is one of the nerdy things we discovered fairly recently, depending on the desired newmake character, when mashing the wort could be more or less filtered. The less filtered mashes (thus, cloudy) give a nuttier character to the newmake. On the contrary, a clearer wort results in more fruity and grassy notes, like Linkwood indeed.

The fermentation in their 5 wooden washbacks from the 70s (and also other 6 installed in 2013) lasts 75 hours. Finally, we went to the still room, where three pairs of very large stills (with straight-ish lyne arms) operate independently. The shell-and-tube condensers are equipped with “turbulators”, to slow down the water. After the still room, we had a stroll outside around the famous lake, where we saw the swans that inspired the famous label. The water is mainly there as a reserve, used in case of emergency. From there, we could check out the old malting floor (and the pagoda roof), now a warehouse. Unfortunately, no tour inside there.

Overview of the still room…

…and an interesting detail.

Back to the office, Paul and Scott, another distillery operator, were ready to host the 3-dram tasting: Linkwood 12 (43%abv, one of the best drams from the Flora and Fauna range, in our opinion), Johnnie Walker Green Label 15 (43%), nice to revisit it after some time, and finally a Linkwood cask-sample (similarly to the one at Dailuaine, not on sale and only served at Cardhu distillery in one of their fancy tours). Really a great dram, for sure in our top 5 of the festival. A shame these cask sample bottles were not available for purchase, although knowing Diageo’s pricing policies they would have probably been out of reach.

The tasting.

On the tour there was a group not very happy about that, so they started rudely complaining with the staff about the missing opportunity to buy the cask-sample bottles, showing their cluelessness on how a big multinational company like Diageo works (not that we know much better, but enough to understand that some decisions are not down to the distillery staff). Oh well.

Happy for the great festival experience!

Anyway, one of the things we liked the most of this first time at the Spirit of Speyside was to get to know and talk to people working in distilleries, in particular the ones not usually open to public: the staff friendliness, but more importantly their eagerness to show us around and make us understand their work were amazing. Seeing how passionate they are was really refreshing, in spite of all the cynicism of their mother companies, and in the whisky world in general nowadays. Of course, we don’t want to play down any of the people we met in distilleries usually open to public, however in our many trips sometimes we experienced too edulcorated, almost scripted tours, and a couple of times we were even treated with complacency. And this is fine (well, except for the last…), it would be silly to expect that every tour is mind-blowing, and that every tour guide is a whisky nerd: at the end of the day, it’s a job as any other. But we cannot help but noticing a certain difference when the tour is done by an operator, like in many cases during this trip. And just for it, we were grateful.

Until next time, slainte!

The Linkwood Distillery Tour

Price: £80.00 pp (May 2023)

Duration: 2hr

Tasting: welcome cocktail and 3 drams – Linkwood 10 (43%), Johnnie Walker 15 Green Label (43%), Linkwood cask sample from ex-bourbon (53.4%)

Target: whisky enthusiasts

Value for money: not great

Highlights: the enthusiastic distillery staff

Recommended: not at this price

Link: https://www.spiritofspeyside.com/

#31.7 Spirit of Speyside 2023

Speyburn uncovered!

TL;DR: Another visit to a (then…) closed-to-public distillery: Speyburn. In 125 years it was open for the first time during the 2023 Spirit of Speyside. A great visit, their own old drum maltings were a highlight, a jump back in time!

(missed Part 6/Part 5/Part 4/Part 3/Part 2/Part 1?)

From Dufftown to Rothes it’s barely a 15-minute drive, so we could take it easy and stop for a coffee and a soup, to warm up in the cold and rainy day. We then soon arrived at the Speyburn parking lot: in spite of being hidden from the main road, we knew exactly where to go, as during one of the many trips to Speyside we drove on the road just in front, from where the distillery could be admired in all its beauty.

Speyburn is not among the most well-known single malts, although it can now count on the presence on some supermarket shelves (the Bradan Orach and the 10y). They are owned by Inver House (which is in turn owned by Thai Bev, guess where they’re from…) together with other four single malt distilleries, two in the Northern Highlands (Pultney and Balblair), another in Speyside (Balmenach) and Knockdhu (producing the AnCnoc whisky) in the Eastern Highlands. We previously only had one bottle of Speyburn, from the Scotch Malt Whisky Society: a 9y old from a refill bourbon. We got it by chance when buying a pack of three bottles during the pandemic, with the Speyburn being the one we were less excited about: it ended up being the best of the trio! Spicy at first, with time in an opened bottle the oxidation played its part, and the whisky mellowed down and became a fruity deliciousness. At this point, it goes without saying we were very curious to know more about Speyburn!

