#57 Fife Whisky Festival and Independent Spirits Festival

A tale of two festivals

 

TL;DR: March has become the month of festivals for us. First, the Fife Whisky Festival, marking our fourth time as volunteers. A couple of weeks later, the first edition of the Independent Spirits Festival. Both of similar size, and both geared towards whisky geeks – two great opportunities to chat with whisky connoisseurs and enthusiasts and have some tasty drams.ย 

As we got deeper into 2025, the festivals’ season started. Last year it had kicked off very early, in January, thanks to Funky Booze, a very fun and lively festival in Edinburgh that this year was on a hiatus. Nonetheless, this year we didnโ€™t have to wait much longer, as on the 1st of March, taking advantage of a pause in the Six Nations, we were headed to Cupar for the Fife Whisky Festival. This was the fourth time we attended as volunteers, but for the first time we skipped the opening dinner on the Friday, at Lindores Abbey distillery. Feedback from our pals was very good though, and it made us almost regret not going: among the drams that were served, there was a Gianluigi’s favourite, Laphroaig, and a 25y cask sample, wow!

Anyway, we arrived in Cupar on Saturday morning, after picking up our pal Francesco, a Leither like us. After checking in with the festival’s directors, Justine and Karen, we helped the exhibitors set up their stands in the upper and lower halls, and then went out to check tickets and distribute wristbands in advance, so that the attendees wouldnโ€™t lose precious dramming time. Both sessions went well, we met a lot of friendly faces (as in previous years) and had the chance to sip some very tasty drams. This year, against all odds, we managed to use our sampling bottles and take them home for quiet sipping. We did the same with the leftover bottles (kindly donated by the exhibitors) – by taking just samples, we could try way more drams at home, much better than having a half bottle of something, which we really donโ€™t need.

Different to the previous year, the following day there was no distillery trip, but a choice between two warehouse tastings by Fife-based independent bottlers: Lady of the Glen, in Dalgety Bay, and The Single Cask, in Glenrothes. Folks could go to both events if they wanted, as Justine and karen organised a bus to transport people between the two locations. We only did the Lady of the Glen tasting though, with no regrets – we had great time and tried some excellent drams with Paul and Gregor. It was a pity we couldn’t visit a distillery this year (after all, that’s our hobby!), but we love warehouse experiences too.

A couple of weeks later it was time for another festival, a brand new one: the Independent Spirits Festival! It was organised by David Stirk, and conveniently for us, it was held at the Leith Theatre, at crawling distance from our flat. Having been heavily advertised on Roy Aqvavitae Youtube channel, there were many barflies (the channel followers and supporters) from all over Europe and beyond (we think we heard someone coming from New Zealand, impressive!).

The event was split into two: first, at noon, there was the screening of Independent Spirits. This is a 4-part documentary series about independent whisky bottlers and their role in the industry. It is directed by Greg Swartz and Guy Satchwell, and produced by the same crew behind the great Water of Life documentary. The series is made of short bits of interviews, that together tell the story of how independent bottlers came to be, whatโ€™s their role in the whisky industry, currently and in the future. During the screening, we could enjoy a couple of drams, a sherried Tormore, offered by the Elixir Distillers folks, and a peated dram from Glasgow Distillery, matured in an oloroso cask. Both very delicious.

Once the screening and Q&A session ended, we had about one hour to grab some food. We picked one of our favourite spots in the neighbourhood: Peterโ€™s Food Hub, a multi-cuisine take out. The festival session started at 4pm, although people who had attended the screening could get in a whole 15 minutes before others (but no drams served). Now, as the name suggests, of course the festival was focused on independent bottlers, and there were many, many, many of them. Basically, most of the ones you can think of (with one exception, one of the oldest, owning a distillery near Pitlochryโ€ฆiykyk). For whisky nerds like us, it was like being a kid in a candy shop – the range of drams was impressive, from a young blended scotch called Peatsmoke on Gorgie, by the Campbeltown-based Watt Whisky, to a 25y Bowmore from Tri Carragh. And so many others: Woodrowโ€™s, Fragrant Drops (with a new line of small batches whisky called Elevenses), obviously the SMWS, Cadenheads, Elixir Distillers, Thompson Brothers, the small but great Whisky Concerto, Lady of the Glenโ€ฆyou name it! It was a great session, not too crowded and we had a lot of fun. We didnโ€™t know at the time, but we know now, that there is going to be a second one in 2026, hurray!