Beautiful despite the clouds.

As we parked, we were warmly welcomed by the distillery manager Euan and the global ambassador Stuart (who we knew from some Aqvavitae’s vPubs), who walked us to the visitor centre to check in. Compared to the other “usually closed to public” distilleries, they seemed to be way more prepared: there was a proper shop (not just a pop-up like at Dailuaine and Mortlach), with bottles and merchandising displayed on the shelves, and also a brand-new bar with big tables, where the tasting would have taken place after the visit inside the production. We’ll come back on this point.

The tour started with some history in the courtyard: the distillery was founded in 1897, and the architect was the famous Charles Doig, who brought the pagoda roofs into the game. This became one of the iconic features of Scotch whisky distilleries, to the extent that distillers in other countries started copying it. It is also on the road signs in Speyside and elsewhere: if you see a white pagoda on a brown background, there must be a distillery close by! The original function was the kiln’s ventilator, as at the time most distilleries were malting their own barley, Speyburn included. A crucial difference, however, early on they installed one of the few on-site drum maltings. They haven’t been used in almost 60 years (after a sudden stop in 1967 following the stop of the near railway the year before), but they are still preserved for nerdy visitors to admire. And in fact, the first part of the tour was dedicated to this unique feature of the distillery.

Time travelling part 1: the malting floor.

Time travelling part 2: the steeping tanks.

Time travelling part 3: the drum maltings.

Euan and Stuart explained us that the place has been made accessible only recently, as testified by the new woodwork to allow people inside: it was like taking a walk in the past. The malting was working on different floors, the top one was where the barley was laid out, steeping tanks at the middle one, while the drums (think of huge tumble driers…kind of) on the ground floor. One thing we found interesting was the completely different story compared to the usual one: smaller on-site drum maltings, and similarly Saladin boxes, were intermediate stages between the two extremes that are usually talked about during distillery visits (and on blogs, etc.), the (highly romanticised) labour intensive and not so efficient malting floor, and the modern highly efficient industrial-scale maltings. So fascinating to see what was in between!

We jumped back to the present, moving to the mill room, and from there through the usual layout of the modern plant: the closed stainless-steel mashtun, and the wooden washbacks, where we could sip a bit of their semi-cloudy 72hr-fermented wash (always an experience). One interesting feature is the combination of both shell-and-tube, of which one is horizontal, and two wormtubs condensers (132m in total). The former condenses liquid from the wash still, while the latter two from the spirit-stills, from which they take a cut between 72 and 64% abv. With only 3 stills they manage to produce about four millions of litres of alcohol per year: they get this incredible volume by working 24/7. There is a catwalk on the wormtubs, which are located outside, where we spent a couple of minutes….we wonder if in Speyside the weather gets warm enough to tempt some people to jump in them.

The still and us, the classic picture.

We soon checked out the warehouse, where a surprise was waiting for us: nope, unfortunately we didn’t sample some casks (we were hopeful, considering the hefty 80 quid tickets), but it was almost as good: we had a sample of their 125^th Anniversary release, a single cask bottling from a 2^nd fill ex-bourbon barrel vintage 2007, similar in style to the one we had but much more balanced, tropical and creamy. A truly delicious dram, probably the best one we tried during the festival.

The warehouse.

The last part of the experience was the tasting of their core range, back at the bar. We had four generous drams of their non-age statement (NAS, but they told us it should be about 7-8y) expression Bradan Orach (40%abv, refill ex-bourbon), the 10y (again kind of introductory, 40%, 90% ex-bourbon and 10% ex-sherry casks, mostly second fill), but finally the two gems: the 15y (ex-bourbon before a 2-3y finish in ex-sherry Miguel Martinez casks) and the 18y (14y in ex-bourbon casks, then 4y in second fill oloroso casks), both 46%, natural colour and not chill-filtered. They were both super tasty: Gianluigi preferred the former, Teresa (as most people on the tour) the latter.

You can’t really tell from this picture how nice the bar is…

At this point you’ll be wondering: wait a minute, if they are only open occasionally, how come they have a bar for tastings and a nice shop? Well, as a matter of fact, before the festival we’ve been told by a birdie that Speyburn might have been preparing to open to visitors permanently. At the Spirit of Speyside 2023 they won the award as “best new experience” and this might have given the company the nudge to open permanently (although, more realistically it was already planned and not depending on the award…). Bottom line is that, good news: starting August 2023 (coincidentally the time of writing), you can visit them and go check their very fascinating old drum maltings for the very reasonable price of £20 (see the link below).

So, overall, it was a great visit (one we’d do again), and as we said earlier, a true deep-dive into the history of whisky production in Speyside. A bit pricey maybe, but at least the tasting was generous (5 healthy drams and a taste of the newmake), unlike some other we visited for the same price.

Guess who was the designated driver…

For the evening we drove first to Aberlour for a chit-chat with Matteo at the Speyside Whisky Shop (from which he just moved on as we are writing), and then to Dufftown where we spent the night. We parked near the Mortlach Hall, which was super quiet. We had dinner at the Commercial Hotel, which has moved the restaurant to the former function hall, together with some tasty Three Ships South-African malts (produced at the James Sedgwick Distillery), very rare to find in Scotland. Not that we were bored of Speyside malts, but it was good to try something different! Slainte!

The Speybirn Distillery Tour (Spirit of Speyside)

Price: £80.00 pp (April 2023, but now – August 2023 – they’re open to the public and it’s £20.00)

Duration: 2hr

Tasting: 5 drams, Speyburn 125^th Anniversary (vintage 2007, 15y, refill ex-bourbon barrel, 62.6%, NC, NCF), Bradan Orach (40%), 10y (40%), 15y (46%, NC, NCF) and 18y (46%, NC, NCF)

Target: whisky enthusiasts

Value for money: not great

Highlights: the old drum malting equipment

Recommended: better than others, but still hard to justify at this price

Links: https://www.speyburn.com/, https://www.spiritofspeyside.com/

#31.6 Spirit of Speyside 2023

The beast of Dufftown: Mortlach

TL;DR: our fourth day at the festival started with a classic, a distillery particularly known for their complex distillation process: Mortlach. The visit was very interesting indeed, and the distillery manager Kirstie didn’t shy away from nerdy details.

(missed Part 5/Part 4/Part 3/Part 2/Part 1?)

On Sunday morning the sky was still overcast, it would start raining later in the day eventually. Oh well. After breakfast we wrapped up all our stuff: it was the last night in the camping, the following and last night of the holiday we would wild camp again, although we hadn’t figured out where yet. We left the camping driving towards Dufftown, in a backroad that goes past the back of the Speyside Cooperage, from which you can admire their casks pyramids. Being Sunday morning, Dufftown was very quiet, and not all cafes were open yet. We managed to park on the main road, in front of the local CoOp, and tried hunting for a coffee. After finding one, we walked our way towards our first appointment of the day: Mortlach distillery, the so-called beast of Dufftown.

Where are we?

It is a very old one, founded in 1823 after the Excise Act, and it was the only one in town until their manager at the time, William Grant, left to found Glenfiddich. In 1897 the distillery was expanded, and thanks to the work of the famous architect Charles Doig, the pagoda roofs were added. It was acquired by John Walker & Sons in 1923, but the company soon merged with Distillers Company Limited in 1925 (then United Distillers in 1987, Diageo from 1997). Before 2014, the only official bottling of Mortlach was the 16y “Flora and Fauna”, now discontinued and dearly celebrated (like most things of the past, the abuse of “’member-berries” is widespread in whisky-land…if you don’t know the reference, check South Park season 20).

The beast of Dufftown under a gloomy sky.

A core range was introduced in 2014 (with some controversial 50cl bottles) and revamped in 2018, while the current age-stated range includes a 12y (Wee Witchie), a 16y (Distiller’s Dram), a 20y (Cowie’s Blue Seal) and a 14y travel retail (Alexander’s Way), plus the occasional Special Releases. The newmake spirit is mainly filled in ex-sherry casks, although you can find some independently bottled ex-bourbon matured expressions (we have an 11y from Signatory Vintage, a marriage of 2 ex-bourbon hogsheads, which is quite tasty). Mortlach whisky is quite famous to be meaty, and thus considered a malt for seasoned drinkers. Fun fact, the 16y (very decent in our opinion) worked quite well every time we’ve given it to friends (both beginners and casual whisky drinkers).