Overall we loved both of those festivals, we feel that are the perfect size for us: not too big, not too overwhelming, but with all of the whisky we want to sip. But mostly, with the right people: in the crowd, behind the stands and among the staff. Getting to chat with friends and other whisky enthusiasts like us, exchanging drams’ suggestions and having a laugh is really what makes these occasions special. What to say more? Just that we are looking forward to next year editions!

Until next time, slainte!


Links

Fife Whisky Festival: https://www.fifewhiskyfestival.com/

Independent Spirits Festival: https://www.independentspirits.co.uk/


#56.5 Dramming Down Under

A hidden gem in Southern Australia: Fleurieu

 

TL; DR: The drive on the Great Ocean Road was really great, plenty of beautiful landscapes and some nice wildlife. Before getting to Adelaide though, we did one last stop in Goolwa, to visit Fleurieu distillery. Another craft family business, we learned how they went from brewing to distilling, and had a taste of their amazing malts.ย 

(missed Part 4/Part 3/Part 2/Part 1?)

This post starts with us on the road again, specifically on the Great Ocean Road, which stretches from Melbourne to Warrnambool. We did a few stops along the way: Lorne, for breakfast at a nice cafรฉ and art gallery called QDOS, the Kennett River Koala Walk (where, despite the name, we almost didnโ€™t see a koala on a tree), the stunning Cape Otway lighthouse, the famous 12 Apostoles, and past Port Campbell, for a quick swim in the Southern Ocean before stopping in Portland for the night.

The next day the weather was not great, so we kept driving along the coast and visited a few other villages (Beachport, Robe, Meningie) before crossing the river Murray at Wellington, with the small boat watched by a flock of resting pelicans. Pelicans were not the first encounter of the day, as during the drive an emu and a kangaroo crossed the road! After the very short crossing, we drove through Langhorne Creek and Currency Creek wine regions (not stopping this time), straight to Goolwa, just about one hour away from Adelaide, on the Fleurieu Peninsula. This is a nice wee town, next to the estuary of the Murray river.

The next morning we went for a run (the only one we did together in Australia), first along the river and then to the beach, and back to the motel. We were excited, because we had an appointment at a distillery, the last one of our holiday: Fleurieu. The distillery is on the riverside, in a listed building next to the train tracks (reasons why they cannot expand). We learned about them while visiting Melbourneโ€™s whisky bars, and when we realised that they were almost on our itinerary, we contacted them and asked if we could visit. Gareth, one of the founders and head distiller, very kindly agreed and gave us an appointment for half hour before the bar would open to the public โ€“ nice gesture! Before the distillery, Gareth and his wife Angela were running the Steam Exchange brewery, founded in 2004, and located in the same building they are still using. However, after the boom of craft brewing, they decided to move to whisky, to differentiate themselves from the crowd. They started planning this change back in 2013, and for a while they produced both whisky and beer. They later phased out beer, which is now produced by another company on commission, using their recipes.

As Gareth welcomed us, he delved into the features of their whisky production. They start from local aqueduct water, which goes through a 10,000 carbon filter to clean it before mashing. The mashtuns used to be manual (they have two small ones), but then they added a mechanic stirring system. They aim for a clear wort, which is then passed down to one of the shallow fermenters, together with brewerโ€™s yeast (some of their brewersโ€™ heritage remains). In between these stages, they use a portable heat exchanger, to recover the heat lost from taking down the wash temperature to allow yeast to do its job under the best conditions. Fermentation lasts at least 8 days, once again a very long one! They use the โ€œdouble dropโ€ fermentation technique, which allows for a second fermentation – this is a brewing technique we are not too familiar with, definitely first time we heard about it in a distilling context.