At the distillery we were given a welcome cocktail, a Mortlach-based Old Fashioned (this time with regular angostura, not the orange one like at Dailuaine), and the distillery manager, Kirstie, introduced herself. She’s a graduate form the Brewing and Distilling Master at Herriot-Watt University, and of course extremely knowledgeable: her explanations definitely gave value to quite a pricey experience. We also bumped into a couple of barflies at the tour, Angus and Graham, met back in November at the Aqvavitae’s Blind Challenge in Glasgow.

The shiny mashtun…

After the introduction, we started the proper tour: we moved outside in the courtyard, and then near the milling room, which hosts an old red Porteus mill. A notable difference was that they take a smaller cut of flour in their grist (8%) compared to other distilleries (usually 10%). In our understanding, one of the reasons is that their water to grist ratio is higher, 3.8 instead of 3.6. The mashtun looks very new, made of stainless steel and closed, with the usual window to check its inside. They only have two water runs instead of three, with the second being warmed up to get the sugars that are usually obtained in the third run (lasting 6.57 hours in total).

…and the beautiful wooden washbacks.

The walls of the fermentation room, where six Douglas Fir washbacks are located (wooden because of a combination of aesthetics and convenience, since they can be disassembled unlike stainless-steel ones, all replaced in 2016), are decorated with some nerdy facts about whisky making, like the formula to calculate the % abv of the wash using the gravity readings, and the graph showing the trends of different types of sugars digestion during fermentation. Their fermentation time is usually between 55 and 59 hours, never less than 50, and they work with yeast that can survive higher temperatures, around 35C.

Knowledge pill on the wall # 1.

We then moved to the still room with its 6 stills (3 wash- and 3 spirit-), very unusually of different shape and size. The distillation is very complex: wash-still #3 and spirit-still #3 are paired, and they work like in a regular distillery. The other wash-stills (#1 and #2) work together, but their distillation is (unusually) divided into two cuts, the first goes into spirit-still #2, while the second (heavier) gets re-distilled three times (with the other distillations feints) in the other spirit still, the Wee Witchie, and the cut is only taken every third distillation. If you are confused, no worries, we are too, but the idea is to provide different characters to the newmake spirit. Someone in the past made the calculation, and it turned out the spirit is distilled 2.81 times – it would be nice to see those equations (nerd alert! Nerd alert!).

Theory…

…and practice! (The Wee Witchie is the closest to us.)

As we moved outside, we could admire one of the other characteristics that made Mortlach popular: the 6 worm tub condensers, one for each still. It is believed this is what provides meatiness to the spirit. They are made of wood, except one which is made of metal because the wooden one started leaking – they told us it might be replaced at some point with a new wooden one. They take the cooling water for the wormtubs from the river Dullan, one of their 6 sources of water for all the process: remember that they produce between 3.5 and 4 million litres of alcohol per year! Finally, we ventured in the warehouse, where casks from many distilleries were resting, including many non-Diageo ones, surprisingly. Kirstie explained us the processes happening in maturation: additive (compounds from the wood affect the liquid), subtractive (compounds from the liquid are removed by the wood contact) and oxidative (the contact with air changes the liquid, as you will know if you ever had a bottle open for more than 4-6 months).

The famous worm tub condensers.

Back outside, Kirstie showed us where some buildings used to be, as well as their still existing but currently unused malting floor, on the other side of the road (at the moment part of it is used as deposit for the Dufftown Whisky & Heritage Centre). We went back to the meeting room to enjoy the (stingy, considering 80 quid) 3-dram tasting. These were the flagship Mortlach 16y (43.4%), Mortlach 15y Game of Thrones Six Kingdoms (finished in ex-bourbon casks and bottled at 46%) and a non-age statement (NAS) from the 2022 Special Release. We’re quite familiar with the 16y (we used to have it, and gifted some), and we had tried the 15y GoT once (nice to revisit), so we were very curious about the third, mostly because the RRP was insane for a NAS, well above £200. This expression was finished in Tawny Port, Red Muscato wine, Virgin Oak casks and bottled at cask strength (57.8%). Turned out, it was nice but not mind-blowing by any means, as you’d expect considering the fanfare.

The tasting at the end.

Overall, this was a great visit, and Kirstie contributed to make it as nerdy as expected, for such a peculiar distillery like Mortlach. The price is a bit steep, £80 for a tour and 3 drams (+ cocktail), so it’s hard to recommend it. However, if you’re at the right moment of your whisky journey, it is definitely one to visit, despite the price. For us, it was worth it, and we look forward to more deep dives like this.

The Mortlach Distillery Tour (Spirit of Speyside)

Price: £80.00 pp (April 2023)

Duration: 2hr

Tasting: 3 drams and a welcome cocktail, Mortlach 16 (43.4%), Mortlach 15 the Six Kingdoms (46%), Mortlach Special Release 2022 (NAS, 57.8%)

Target: a bit more seasoned whisky geeks and nerds

Value for money: not great

Highlights: the detailed tour and explanation of such a complicated distillation process

Recommended: only if you’re quite ahead in your whisky journey (see last paragraph above)

Link: https://www.malts.com/en-gb/brands/mortlach, https://www.spiritofspeyside.com/

#31.5 Spirit of Speyside 2023

To Forres and back to Rothes: Benromach & Forsyths

TL;DR: A nice day, started with an early visit at the Benromach distillery, which produces one of our favourite malts. Then, quickly back to the heart of Speyside, Rothes, for a visit at the Forsyths copperworks, to check out how they create the stills where the magic happens!

(missed Part 4/Part 3/Part 2/Part 1?)

Say what you want, but compared to wild camping, we always wake up more rested in a camping. This time was no different, and although the sky was still overcast, it wasn’t raining. We fixed ourselves breakfast, fruit and eggs with bacon. We mostly cook breakfast when we sleep in a camping (much easier to do the dishes afterwards). No coffee though: we had run out, ouch! Anyway, we left as soon as we could, direction Forres. This is a nice town between Inverness and Elgin, the red chimney of the Benromach distillery can be seen from the motorway crossing the town. The drive was easy, not much traffic around. Because we were early, we were determined to get a much needed coffee. Unfortunately, we drove to the distillery not finding any, so we had to go back until the centre, and by the time we were back we were barely on time for the tour.

You could say we needed more coffee.

We checked in with our guide, Gale, before starting the tour: she is an ex-police officer, at her first experiences as a tour guide. The distillery is much smaller than we thought: it was funded in 1898, and after a few phases (it was owned by DCL for a while, as testified by their “Flora and Fauna” release), it was bought by Gordon & MacPhail (G&M) in 1993. They restarted production in 1997, and since then they never stopped. We couldn’t take pictures in the production area, but if you’re curious you can find a virtual tour on their website here. The tour was very basic (it was free!) and Gale was in training, which is fair enough. It was very informative, nonetheless. Similar to many family owned distilleries, they work from Monday to Friday, doing 18 runs.

A cute distillery…

They don’t have a Porteus mill, but a smaller brewery mill. Another peculiarity is their four Scottish larch washbacks (inside the building), while the other nine stainless-steal ones are outside, and their fermentation time is between 70 and 120 hours. Surprisingly, they only have a pair of stills which are directly fired with gas, and their distillation heart goes into a wooden spirit receiver. Warehouses are behind the production building. These warehouses also store casks from the G&M independent bottler side, and from the Cairn. The latter is a newly built distillery (which we visited during our Speycation) by the same company, and because it sits inside a national park, there can’t be warehouses on site.

…with a sizeable warehouse.

Back at the visitor centre, Gale gave us two drams each, the Benromach 10y and 15y: both quite nice, in spite of the 43% abv. Unfortunately, we couldn’t check out other expressions, as they are not allowed to sell other whiskies by the dram. We purchased one of their cask strength releases, only to find it 10 quid cheaper in another whisky shop later (well, the tour was free, so karma evened things out). Overall, it was a nice visit, but we would like to go back for one of their experiences geared towards whisky connoisseurs, as we know their stuff can be sublime!

The wee tasting at the end.