The fermented wash is then transferred into the 3,600-litre wash still, and then to the 1,200-litre spirit still, both coming from Tasmania. To charge the spirit still, they use 600 litres of low wines from the previous wash still run, 300 litres of tails from the previous distillation and 300 litres of water. The first distillation is mostly run at night, to save energy; similarly, the second usually starts around 5am, and by 8am they are ready to take the cuts, done according to taste. Just before their silent season (December to January, when the weather is too hot), they produce some peated spirit, while they make unpeated spirit during the rest of the year.

The cask filling strength is very similar to most Scottish distilleries, 63.4%abv, and in contrast to most of the other Australian distilleries but, again, similarly to Scotland, the abv goes down in this corner of the world. Thatโ€™s because of the humid climate, influenced by the Southern Ocean. They fill many types of casks: ex-bourbon, Apera, Australian tawny, and of various sizes (we noticed a number of smaller size casks around). One practice that showed us their care for details: if they see that a cask is too active, they rerack the spirit (or whisky) into a less active cask, to slow the maturation process and allow a mellower maturation. This is because climate is still hotter than places like Scotland or Ireland, thus some casks might give too much too quickly.

Finally, it was time to try some drams. We started with โ€œNever a dull momentโ€: this is a vatting of Apera casks named after women in their families. Yes, every cask has a name, including some American oak casks named after United States presidents (until the 60s, then it became too controversial). This expression is a small batch (1,320 bottles, bottled at 47.6%abv). Small batches is what they mostly do, sometimes taking only part of certain casks. Another thing denoting their attention to detail, if you ask us. Moreover, despite some lower abvs, none of their whiskies are chill filtered or artificially coloured.

Anyway, moving on, the second dram was โ€œTapestryโ€ (850 bottles at 45.2%), a mix of ex-bourbon and Apera casks. We then tried their first release, dating a few years back, in 2017: a Port cask whisky matured (600 bottles, 52%). Finally, we tried two editions of their blended malt collaboration with another craft distillery, Black Gate, from New South Wales. The bottling is called From Country to Coast, we tried Edition 4 (460 bottles, 48%, already tried back in Melbourne) and Edition 5 (240 bottles, 46%). We liked Edition 4 the most, but unfortunately it was not available to buy (which probably saved us a second bottle purchase, after Tapestry).

We loved the whisky we tried at Fleurieu, definitely among the best of the holiday, and Gareth’s friendliness wa the cherry on the top. We also loved the attention to detail they put in everything they do, just a shame finding their whisky here in Scotland is so hard (the only bottling we found is this one, hefty!).

After leaving the distillery, we had some food and drove to Adelaide. We stopped briefly to say hi to a fellow barfly who was on shift in a liquor store that day. Itโ€™s always great to chat to whisky nerds during our trips!

Adelaide is a lovely city, a shame we stayed for only a day and a half. After that, we visited the Barossa and Eden Valleys (while we were thereโ€ฆamazing wines!), before the long drive back to Melbourne through the stunning Grampians National Park. There, we got a flight to Uluru, where we spent a few days before heading back home: definitely one of the highlights of our holiday (despite no whiskies thereโ€ฆwe wonโ€™t put too many pictures here).

In general, the whisky scene in mainland Australia (we left Tasmania for another time) really surprised us, we had some amazing drams down under! But what we loved the most is the ethos and how people really care about what theyโ€™re doing there.

Stay tuned for some festival action, this time in Scotland, coming in a couple of weeks! Until next time, slainte!


Fleurieu Distillery Tour

Price: free (November 2024)

Duration: 1hr 30min

Tasting: Never a Dull Moment (vat of Apera casks, 47.6%), Tapestry (ex-bourbon and Apera casks, 45.2%), First release 3yr Port Cask (52%), From Country to Coast Edition 4 and 5 (blended malt, 48% and 46%)

Target: everyone, but whisky geeks especially

Value for money: NA

Highlights: the drams were really good

Recommended: a must visit if you are in the area!

Link: https://fleurieudistillery.com.au