Back in the van, we headed towards Rothes (again having a sandwich while driving), directly to the Forsyths parking lot. This was the first time we visited a copperworks. And not a random one, one of the most popular, creating the stills for many of our beloved distilleries, in Scotland and beyond. They are so popular that they own The Station Hotel and Restaurant on site (and dram bar of course), where we had a well-deserved delicious dinner after our 2021 Dramathon. Also, not being a distillery (nor a cooperage), we didn’t quite know what to expect.

The visit didn’t start with a tour, but with a tasting, at least for half of the many attendants (around 50-60-ish?). We were presented with 8 small drams (10 or 15 ml we believe), for a blind tasting. We had to judge them without knowing anything but the age bracket: two 12y and under, two 13-20y, two 21y and over (although there were mistakes in the tasting mats, as these two categories were marked as 13-17y and 18y and over), and two non-age statement (NAS). For each pair we had to decide the best of the two, and the best overall. A very nice “taste” on how hard is to judge a whisky. They didn’t tell us what they were right away, but they published the results here a few weeks later. Of course, one of the oldest drams was the overall favourite: 25y Glenlivet Single Cask.

The hard job of judging whiskies.

Once done with the tasting, we moved outside where we were divided in two groups and started a guided tour of the site. They showed us the machine used to cut copper sheets, and the machine to roll them into the required cylinders or cones. Also, a machine that automatically welds pieces together, with the flame from both sides (doing a job in a few hours that would take a person more than a day). Notably, part of the warehouses used to belong to Caperdonich distillery (built to be Glen Grant #2), closed in 2002 and demolished almost a decade later to make space for other warehouses.

Gianluigi meets a condenser (we think)…

It was a very interesting experience overall, only flaw was that it was a bit of a random tour walking around the courtyard and pointing to machines and equipment as we saw them, not exactly following the order with which stills and condensers are made during production. But oh well, we would do it again, definitely. Definitely on the nerdy side as an experience, but it was still quite fascinating to see so many finished and unfinished stills and condensers in one place.

…and almost complete ones.

After the tour, we jumped back on the van, and drove first to Aberlour, where we stopped at the Speyside Whisky Shop. We found out that the owner, Matteo, is Italian, so we had a good chat with him, about whisky of course.

That’s Scotland in spring for you.

We later had a half-pint at the Aberlour Hotel pub (one of our favourite stops in the area), not before stopping to the local CoOp to buy coffee. Back to the camping, we cooked dinner, and in spite of the cloudy and cold weather, enjoyed one last pint outside at the end of a fine whisky day.

The Benromach Distillery Tour (Spirit of Speyside)

Price: free (April 2023, Spirit of Speyside 2023, the regular tour is £10.00)

Duration: 1hr

Tasting: 2 drams, Benromach 10y and 15y (both 43%)

Target: whisky curious and tourists

Value for money: great of course, it would be very good even at £10/15

Highlights: the manual settings

Recommended: yes!

Link: https://www.benromach.com/, https://www.spiritofspeyside.com/

#31.4 Spirit of Speyside 2023

Not “A”, but “The” Speyside distillery

TL;DR: left Tamdhu, we drove along a very beautiful road, all the way to Kingussie. Here, we visited the Speyside distillery, home of the Spey single malt. A very nice visit in a spectacular distillery, one of the most charming sites visited so far.

(missed Part 3/Part 2/Part 1?)

After the visit at Tamdhu, we sprinted to Mr Vantastic and left right away. Because the booking tickets process on the Spirit of Speyside website was so convoluted, we had to make some adjustments to our trip. One was visiting the Speyside Distillery, near Kingussie, after Tamdhu. Between the end of the first tour and the beginning of the second there were two hours, with about 1h10m drive. We prepared sandwiches ahead, so we could have a snack while driving and arrive there with something in our stomach.

The drive was not so bad actually, we drove along the road just north of the river Spey, instead of the usual A95, a first for us. The landscape along the road was beautiful, very rural with smooth hills…However, we couldn’t be too distracted, as we had to pay attention to the road in order not to kill the few pheasants we met. Past Grantown-on-Spey, we re-joined the main road to Aviemore. We decided to stay on minor roads, so we avoided the A9. This led us into Kincraig, where we stopped at the Old Post Office Cafè, a truly lovely spot, we were just sorry to have little time to spend in it. After a wee coffee, we were back on the van to finally get to the Speyside Distillery.

Such a beautiful spot!

We were not very familiar with their whisky, the main range being marketed as Spey, we had only one or two before. However, they were on our radar for a while, the only problem being that they normally do a few tours every week, usually mid-week (Wednesday or Thursday). Thus, the Spirit of Speyside Festival was the perfect occasion to get to this distillery. As we parked, we realised how beautiful the spot was: all stone buildings, it didn’t even look like a booze factory (which ultimately, every distillery is), rather a mountain cottage. Very romantically, the river Tromie runs along the site. We checked in the distillery office, where Susan was waiting for all the guests to kick-start the tour. As soon as everyone arrived, she started telling us about their distillery and their business, and gave us a wee taste of the newmake.

Even the office is cute.

The Speyside Distillery took 25 years to be completed, as it was the “summer project” of Alex Fairlie. He purchased the building in 1965, which was a 1760 barley mill, and renovated it by hand. Production started in 1990, a time when scotch whisky was not so popular (and in fact, only them and Arran, 1995, started in that period). The name was chosen because there once was another “Speyside Distillery” in the same village, built in 1895 and demolished in 1912. The distillery changed hands twice, in 2000 and 2012, being acquired by the Harvey’s of Edinburgh, which soon revamped the range and started selling the malt as Spey, an old brand dating back to the 1815. Before they purchased the Speyside distillery, the whisky (including the Chairman Choice) would come from a number of other Speyside distilleries.

The whole production in one shot.

We then toured the distillery, of course starting in the mill room, located in the same building as the office where we started. They mainly use Lauret barley. We moved to the main building where, mashing (or sparging), fermenting and distilling happen. They have six stainless-steal washbacks, for an up to 120-hour long fermentation, with living fresh yeast. The stills are only two, one wash and one spirit still, heated by steam produced by oil. The cut they take is from 72% to 65% as the heart. Warehouses are located near Glasgow, but plans are to relocate them in Speyside. This does apply to the distillery itself: because it is located in the Cairngorms National Park, they cannot expand it. So, to increase production (nowadays 850,000 mlpa) as they intend to, they have to move and the distillery is going to be closed. In case it is purchased by someone else, they’ll need to change the name, as Speyside will go with them.

After production, Susan led us into a memorabilia room, where lots of pictures and empty bottles and stuff about the Harvey’s family are showcased, like a family museum. The next part was the tasting, where Teresa got her driver’s pack while Gianluigi tried a few drams. The first one was their Trutina, one of the main expressions, matured in ex-bourbon barrels for 6-7 years (non-age statement, NAS) and bottled very pale (rightfully so!) at 46%. It was followed by the Tenne, finished for 6-9 months in ex-Tawny Port casks. The next was a weird one, called Beinn Dubh (“black mountain” in Gaelic) is kind of an experiment: matured in ex-bourbon casks, then finished for a year in double-charred casks then conditioned with Ruby Port, definitely a strange combination (just a shame they add caramel colouring to make it darker) but interesting nonetheless. Finally, we could choose between one of their three peated releases: Fumare (NAS 46%), Fumare cask strength (60.4%) and Fumare 10y (46%). Gianluigi chose the cask strength, which was delicious. Except for the Beinn Dubh, generally their whiskies are bottled at natural colour and are not chill filtered.

The tasting room.

As the tasting finished, we drove off back to the heart of Speyside, at the camping near Aberlour where we spent the night. We were happy to have finally visited the Speyside distillery: usually overlooked by many, it actually deserves more credit for the variety of expressions they are bringing to the table. And on top of that, the distillery is in a quite unique scenery, glad we visited it before they move elsewhere.

The Speyside Distillery Tour (Spirit of Speyside)

Price: £35.00 pp (April 2023)

Duration: 1hr 30min

Tasting: 4 drams, the Spey Trutina (NAS, 46%), Tenne (NAS 46%), BeinnDubh (NAS, 43%) and Fumare Cask Strength (NAS, 60%)

Target: whisky curious and tourists

Value for money: good

Highlights: the dreamy distillery location

Recommended: yes

Link: https://speysidedistillery.co.uk/, https://www.spiritofspeyside.com/